Bio

For more than 25 years Alan Jackson’s music has provided a soundtrack for American life. Whether someone is plowing a Kansas field or toiling away in a factory in an urban metropolis, Jackson’s songs have chronicled the hopes, dreams and values of everyday people. Hits like “Remember When,” “Drive” and “Where Were You (When the World Stopped Turning)” have become an enduring part of America’s musical landscape, but Jackson’s restless creative spirit won’t let him sit on his considerable laurels.

With Angels and Alcohol, Jackson’s first studio album of new music in three years, he continues to deliver the kind of insightful and thoroughly engaging songs that have long been the foundation of his successful career. From the pensive title track to the up-tempo first single, “Jim and Jack and Hank,” Jackson takes the listener on an emotional journey. “I’ve always got my eyes and ears open for ideas, melodies and things,” Jackson says. “I keep a running list of good hooks and titles, and if I have a melody that I come up with now, I just put it on my phone so I won’t forget. If I get inspired by something, I’ll sit down and write a whole song right away, but most of the time I just collect ideas and hooks and melodies and eventually I’ll get around to writing it.”

Jackson’s observational skills have served him well throughout his 25-year career. The Newnan, Georgia native has sold nearly 60 million albums and released more than 60 singles with 50 landing in the top ten and 35 soaring all the way to No. 1. A member of the Nashville Songwriters Hall of Fame and the Grand Ole Opry, Jackson has won more than 150 industry awards, including 18 Academy of Country Music Awards, 16 Country Music Association Awards, two Grammys and ASCAP’s Founders and Golden Note Awards. He also received the first-ever ASCAP Heritage Award in 2014 having earned the title of most performed country music songwriter-artist of ASCAP’s first 100 years.

Among all the accolades he’s earned, Jackson admits that being recognized for his songwriting means the most to him. “If I had to pick something, I’d rather them remember me for songwriting,” he says of his legacy.  “I’ve always been proud of that and I feel that’s the most important part of the business. I’d like to think that my songwriting made a difference.  I’ve had so many people tell me that my songs are the reason they moved to Nashville.  I’ve heard that so many times and it makes me feel good that I’ve inspired somebody.”

Angels and Alcohol comes 25 years after the release of Jackson’s landmark debut album Here in the Real World. Since then he’s released 22 albums, including two Christmas collections, two gospel albums, three Greatest Hits packages and his highly acclaimed The Bluegrass Album, which included eight original songs. His commitment to the craft of songwriting continues as Jackson penned seven of the 10 songs on Angels and Alcohol. The lead single, “Jim and Jack and Hank” is an up-tempo break-up song with a clever lyric and infectious melody. “The girl leaves guy and this time he’s not going to be heartbroken. He says, ‘Just go out the door and take all your junk and everything. I don’t need anything. I got all I need. I got my friends Jim, Jack and Hank— Jim Beam, Jack Daniels and Hank Williams, Sr. or Jr. or both. My mama won’t like this song I know,” Jackson admits with a grin, “but it’s a fun way of looking at that guy losing his girl and acting like he didn’t care.”

A track sure to win Mama Jackson’s approval is the opening cut “You Can Always Come Home,” penned for his three daughters. “Ali, my middle daughter, moved out to California last fall and that’s when I wrote it. It reminded me of when I moved to Nashville and didn’t know anybody. I’d call my folks at home. My mama and daddy were supportive even though they were worried about me coming up here. My daddy said, ‘You can always come home.  If it doesn’t work out, you can always come home.’ I’ve always remembered that so it reminded me of Ali and that’s where that one came from.”

“You Never Know” is a buoyant country number that serves as a reminder of life’s unexpected gifts. Jackson admits the first verse draws on his memory of meeting Denise and falling in love. “That verse about the stringy blonde hair and 20-inch waist, I was thinking about her when I first met her,” he says. “‘You Never Know’ is kind of a rockabilly thing. I always liked that early George Jones rockabilly, those Carl Perkins and Jerry Lee Lewis kind of melodies. That’s what this one reminded me of. It’s a fun song about how you never know when love is going to grab a hold of you.”

