For more than 25 years Alan Jackson’s music has provided a soundtrack for American life. Whether someone is plowing a Kansas field or toiling away in a factory in an urban metropolis, Jackson’s songs have chronicled the hopes, dreams and values of everyday people. Hits like “Remember When,” “Drive” and “Where Were You (When the World Stopped Turning)” have become an enduring part of America’s musical landscape, but Jackson’s restless creative spirit won’t let him sit on his considerable laurels.
With Angels and Alcohol, Jackson’s first studio album of new music in three years, he continues to deliver the kind of insightful and thoroughly engaging songs that have long been the foundation of his successful career. From the pensive title track to the up-tempo first single, “Jim and Jack and Hank,” Jackson takes the listener on an emotional journey. “I’ve always got my eyes and ears open for ideas, melodies and things,” Jackson says. “I keep a running list of good hooks and titles, and if I have a melody that I come up with now, I just put it on my phone so I won’t forget. If I get inspired by something, I’ll sit down and write a whole song right away, but most of the time I just collect ideas and hooks and melodies and eventually I’ll get around to writing it.”
Jackson’s observational skills have served him well throughout his 25-year career. The Newnan, Georgia native has sold nearly 60 million albums and released more than 60 singles with 50 landing in the top ten and 35 soaring all the way to No. 1. A member of the Nashville Songwriters Hall of Fame and the Grand Ole Opry, Jackson has won more than 150 industry awards, including 18 Academy of Country Music Awards, 16 Country Music Association Awards, two Grammys and ASCAP’s Founders and Golden Note Awards. He also received the first-ever ASCAP Heritage Award in 2014 having earned the title of most performed country music songwriter-artist of ASCAP’s first 100 years.
Among all the accolades he’s earned, Jackson admits that being recognized for his songwriting means the most to him. “If I had to pick something, I’d rather them remember me for songwriting,” he says of his legacy. “I’ve always been proud of that and I feel that’s the most important part of the business. I’d like to think that my songwriting made a difference. I’ve had so many people tell me that my songs are the reason they moved to Nashville. I’ve heard that so many times and it makes me feel good that I’ve inspired somebody.”
Angels and Alcohol comes 25 years after the release of Jackson’s landmark debut album Here in the Real World. Since then he’s released 22 albums, including two Christmas collections, two gospel albums, three Greatest Hits packages and his highly acclaimed The Bluegrass Album, which included eight original songs. His commitment to the craft of songwriting continues as Jackson penned seven of the 10 songs on Angels and Alcohol. The lead single, “Jim and Jack and Hank” is an up-tempo break-up song with a clever lyric and infectious melody. “The girl leaves guy and this time he’s not going to be heartbroken. He says, ‘Just go out the door and take all your junk and everything. I don’t need anything. I got all I need. I got my friends Jim, Jack and Hank— Jim Beam, Jack Daniels and Hank Williams, Sr. or Jr. or both. My mama won’t like this song I know,” Jackson admits with a grin, “but it’s a fun way of looking at that guy losing his girl and acting like he didn’t care.”
A track sure to win Mama Jackson’s approval is the opening cut “You Can Always Come Home,” penned for his three daughters. “Ali, my middle daughter, moved out to California last fall and that’s when I wrote it. It reminded me of when I moved to Nashville and didn’t know anybody. I’d call my folks at home. My mama and daddy were supportive even though they were worried about me coming up here. My daddy said, ‘You can always come home. If it doesn’t work out, you can always come home.’ I’ve always remembered that so it reminded me of Ali and that’s where that one came from.”
“You Never Know” is a buoyant country number that serves as a reminder of life’s unexpected gifts. Jackson admits the first verse draws on his memory of meeting Denise and falling in love. “That verse about the stringy blonde hair and 20-inch waist, I was thinking about her when I first met her,” he says. “‘You Never Know’ is kind of a rockabilly thing. I always liked that early George Jones rockabilly, those Carl Perkins and Jerry Lee Lewis kind of melodies. That’s what this one reminded me of. It’s a fun song about how you never know when love is going to grab a hold of you.”