“Angels and Alcohol” is a cautionary tale about the dangers of addiction and the impact it can have on relationships. “I’ve had that hook laying around for a while,” he shares. “I don’t know where I got ‘Angels and Alcohol.’ At first, I thought it sounded like an album title more than anything and I just had it laying there. One day, I sat down and tried to write it and it just came out. It’s about alcohol abuse and how it effects your whole life and relationships and dealing with your own problems. It’s just hard to do anything when that has an affect on you.”

Angels and Alcohol was produced by Keith Stegall, who has helmed every one of Jackson’s albums with the exception of 2006’s Like Red on a Rose, which was produced by Alison Krauss. Together they have crafted a stunning collection teaming with stone country toe-tappers and heart-tugging ballads. Adam and Shannon Wright contribute “The One You’re Waiting On,” a barroom treatise on a woman looking for love.  Troy Jones and Greg Becker penned “When God Paints,” a beautiful ballad that gets a tender reading from Jackson’s rich, evocative voice. “Flaws” is a lively number about imperfections. “That song is a kind of a silly little swing thing,” Jackson shares. “It’s fun.”

In a day and age when country music has become an interesting cornucopia of styles and influences, Jackson’s brilliance lies in his consistency. Fans have always counted on him to deliver the kind of meat and potatoes country music that has enriched their lives and soothed their hard-working souls. “[During] the whole 25 years, it was about keeping it country and I’ve tried to do that,” Jackson says. “I just wanted to make this album and for people to say, ‘That’s what he’s done. He’s kept it country.’ You could probably play this next to my first album and there wouldn’t be a lot of difference in song content or production. My voice was a lot higher back then. My voice has gotten deeper with age, but other than that there probably isn’t much difference, and I’m proud of that.”

Over the course of 25 years, Alan Jackson has kept it country and along the way he’s earned the respect of his peers across all genres. He is in the elite company of Paul McCartney and John Lennon among songwriters who’ve written more than 20 songs that have hit No. 1. The soft-spoken Georgian is also one of the best-selling artists since the inception of SoundScan, ranking among Eminem and Metallica.

“My wife, Denise, and I still sit down and look back and think: ‘What in the world? How did all this happen?” Jackson says humbly marveling at his success. “From where we came from to come up here and have all this happen, she thinks this is divinely orchestrated. I’ve seen people have one or two hits and disappear, and if they are lucky, their career would last five years and that’s what I was expecting. Now we are here 25 years later and I’m still able to go out and play if I want to and sell a few records. It’s amazing.”

Amazing! Yes. And well earned through a lot of long miles on the road and many quiet nights alone with a pen and a guitar. Alan Jackson personifies the working man’s musician, a hard-working troubadour from humble roots who has risen to the top of his field. Though he might describe himself as “a singer of simple songs,” Alan Jackson is so much more. He’s a gentle, intelligent soul who documents the world around him and shares those observations through country music. The first 25 years have indeed been amazing, and if Angels and Alcohol is any indication, there’s so much more to come.

Download bio

News

View all news on Alan Jackson

ALAN JACKSON IS INDUCTED INTO THE COUNTRY MUSIC HALL OF FAME.

Alan Jackson was inducted into the Country Music Hall of Fame on Sunday (October 22nd), alongside the late Jerry Reed and songwriter Don Schlitz.

The iconic Loretta Lynn inducted the Georgia native into the Hall of Fame in what she said was her first outing after she suffered a stroke in May. “I love you and I am so proud of you,” she said. “You deserve to be here.”  “Loretta Lynn said I should be here,” Alan said. “That’s all I needed to hear.”

Alan began his career as the lead singer of local Newnan band Dixie Steel, holding down numerous odd jobs while touring and writing songs. His wife, Denise, a flight attendant at the time, had a chance meeting with Glen Campbell. Campbell suggested Alan get in touch with his music publishing company. Within two weeks of the meeting, the Jacksons packed up and moved to Nashville to follow his dreams and Alan eventually signed with the worldwide star’s publishing company.

“I wrote what I knew about, and that was cars,” he says. “My daddy was a mechanic. I grew up in a garage. That’s all I cared about. That’s the reason I came to Nashville to be a singer because I loved cars, and I couldn’t really buy any. [crowd laughs] So, I didn’t have much going on, and I didn’t see much of a future of any direction that would help me buy a lot of cars, and being a singing star looked like the only shot I had.”

He honed his craft and was eventually signed by executive Tim DuBois as the flagship artist at Arista Nashville in 1989. Jackson saw almost immediate success with his first album, Here in the Real World. It yielded his first Billboard No. 1 single, “I’d Love You All Over Again,” and made Jackson an instant — and instantly recognizable — star. He was nominated for four awards at the 1990 CMA Awards and, over the course of his career, would become the second most-nominated artist in CMA Awards history with 81 nominations, following only close friend and fellow Hall of Fame member George Strait. He still owns the record for most nominations in a single year with 10, set in 2002, the year he swept Song and Single of the Year with his poignant 9/11 tribute “Where Were You (When the World Stopped Turning).” The track also was nominated for all-genre Song of the Year at the Grammy Awards and won the Best Country Song Award, his first golden gramophone.

Jackson released four studio albums in the first five years of his recording career. Here in the Real WorldDon’t Rock the Jukebox, his best-selling A Lot About Livin’ (And a Little ‘Bout Love), and Who I Am sold more than 20 million albums during that period and included some of his most memorable and important tracks, including “Midnight in Montgomery” and “Chattahoochee,” a winner of CMA Single and Song of the Year in 1993-94, respectively.

Jackson has released more than 20 albums and collections — including forays into gospel and bluegrass — nine of which went multiplatinum with 2 million or more in sales. Those albums have led to one of Country Music’s most decorated careers with three CMA Entertainer of the Year Awards (1995, 2002, 2003); two Grammy Awards; and membership in the Grand Ole Opry, the esteemed Nashville Songwriters Hall of Fame, and the Georgia Music Hall of Fame. He was given the first ASCAP Heritage Award (2014) by the performance rights organization, recognizing him as the most performed Country Music songwriter-artist of the last 100 years. Jackson has charted more than 30 No. 1 hits, sold nearly 60 million albums, and is among the genre’s most decorated and respected figures, with more than 150 awards.

During the ceremony, Lee Ann Womack performed his first Top 10 hit “Here in the Real World,” Alison Krauss sang “Someday,” while friend George Strait performed his hit “Remember When.”

As a finale to the entire evening, Alan, Loretta and George, along with Connie Smith sang “Will the Circle Be Unbroken,” which is performed at the end of every Hall of Fame Medallion ceremony.

Late last week before this weekend’s induction, Alan released a new song, “The Older I Get.”

Audio / During his Country Music Hall of Fame induction, Alan Jackson says he wrote songs about what he knew and experienced.

Download

AJ (Hall of Fame induction) 1 OC: …only shot I had. :33
“I wrote what I knew about, and that was cars. My daddy was a mechanic. I grew up in a garage. That’s all I cared about. That’s the reason I came to Nashville to be a singer because I loved cars, and I couldn’t really buy any. [crowd laughs] So, I didn’t have much going on, and I didn’t see much of a future of any direction that would help me buy a lot of cars, and being a singing star looked like the only shot I had.” [crowd laughs]

Audio / During his Country Music Hall of Fame induction, Alan Jackson explained he really didn’t know what he was doing when he first came to Nashville to pursue his dream.

Download

AJ (Hall of Fame induction) 2 OC: …tell you that. :58
“I came here, I was so ignorant. I didn’t know anything about the business. I thought people you hear on the radio, I thought everybody wrote their own songs. I didn’t know there were songwriters that wrote ‘em for ‘em, so I came here. I didn’t know what producers were or anything, just blind ignorance, came up here and I guess for some reason God gave me a little big of talent to throw some words together and some melodies that have worked over these years. But, I do have some happy songs. [crowd laughs] ‘Chattahoochie,’ ‘Five O’Clock Somewhere,’ ‘Pop a Top,’ I mean I’ve had a lot of ‘em. It makes me so sad and serious, and I’m not that kind of person, not really. But I’ve always said I’ve loved, my favorite songs are the heartbreak songs. I’ve loved writin’ ‘em. I love singin’ ‘em. There’s more emotion in ‘em, and they’re easier to write. I think most songwriters’ll tell you that.”