“Angels and Alcohol” is a cautionary tale about the dangers of addiction and the impact it can have on relationships. “I’ve had that hook laying around for a while,” he shares. “I don’t know where I got ‘Angels and Alcohol.’ At first, I thought it sounded like an album title more than anything and I just had it laying there. One day, I sat down and tried to write it and it just came out. It’s about alcohol abuse and how it effects your whole life and relationships and dealing with your own problems. It’s just hard to do anything when that has an affect on you.”
Angels and Alcohol was produced by Keith Stegall, who has helmed every one of Jackson’s albums with the exception of 2006’s Like Red on a Rose, which was produced by Alison Krauss. Together they have crafted a stunning collection teaming with stone country toe-tappers and heart-tugging ballads. Adam and Shannon Wright contribute “The One You’re Waiting On,” a barroom treatise on a woman looking for love. Troy Jones and Greg Becker penned “When God Paints,” a beautiful ballad that gets a tender reading from Jackson’s rich, evocative voice. “Flaws” is a lively number about imperfections. “That song is a kind of a silly little swing thing,” Jackson shares. “It’s fun.”
In a day and age when country music has become an interesting cornucopia of styles and influences, Jackson’s brilliance lies in his consistency. Fans have always counted on him to deliver the kind of meat and potatoes country music that has enriched their lives and soothed their hard-working souls. “[During] the whole 25 years, it was about keeping it country and I’ve tried to do that,” Jackson says. “I just wanted to make this album and for people to say, ‘That’s what he’s done. He’s kept it country.’ You could probably play this next to my first album and there wouldn’t be a lot of difference in song content or production. My voice was a lot higher back then. My voice has gotten deeper with age, but other than that there probably isn’t much difference, and I’m proud of that.”
Over the course of 25 years, Alan Jackson has kept it country and along the way he’s earned the respect of his peers across all genres. He is in the elite company of Paul McCartney and John Lennon among songwriters who’ve written more than 20 songs that have hit No. 1. The soft-spoken Georgian is also one of the best-selling artists since the inception of SoundScan, ranking among Eminem and Metallica.
“My wife, Denise, and I still sit down and look back and think: ‘What in the world? How did all this happen?” Jackson says humbly marveling at his success. “From where we came from to come up here and have all this happen, she thinks this is divinely orchestrated. I’ve seen people have one or two hits and disappear, and if they are lucky, their career would last five years and that’s what I was expecting. Now we are here 25 years later and I’m still able to go out and play if I want to and sell a few records. It’s amazing.”
Amazing! Yes. And well earned through a lot of long miles on the road and many quiet nights alone with a pen and a guitar. Alan Jackson personifies the working man’s musician, a hard-working troubadour from humble roots who has risen to the top of his field. Though he might describe himself as “a singer of simple songs,” Alan Jackson is so much more. He’s a gentle, intelligent soul who documents the world around him and shares those observations through country music. The first 25 years have indeed been amazing, and if Angels and Alcohol is any indication, there’s so much more to come.
The Country Music Association announced today that Alan Jackson, Jerry Reed, and Don Schlitz will become the 2017 inductees into the Country Music Hall of Fame.
Reed will be inducted in the “Veterans Era Artist” category, while Jackson will be inducted in the “Modern Era Artist” category. Schlitz will be inducted in the “Songwriter” category, which is awarded every third year in rotation with the “Recording and/or Touring Musician Active Prior to 1980” and “Non-Performer” categories. Reed, Jackson, and Schlitz will increase membership in the coveted Country Music Hall of Fame from 130 to 133 members.
“Thank you, CMA and Country Music Hall Of Fame, for recognizing all the years of love, dedication, and hard work that daddy put into his craft. He loved Country Music and would be so deeply humbled and appreciative if he was here. Thank you from the bottom of our hearts,” said Reed’s daughters, Seidina Hubbard and Lottie Zavala.
Jackson said, “For me to say I’m honored sounds like the standard old response, but for a man who loves Country Music there is no higher honor. This is the mountain top!”
Alan told us following up, “I don’t think I was even that overwhelmed about it until I had the office get me a list of all the members ’cause I wanted to see. And then when I started reading down through there, even though I knew pretty much who it was, but still when you see it the whole list is like, ‘Oh my gosh, man, everybody you ever loved is in there.’ So, to be in there with ’em, it’s just amazing. It’s an American dream right there.”