ALAN JACKSON SHARES NEW MUSIC AS HE PREPARES TO ENTER THE COUNTRY MUSIC HALL OF FAME.

AJ

As he prepares for his formal induction into the Country Music Hall of Fame (on Sunday, October 22), Alan Jackson is releasing new music for fans. “The Older I Get” – a first taste of what’s to come on Jackson’s next album – is his first new studio recording since 2015.

“This song reflects a lot of how I feel these days,” he says of the song, written by Adam Wright, Hailey Whitters and Sarah Allison Turner. “It’s a good song; I really liked it, but the message was a little different when I first heard it. I thought maybe it could be a little more positive about being older and wiser and more content, so they rewrote a few things, and this is how it ended up.”

“The older I get / The more I think / You only get a minute / Better live while you’re in it / ‘Cause it’s gone in a blink,” Jackson sings in the opening lines of the song. The reflective ballad is filled with the revelations and realizations that can only come from a life well-lived, and the words and melody create an instant image of Jackson’s own place in life and country music. “The older I get / The more thankful I feel / For the life I’ve had / And all the life I’m living still.”

***This weekend, Jackson will cement his place in Country Music history as he formally becomes a member of the Country Music Hall of Fame at the Museum’s annual Medallion Ceremony. He’ll join the echelon of 130 of Country Music’s greatest names as this year’s Modern Era Artist inductee. “It’s an honor,” a humble Jackson said after his name was revealed in April. “For a man who loves country music there is no higher honor. This is the mountain top!”

In selecting Jackson for membership alongside the greatest names in the genre, the Country Music Association noted, “With dozens of chart-topping singles, tens of millions of albums sold, and an un paralleled reputation as a singer and songwriter, he ranks with The Beatles, Elvis Presley and a very small handful of other transcendent artists who stand out like signposts in pop music history. He has blended the old and new in a musical style that is urban and rural, rugged and raw. He took the sounds of Country Music in his youth, and blended them with modern production in a way that made him an immediate star.”

In recent years, Jackson’s often found himself asked in interviews if there’s any unrealized dream or goal he has yet to attain. “I’d never say the Country Music Hall of Fame because I just felt like that was kind of pretentious to think that I deserve to be in there. But now I can say this is about the last dream on the list – it’s just unbelievable.”

Jackson’s membership in the Country Music Hall of Fame is the latest in a long line of career-defining accolades that include three CMA Entertainer of the Year honors, more than 25 years of membership in the Grand Ole Opry, a 2016 Billboard ranking as one of the Top 10 Country Artists of All-Time, induction to the Nashville Songwriters Hall of Fame, and the Heritage Award as the most-performed country songwriter-artist of ASCAP’s first 100 years. Check out a Country Music Hall of Fame-themed Alan Jackson playlist HERE.

“The Older I Get” will be featured on Jackson’s next studio album, planned for a 2018 release. The newly-minted Hall of Famer will perform on this year’s CMA Awards telecast November 8, and he’ll soon announce tour plans for the coming year.

Video /

View

ALAN JACKSON BECOMES A MEMBER OF THE COUNTRY MUSIC HALL OF FAME ON SUNDAY, OCTOBER 20TH.

On Sunday (October 22nd), Alan Jackson will become one of the newest members of the Country Music Hall of Fame, along with the late Jerry Reed and songwriter Don Schlitz.

Reed will be inducted in the “Veterans Era Artist” category, while Jackson will be inducted in the “Modern Era Artist” category. Schlitz will be inducted in the “Songwriter” category, which is awarded every third year in rotation with the “Recording and/or Touring Musician Active Prior to 1980” and “Non-Performer” categories. Reed, Jackson, and Schlitz will increase membership in the coveted Country Music Hall of Fame from 130 to 133 members.

Alan said, “For me to say I’m honored sounds like the standard old response, but for a man who loves Country Music there is no higher honor. This is the mountain top!”

“I don’t think I was even that overwhelmed about it until I had the office get me a list of all the members, ’cause I wanted to see,” says Alan. “And then when I started reading down through there, even though I knew pretty much who it was, but still when you see it the whole list is like, ‘Oh my gosh, man, everybody you ever loved is in there.’ So, to be in there with ’em, it’s just amazing. It’s an American dream right there.”

 

Formal induction ceremonies for Reed, Jackson, and Schlitz will take place at the Country Music Hall of Fame® and Museum in the CMA Theater. Since 2007, the Museum’s Medallion Ceremony, an annual reunion of the Hall of Fame membership, has served as the official rite of induction for new members.

CMA created the Country Music Hall of Fame in 1961 to recognize noteworthy individuals for their outstanding contributions to the format with Country Music’s highest honor.

Modern Era Artist – Alan Jackson
When music historians recount Alan Jackson’s staggering accomplishments, they don’t just limit the comparisons to his Country Music contemporaries. With dozens of chart-topping singles, tens of millions of albums sold, and an unparalleled reputation as a singer and songwriter, he ranks with The Beatles, Elvis Presley, and a very small handful of other transcendent artists who stand out like signposts in pop music history.

By deeply tipping his hat to the honky-tonk legends of his youth and unflinchingly remaining true to himself for more than 25 years, Jackson earned an unparalleled reputation as a singer and songwriter. He blended the old and new in a musical style that is urban and rural, rugged and raw, and appeals to the large sector of the Country Music audience that looks to the past for its musical influences.

Born Alan Eugene Jackson on Oct. 17, 1958, in Newnan, Ga., the 58-year-old singer-songwriter came to personify the neotraditional movement that emerged in opposition to the “Urban Cowboy” trend of the 1980s. Jackson took the sounds of Country Music in his youth and blended them with modern production and band structures in a way that made him an immediate star, one who straddled the divide between pop sensibilities and hard-line affection for classic Country.

Jackson began his career as the lead singer of local Newnan band Dixie Steel, holding down numerous odd jobs while touring and writing songs. His wife, Denise, a flight attendant at the time, had a chance meeting with Glen Campbell. Campbell suggested Alan get in touch with his music publishing company. Within two weeks of the meeting, the Jacksons packed up and moved to Nashville to follow his dreams and Alan eventually signed with the worldwide star’s publishing company.

He honed his craft and was eventually signed by executive Tim DuBois as the flagship artist at Arista Nashville in 1989. Jackson saw almost immediate success with his first album, Here in the Real World. It yielded his first Billboard No. 1 single, “I’d Love You All Over Again,” and made Jackson an instant — and instantly recognizable — star. He was nominated for four awards at the 1990 CMA Awards and, over the course of his career, would become the second most-nominated artist in CMA Awards history with 81 nominations, following only close friend and fellow Hall of Fame member George Strait. He still owns the record for most nominations in a single year with 10, set in 2002, the year he swept Song and Single of the Year with his poignant 9/11 tribute “Where Were You (When the World Stopped Turning).” The track also was nominated for all-genre Song of the Year at the Grammy Awards and won the Best Country Song Award, his first golden gramophone.

Jackson released four studio albums in the first five years of his recording career. Here in the Real WorldDon’t Rock the Jukebox, his best-selling A Lot About Livin’ (And a Little ‘Bout Love), and Who I Am sold more than 20 million albums during that period and included some of his most memorable and important tracks, including “Midnight in Montgomery” and “Chattahoochee,” a winner of CMA Single and Song of the Year in 1993-94, respectively.