“I live in the parentheses; I’m just a small part of a wonderful process of making music. This is overwhelming and humbling,” said Schlitz.
Formal induction ceremonies for Reed, Jackson, and Schlitz will take place at the Country Music Hall of Fame® and Museum in the CMA Theater in October. Since 2007, the Museum’s Medallion Ceremony, an annual reunion of the Hall of Fame membership, has served as the official rite of induction for new members.
CMA created the Country Music Hall of Fame in 1961 to recognize noteworthy individuals for their outstanding contributions to the format with Country Music’s highest honor.
“These three storytellers have added much to our lives, and to the story of Country Music,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum. “They stand as models of undeniable eloquence and empathy. Over many decades, they have brought laughter, joy, and tears to millions. The Hall of Fame Rotunda will be grander for the presence of Alan Jackson, Jerry Reed, and Don Schlitz.”
Hosted by Country Music Hall of Fame member, President of the Board of Officers and Trustees of the Country Music Hall of Fame and Museum, 18-time CMA Award winner, and 12-time host of the CMA Awards, Vince Gill, the announcement was made today in the Rotunda of the Country Music Hall of Fame in Nashville and could be seen via live stream on CMAworld.com. Media assets are available for download at vistalive.net/CMAHOF and CMApress.com.
Modern Era Artist – Alan Jackson
When music historians recount Alan Jackson’s staggering accomplishments, they don’t just limit the comparisons to his Country Music contemporaries. With dozens of chart-topping singles, tens of millions of albums sold, and an unparalleled reputation as a singer and songwriter, he ranks with The Beatles, Elvis Presley, and a very small handful of other transcendent artists who stand out like signposts in pop music history.
By deeply tipping his hat to the honky-tonk legends of his youth and unflinchingly remaining true to himself for more than 25 years, Jackson earned an unparalleled reputation as a singer and songwriter. He blended the old and new in a musical style that is urban and rural, rugged and raw, and appeals to the large sector of the Country Music audience that looks to the past for its musical influences.
Born Alan Eugene Jackson on Oct. 17, 1958, in Newnan, Ga., the 58-year-old singer-songwriter came to personify the neotraditional movement that emerged in opposition to the “Urban Cowboy” trend of the 1980s. Jackson took the sounds of Country Music in his youth and blended them with modern production and band structures in a way that made him an immediate star, one who straddled the divide between pop sensibilities and hard-line affection for classic Country.
Jackson began his career as the lead singer of local Newnan band Dixie Steel, holding down numerous odd jobs while touring and writing songs. His wife, Denise, a flight attendant at the time, had a chance meeting with Glen Campbell. Campbell suggested Alan get in touch with his music publishing company. Within two weeks of the meeting, the Jacksons packed up and moved to Nashville to follow his dreams and Alan eventually signed with the worldwide star’s publishing company.
He honed his craft and was eventually signed by executive Tim DuBois as the flagship artist at Arista Nashville in 1989. Jackson saw almost immediate success with his first album, Here in the Real World. It yielded his first Billboard No. 1 single, “I’d Love You All Over Again,” and made Jackson an instant — and instantly recognizable — star. He was nominated for four awards at the 1990 CMA Awards and, over the course of his career, would become the second most-nominated artist in CMA Awards history with 81 nominations, following only close friend and fellow Hall of Fame member George Strait. He still owns the record for most nominations in a single year with 10, set in 2002, the year he swept Song and Single of the Year with his poignant 9/11 tribute “Where Were You (When the World Stopped Turning).” The track also was nominated for all-genre Song of the Year at the Grammy Awards and won the Best Country Song Award, his first golden gramophone.
Jackson released four studio albums in the first five years of his recording career. Here in the Real World, Don’t Rock the Jukebox, his best-selling A Lot About Livin’ (And a Little ‘Bout Love), and Who I Am sold more than 20 million albums during that period and included some of his most memorable and important tracks, including “Midnight in Montgomery” and “Chattahoochee,” a winner of CMA Single and Song of the Year in 1993-94, respectively.