Jackson has released more than 20 albums and collections — including forays into gospel and bluegrass — nine of which went multiplatinum with 2 million or more in sales. Those albums have led to one of Country Music’s most decorated careers with three CMA Entertainer of the Year Awards (1995, 2002, 2003); two Grammy Awards; and membership in the Grand Ole Opry, the esteemed Nashville Songwriters Hall of Fame, and the Georgia Music Hall of Fame. He was given the first ASCAP Heritage Award (2014) by the performance rights organization, recognizing him as the most performed Country Music songwriter-artist of the last 100 years. Jackson has charted more than 30 No. 1 hits, sold nearly 60 million albums, and is among the genre’s most decorated and respected figures, with more than 150 awards.

Veterans Era Artist – Jerry Reed
There was a time when Jerry Reed was the fast-picking, wisecracking face of Country Music for most Americans. Though Reed found himself participating in some key music history moments as a session player and scored his share of chart hits as a performer, it was his good-natured wit and ability to transform into an outsized personality as an actor without losing his authenticity that made him one of the genre’s most well-known ambassadors of the 1970s and ’80s.

It’s that ability as an all-around entertainer that brings Reed to the Country Music Hall of Fame.

Reed’s active career stretched from the 1950s into the 1990s, though he still toured and made public appearances well into the 2000s. His career was so long, he received CMA Awards nominations over the course of four decades — from 1969 to 1999. He was a two-time nominee for CMA Entertainer of the Year and a three-time Grammy winner.

Born Jerry Reed Hubbard on March 20, 1937, in Atlanta, the singer-guitarist had already scored a few minor hits and spent years in the recording studio and onstage by the time he made it to Nashville in 1962 to get into session work after a two-year stint in the U.S. Army. He’d drawn the attention of the industry when two of his songs covered by popular artists became hits: Gene Vincent released his version of “Crazy Legs” in 1958 and Brenda Lee recorded “That’s All You Got to Do” in 1960.

It was Reed’s fiery guitar playing that really turned the heads of some of Nashville’s most important figures as he made the rounds in the early 1960s. A fingerstyle picker with few rivals, Reed was dubbed a “Certified Guitar Player” by Hall of Fame member Chet Atkins, perhaps the most prestigious honorary title given in Country Music. Atkins bestowed the award just four times personally. Earning the CGP status meant Country Music’s acknowledged best guitarist thought you were great in every way. Nashville felt much the same, naming Reed CMA Instrumentalist of the Year twice (1970 and ’71), and giving him a straightforward nickname: “The Guitar Man.” Atkins and Reed were nominated together for CMA Instrumental Group of the Year in the following two years (1972 and ’73).

Reed’s best-known hits included “When You’re Hot, You’re Hot,” which won a Grammy Award (Reed would win two more for instrumental recordings “Me & Jerry” and “Sneakin’ Around,” both made with Atkins), “Guitar Man,” “Amos Moses,” “Alabama Wild Man,” “U.S. Male,” “A Thing Called Love,” and “She Got the Gold Mine (I Got the Shaft).” He got a career boost from Elvis Presley, who not only recorded a few of Reed’s songs, including “Guitar Man,” but also hired him to be his guitar man in the studio as well.

He became a regular presence on “The Glen Campbell Good Time Hour” variety show in 1970. His affable onscreen presence was attractive to Hollywood. He made the first of several appearances with friend Burt Reynolds in a string of movies that started with 1975’s “W.W. and the Dixie Dancekings” and included the three wildly popular “Smokey and the Bandit” films, which launched in 1977 and featured Reed as Reynolds’ straight man. Reed scored a hit with the film’s theme song, “East Bound and Down.” Reed made an unforgettable return to film in 1998 when he played angry Coach Red Beaulieu in Adam Sandler’s “The Waterboy.”

The following year he received his final CMA nomination, for Vocal Event of the Year, for his “Old Dogs” supergroup collaboration with Waylon Jennings, Mel Tillis, and Bobby Bare.

Reed passed away from complications related to emphysema in 2008 at the age of 71.

Songwriter – Don Schlitz
Don Schlitz is among the most influential and beloved songwriters in the history of Country Music. His chart-topping songs – among them “The Gambler,” “On the Other Hand,” “Forever and Ever, Amen,” “He Thinks He’ll Keep Her,” “The Greatest,” and “When You Say Nothing At All” – are touchstones and inspirations that continue to influence songwriters and singers decades after they were written.