Jackson has released more than 20 albums and collections — including forays into gospel and bluegrass — nine of which went multiplatinum with 2 million or more in sales. Those albums have led to one of Country Music’s most decorated careers with three CMA Entertainer of the Year Awards (1995, 2002, 2003); two Grammy Awards; and membership in the Grand Ole Opry, the esteemed Nashville Songwriters Hall of Fame, and the Georgia Music Hall of Fame. He was given the first ASCAP Heritage Award (2014) by the performance rights organization, recognizing him as the most performed Country Music songwriter-artist of the last 100 years. Jackson has charted more than 30 No. 1 hits, sold nearly 60 million albums, and is among the genre’s most decorated and respected figures, with more than 150 awards.
Veterans Era Artist – Jerry Reed
There was a time when Jerry Reed was the fast-picking, wisecracking face of Country Music for most Americans. Though Reed found himself participating in some key music history moments as a session player and scored his share of chart hits as a performer, it was his good-natured wit and ability to transform into an outsized personality as an actor without losing his authenticity that made him one of the genre’s most well-known ambassadors of the 1970s and ’80s.
It’s that ability as an all-around entertainer that brings Reed to the Country Music Hall of Fame.
Reed’s active career stretched from the 1950s into the 1990s, though he still toured and made public appearances well into the 2000s. His career was so long, he received CMA Awards nominations over the course of four decades — from 1969 to 1999. He was a two-time nominee for CMA Entertainer of the Year and a three-time Grammy winner.
Born Jerry Reed Hubbard on March 20, 1937, in Atlanta, the singer-guitarist had already scored a few minor hits and spent years in the recording studio and onstage by the time he made it to Nashville in 1962 to get into session work after a two-year stint in the U.S. Army. He’d drawn the attention of the industry when two of his songs covered by popular artists became hits: Gene Vincent released his version of “Crazy Legs” in 1958 and Brenda Lee recorded “That’s All You Got to Do” in 1960.
It was Reed’s fiery guitar playing that really turned the heads of some of Nashville’s most important figures as he made the rounds in the early 1960s. A fingerstyle picker with few rivals, Reed was dubbed a “Certified Guitar Player” by Hall of Fame member Chet Atkins, perhaps the most prestigious honorary title given in Country Music. Atkins bestowed the award just four times personally. Earning the CGP status meant Country Music’s acknowledged best guitarist thought you were great in every way. Nashville felt much the same, naming Reed CMA Instrumentalist of the Year twice (1970 and ’71), and giving him a straightforward nickname: “The Guitar Man.” Atkins and Reed were nominated together for CMA Instrumental Group of the Year in the following two years (1972 and ’73).
Reed’s best-known hits included “When You’re Hot, You’re Hot,” which won a Grammy Award (Reed would win two more for instrumental recordings “Me & Jerry” and “Sneakin’ Around,” both made with Atkins), “Guitar Man,” “Amos Moses,” “Alabama Wild Man,” “U.S. Male,” “A Thing Called Love,” and “She Got the Gold Mine (I Got the Shaft).” He got a career boost from Elvis Presley, who not only recorded a few of Reed’s songs, including “Guitar Man,” but also hired him to be his guitar man in the studio as well.
He became a regular presence on “The Glen Campbell Good Time Hour” variety show in 1970. His affable onscreen presence was attractive to Hollywood. He made the first of several appearances with friend Burt Reynolds in a string of movies that started with 1975’s “W.W. and the Dixie Dancekings” and included the three wildly popular “Smokey and the Bandit” films, which launched in 1977 and featured Reed as Reynolds’ straight man. Reed scored a hit with the film’s theme song, “East Bound and Down.” Reed made an unforgettable return to film in 1998 when he played angry Coach Red Beaulieu in Adam Sandler’s “The Waterboy.”
The following year he received his final CMA nomination, for Vocal Event of the Year, for his “Old Dogs” supergroup collaboration with Waylon Jennings, Mel Tillis, and Bobby Bare.
Reed passed away from complications related to emphysema in 2008 at the age of 71.
Songwriter – Don Schlitz
Don Schlitz is among the most influential and beloved songwriters in the history of Country Music. His chart-topping songs – among them “The Gambler,” “On the Other Hand,” “Forever and Ever, Amen,” “He Thinks He’ll Keep Her,” “The Greatest,” and “When You Say Nothing At All” – are touchstones and inspirations that continue to influence songwriters and singers decades after they were written.
His 50 Top 10 singles performed by iconic acts Mary Chapin Carpenter, Alison Krauss, Nitty Gritty Dirt Band, Kenny Rogers, The Judds, Randy Travis, Tanya Tucker, Keith Whitley, and many others include 24 No. 1 Country hits. He has won three CMA Song of the Year Awards, two Grammy Awards, and four consecutive ASCAP Country Songwriter of the Year trophies (1988-91).
Schlitz was inducted into the Nashville Songwriters Association Hall of Fame in 1993 and the Songwriters Hall of Fame in 2012.
Born Donald Alan Schlitz Jr. on Aug. 29, 1952, and raised in Durham, North Carolina, Schlitz briefly attended Duke University before coming to Nashville at age 20. His talent was recognized and fostered early on by greats, including Bob McDill and Bobby Bare, and he emerged as an empathetic and intelligent chronicler of the human spirit.
When Rogers recorded “The Gambler” – the songwriter’s first recorded song – Schlitz’s ascent was assured, and the success of that enduring story-song allowed him the freedom to spend a lifetime writing words and music that articulated the extraordinary emotions inherent in common experience.
Having written hits across five decades, he will join an exclusive circle in the Country Music Hall of Fame that includes Bobby Braddock, Hank Cochran, Harlan Howard, Cindy Walker, and Boudleaux and Felice Bryant, all inducted primarily as songwriters.
Schlitz and his cowriters penned “Rockin’ with the Rhythm of the Rain,” “Forty Hour Week (for a Livin’), “Houston Solution,” “Deeper Than the Holler,” “One Promise Too Late,” “I Feel Lucky,” “Old School,” “Give Me Wings,” “Strong Enough To Bend” and dozens of others that underscore the depth and breadth of modern era Country Music.
One of the first performers at Amy Kurland’s iconic songwriter club The Bluebird Café, Schlitz and friends Thom Schuyler, J. Fred Knobloch, and Paul Overstreet originated the Café’s songwriter in the round format in 1985. He continues to regularly perform his hits and new material at The Bluebird, interspersed with his wry wit and unique comic timing.
The Don Schlitz songbook even includes the 2001 Broadway musical “The Adventures of Tom Sawyer.”
Kenny Rogers encapsulated the sentiments of many when inducting Schlitz into the Songwriters Hall of Fame with the statement, “Don doesn’t just write songs, he writes careers.”
— UMG Nashville (@UMGNashville) April 5, 2017
— Alan Jackson (@OfficialJackson) April 5, 2017
Alan Jackson (where he was when they told him about the HOF) OC: …what to say. :52
“When they first told me, we were actually standing in, I have this little bar on Broadway that we opened a while back and we were, the record label called and said they wanted to meet with me that morning for some kind of meeting, you know, and they never meet withg me. I figured they were gonna drop me off the label ‘cause I hadn’t turned in my album like they want me to. So, that’s where we were and then Sarah [Trahern] and everybody, all these people walked in. I thought it was some kind of intervention, you know? Anyway, when they told me what it was for, I mean it caught me off-guard and I was, I know I stumbled around and couldn’t even think of what to say, because I didn’t know what to say. It caught me off-guard. People have been telling me for years, ‘Aww, you’ll be in the Hall of Fame. You’ll be in the Hall of fame.’ But you just don’t think about it that way, and when it happened, I still didn’t know what to say.”
Alan Jackson (overwhelmed about HOF) OC: …right there. :19
“Yeah, I don’t think I was even that overwhelmed about it until I had the office get me a list of all the members ’cause I wanted to see. And then when I started reading down through there, even though I knew pretty much who it was, but still when you see it the whole list is like, ‘Oh my gosh, man, everybody you ever loved is in there.’ So, to be in there with ’em, it’s just amazing. It’s an American dream right there.”