His 50 Top 10 singles performed by iconic acts Mary Chapin Carpenter, Alison Krauss, Nitty Gritty Dirt Band, Kenny Rogers, The Judds, Randy Travis, Tanya Tucker, Keith Whitley, and many others include 24 No. 1 Country hits. He has won three CMA Song of the Year Awards, two Grammy Awards, and four consecutive ASCAP Country Songwriter of the Year trophies (1988-91).

Schlitz was inducted into the Nashville Songwriters Association Hall of Fame in 1993 and the Songwriters Hall of Fame in 2012.

Born Donald Alan Schlitz Jr. on Aug. 29, 1952, and raised in Durham, North Carolina, Schlitz briefly attended Duke University before coming to Nashville at age 20. His talent was recognized and fostered early on by greats, including Bob McDill and Bobby Bare, and he emerged as an empathetic and intelligent chronicler of the human spirit.

When Rogers recorded “The Gambler” – the songwriter’s first recorded song – Schlitz’s ascent was assured, and the success of that enduring story-song allowed him the freedom to spend a lifetime writing words and music that articulated the extraordinary emotions inherent in common experience.

Having written hits across five decades, he will join an exclusive circle in the Country Music Hall of Fame that includes Bobby Braddock, Hank Cochran, Harlan Howard, Cindy Walker, and Boudleaux and Felice Bryant, all inducted primarily as songwriters.

Schlitz and his cowriters penned “Rockin’ with the Rhythm of the Rain,” “Forty Hour Week (for a Livin’), “Houston Solution,” “Deeper Than the Holler,” “One Promise Too Late,” “I Feel Lucky,” “Old School,” “Give Me Wings,” “Strong Enough To Bend” and dozens of others that underscore the depth and breadth of modern era Country Music.

One of the first performers at Amy Kurland’s iconic songwriter club The Bluebird Café, Schlitz and friends Thom Schuyler, J. Fred Knobloch, and Paul Overstreet originated the Café’s songwriter in the round format in 1985. He continues to regularly perform his hits and new material at The Bluebird, interspersed with his wry wit and unique comic timing.

The Don Schlitz songbook even includes the 2001 Broadway musical “The Adventures of Tom Sawyer.”

Kenny Rogers encapsulated the sentiments of many when inducting Schlitz into the Songwriters Hall of Fame with the statement, “Don doesn’t just write songs, he writes careers.”

Audio / ALAN JACKSON WASN’T TRULY OVERWHELMED ABOUT HIS MEMBERSHIP INTO THE COUNTRY MUSIC HALL OF FAME UNTIL HE RECEIVED A LIST OF EVERY MEMBER.

Download

Alan Jackson (overwhelmed about HOF)  OC: …right there. :19
“Yeah, I don’t think I was even that overwhelmed about it until I had the office get me a list of all the members ’cause I wanted to see. And then when I started reading down through there, even though I knew pretty much who it was, but still when you see it the whole list is like, ‘Oh my gosh, man, everybody you ever loved is in there.’ So, to be in there with ’em, it’s just amazing. It’s an American dream right there.”

Audio / ALAN JACKSON RECALLS SOME OF THE MOST MEMORABLE MOMENTS IN HIS CAREER.

Download

Alan Jackson (moments in his career) OC: …write it. :39
“I’ve had such a fantastic life and career, it’s hard for me to even list them all. I mean, I’ve done so much. I’ve played for four presidents, I have played in some of the worst honkytonks you’ve ever seen, I stood on the Grand Ole Opry stage with Roy Acuff looking up at me when I sang ‘Here in the Real World’ for the first time. I sang at George Jones’ funeral – ‘He Stopped Lovin’ Her Today.’ I mean, you can’t imagine that all that could happen to you and all the other stuff that I can’t remember right at this moment. My career has just been hard to, you couldn’t write it. You couldn’t write it.”

Social

Official Photos

  • Alan Jackson with WUSN/Chicago's Jeff Kapugi and Marci Braun, as well as UMG Nashville's Mike Dungan and Steve Hodges.

Press Photos