Alan Jackson (moments in his career) OC: …write it. :39
“I’ve had such a fantastic life and career, it’s hard for me to even list them all. I mean, I’ve done so much. I’ve played for four presidents, I have played in some of the worst honkytonks you’ve ever seen, I stood on the Grand Ole Opry stage with Roy Acuff looking up at me when I sang ‘Here in the Real World’ for the first time. I sang at George Jones’ funeral – ‘He Stopped Lovin’ Her Today.’ I mean, you can’t imagine that all that could happen to you and all the other stuff that I can’t remember right at this moment. My career has just been hard to, you couldn’t write it. You couldn’t write it.”
Little Big Town will perform on The Ellen DeGeneres Show on Wednesday (March 1st), followed by The Talk on March 14th.
Luke Bryan will perform on The Tonight Show Starring Jimmy Fallon on Thursday (March 2nd).
Eric Church and Sam Hunt, along with Jason Aldean, will headline the 4th Annual Route 91 Harvest Festival September 29th – October 1st at Nevada’s Las Vegas Village. Tickets go on sale Friday (March 3rd).
Luke Bryan, Darius Rucker, Chris Stapleton and Alan Jackson are scheduled to perform during this year’s Tortuga Music Festival in Fort Lauderdale, Florida. The three-day concert event will take place April 7th – 9th and will also feature such artists as Brett Eldredge, Kenny Chesney, Maren Morris, Dustin Lynch, Brett Young, Chris Lane and many more.
Each year on February 14th, many people exchange cards, candy, gifts or flowers with their special someone. The day of romance we call Valentine’s Day is named for a Christian martyr and dates back to the 5th century.
Over 150 million Valentine’s Day cards are exchanged annually, making Valentine’s Day the second-most popular greeting-card-giving occasion. (This total excludes packaged kids valentines for classroom exchanges.) (Source: Hallmark research)
2.2 million marriages take place in the United States annually, which breaks down to more than 6,000 a day.
Tuesday is Valentine’s Day (February 14th), and we’ve got some thoughts and feelings more about love, romance and marriage from several of your favorite country artists. Some are new and some have become our favorites over the years. Which country stars are romantic? Which ones aren’t? Which ones have a good reason to celebrate the holiday that’s all about love?
AJ (Valentine’s Day) OC: …continue to. :24
“We got a lot of history together now, and we’re happier than we’ve ever been. So, she’s still beautiful, and she’s always inspired songs. I mean, one of my early hits was a song called ‘I’d Love You All Over Again,’ I wrote for her for our 10th anniversary. I mean, there’s been a zillion songs that have pieces of our good days and bad days inspired, and they continue to.”
Billy Currington (Valentine’s Day memory) OC: …took off running. :21
“Yeah, I remember my first girlfriend. I was in first or second grade, but anyway, I remember it was Valentine’s Day and your mom going, ‘You’ve got to give your girlfriend something, and you’ve got to go give it to her.’ I’ll never forget — we got her a box of chocolates or whatever it was. I remember going down to her classroom and knocking on the door, getting her to come to the door. I remember handing it to her, and then I took off running.”
Canaan Smith (Valentine’s Day) OC: …get lucky. :25
“I bet I’m just like 99.9% of the rest of the men in the world who could really care less about that holiday. I want my wife to feel special, so I’m gonna take part in it. I’m gonna do my part to make her feel special and loved, but is it necessary? Shouldn’t we do that every day? I mean, it kinda is just another way to get a bunch of money out of us, but oh well. We’ll go see a movie or something. Maybe I’ll get lucky.”
Dierks Bentley (Valentine’s Day realities) OC: …that’s awesome. :53
“I’m gonna be the voice of truth and honesty for Valentine’s Day for a lot of the guys out there listening and for some of the girls listening, as well too. You may like this; you may not, but Valentine’s Day is a really difficult day for guys. When you’re single, it’s stressful for like a month leading up to it, and inevitably, you do something wrong. You don’t get the wrong thing or you say too much, and she’s wanting to get engaged faster than you want to get engaged. I don’t know. It’s just a very stressful holiday. I’m at a time in my life where I got a five-year-old, a three-year-old and a zero-year-old, and we’re just really trying to survive on a day-to-day basis. I mean, we get about four hours of sleep, and we’re literally in survival mode. So, I think there should be a hall pass for guys in that phase of their life. It doesn’t take much at this stage for us to get excited. A dinner alone is heaven. I mean, if we can just have a dinner and a glass of wine, that’s awesome.”
Dierks Bentley (Valentine’s peak) OC: …48-hour party, you know? [chuckles]
“I kind of peaked when I dropped the engagement ring on her and surprised her with that and took her to Mexico and eloped. I spiked early. I peaked early. Now we’re in our eighth year. I need to find something special to do, but we keep having kids. It’s like, we can’t be away from them. We’re gonna find a week when they’re all in school and everything is set and we’ve got somebody. We have no family in town. We just have some folks that we really count on. When we get everyone locked in place, we’re gonna go somewhere for like two days and get away and have like a two-day, 48-hour party, you know?” [chuckles]
Eric Church (Valentine’s) OC: …love song is. :18 “True love to me is when you love a person in spite of all their fallibilities, and for me, I have a lot of ‘em. I’m definitely at times hard to love, and that’s what’s great about Katherine and the way she loves me. She loves me in spite of those things and really for those things.”
Josh Turner (Romantic) OC: …long time to come. :26
“If you ask my wife Jennifer if I was a romantic, she would definitely say, ‘Yes,’ but she knows that sometimes my hectic schedule and our busy lifestyles can kind of interfere with the romantic side of things. But we do try to make efforts towards being together and having adult conversations and taking time away from the children and doing things that husbands and wives do, so we’ll definitely try to continue that for a long time to come.”
Lauren Alaina (Valentine’s Day) OC: …pretty embarrassing. 1:51
“I think my first Valentine’s Day with Alex, I was trying to be super cute and cook him a Valentine’s Day dinner. I was 18 at the time, and I’d just moved into this brand new apartment in Chattanooga. I was trying to get used to not living with my parents before I moved to Nashville, so I did like six months in Chattanooga in an apartment. And [giggles] my mom makes these really great mashed potatoes, which I’ve modified the recipe, but they’re delicious and I wanted to make him these potatoes, because I knew I could make these potatoes. Well, I did not grow up with a very updated kitchen, so I didn’t have a [garbage] disposal, it was very new to me. So, I peeled the bag of potatoes and put the potato peels in to the sink and tried to use the disposal and it broke it before he got there. Annnd, I turned the water on, and I was baking chicken and I was cooking broccoli and mashed potatoes, and just turned the water on and then I forgot I had the water on, so I overflowed the kitchen sink with the potato peels, and it looked like something died in my sink and my sink was like spitting it up. It was horrible. I was panicking and trying to get it all cleaned up before he got there, and he knocked in the middle of it, like knocked on the door. He was early, of course. He’s always early, and he freaking knocked. I had like potato peels flying through the air, my potatoes were boiling over. I was still boiling the potatoes. I was running behind and he was running early, so it was just crazy. But, we’ve had some great Valentine’s. Last Valentine’s, he cooked for me and everything was smooth, so maybe he should be the cook. Uh, I’m a great cook, I just was trying to use a disposal for the first time, and that was pretty embarrassing.”
Little Big Town (Jimi & Karen fell in love) OC: (Kimberly) …to be together. :48 JIMI: “We were in the band a long time before there was ever anything which is interesting. I think there was always something underlying there that we were kind of trying to ignore. And then when the opportunity came, when all of us, ended up single kind of at the same time, a very strange turn of events for the band in a lot of different ways. And those feelings, you were able to come out with them finally. It was like, we’re single. Let’s get together. And, you know, she has a beautiful heart and she’s absolutely gorgeous and I just love her dearly.”
PHILLIP: “Get a room!” [laughs]
KIMBERLY: “They’re a perfect match. They really are. They were meant to be together.”
Luke Bryan (Valentine’s Day) OC: …full day. :11
“Well, I mean Valentine’s Day is, it’s kinda me and Caroline’s day just to go and just being with one another for a full day.”