Planes, trains and automobiles. Lady Antebellum has spent plenty of time in all three. Driven by the need to continually evolve, the country trio always seems to be in transit, pushing toward a newer, bolder sound one minute and hitting the road for a worldwide tour the next. Sometimes, those two things happen at once. With 747, Lady Antebellum’s fifth album, the band captures the speed and spirit of its critically-acclaimed live show in 11 new songs. Bandmates Charles Kelley, Hillary Scott and Dave Haywood may have formed the group in Nashville, with all three singers harmonizing for the first time around Haywood’s piano, but they earned their stripes on the road. That’s where Lady Antebellum truly came alive, mixing the rootsy stomp of forward-thinking Country music with the swooning, sweeping sound of three voices that were born to mesh. As the shows got bigger, so did the band’s ambition. Written during the 2014 Take Me Downtown Tour, 747 — whose title rustles up the image of a fast-moving plane bound for bigger, better places — doubles as a metaphor for the group itself. After spending years at the top of the Country charts, Lady Antebellum is ready to pull up the wheels and climb even higher. “We started discovering more of an ‘in your face’ sound that we’d never explored before, so we began writing towards that mentality,” says Kelley, who remembers walking into a dance bar after a Lady Antebellum concert and feeling the need to compose faster, fiercer songs that could live in that environment. The first step toward making that transformation was relying less on the band’s history with mid-tempo ballads — although two softer songs, “One Great Mystery” and the nostalgic, nocturnal “Damn You Seventeen,” did make the final tracklist for 747 — and focusing on more explosive material. Kelley, Scott and Haywood invited some of their favorite songwriters to join them on the road, too, resulting in a series of late-night writing sessions on the band’s tour bus, with everyone traveling together from one sold-out show to the next. “Being on the road and writing new songs, we found ourselves wanting more of that high energy material,” Haywood remembers. “We came up with songs like ‘Bartender’ and ‘Long Stretch of Love,’ with that big feeling that really hits you hard in an arena.” During gaps in the band’s busy touring schedule, Lady Antebellum returned to Nashville and recorded the new songs with Grammy-winning producer Nathan Chapman. It was one of the group’s first times working with anyone besides Paul Worley, who’d played a monumental role in Lady Antebellum’s career by co-producing multi-platinum hits like “Need You Now,” “Just a Kiss” and “I Run to You.” The band became a chart-topping, Grammy-winning juggernaut under Worley’s wing… but even the biggest groups need to reach outside their comfort zone. “It’s different when you walk into a different studio and talk to a different producer,” Kelley says of the band’s transition. “Something different comes out, naturally. One thing with Nathan is he works really fast, and he works all hours.” As a result, Lady Antebellum finished an entire record in a short, inspired period of time. Chapman pushed the three singers to deliver their best performances up front, often recording a song’s vocal tracks in just four or five takes. He also stretched the boundaries of Lady A’s sound by introducing some subtle digital touches, like loops and computer programming. When the group considered scrapping one song, “Sounded Good at the Time,” after falling out of love with its opening guitar riff, Chapman broke the riff into smaller segments and reversed them, creating a new hook that pushed the song forward without abandoning its organic roots. “Bartender,” 747‘s first single, is another game-changer. Driven forward by banjo, percussion and an insatiable chorus, the song finds Scott thinking back to her days as a single woman, when a double shot of whiskey could wash away the memory of a no-good ex. “I thought it was such a great curveball to put out first,” she says. “I’m a mom, and I love that role more than anything, but I’m also a woman who lived a lot before she was a mom. ‘Bartender’ has allowed me to get outside of my new role, and it’s so fun to perform. To watch how well it’s done in such a short amount of time, it’s just continued proof that our fans want fun from us.” “It’s just a good, fun song,” added Kelley. “We have to remember, as a band, that not all our singles have to be these ‘big statement’ songs like ‘Hello World’ or ‘Need You Now.’ Sometimes, they can just be about looking for a good time. ‘Bartender’ and ‘Downtown’ kind of prove that to us, that we’ve gotta let our hair down a little bit on these records. Then, when you do hear a song on this record like ‘Lie With Me’ or ‘One Great Mystery,’ hopefully it will mean a lot more.” Scott has high hopes for “Lie With Me,” a stirring duet written by Marc Beeson and Abe Stoklasa. She trades verses with Kelley during the song, which spins the tale of two estranged lovers who agree to spend one final night together, even though they know the flame has died out. “One of our favorite songs in the entire world is ‘I Can’t Make You Love Me’ by Bonnie Raitt,” she says. “It’s a perfect song that is incomparable. It puts you in this place and exudes this mood. I just listen to that song and I close my eyes and I see a movie in my head. [“Lie With Me”] did the same thing for me, in a different way. You’re listening to the lyrics and you can close your eyes and just see this whole scene play out.” It’s appropriate that 747 — an album about love, nostalgia, and the things that move us emotionally and physically — also contains several fast-paced anthems about transit. The first is “Long Stretch of Love,” an epic track that owes as much to rock ‘n’ roll’s raw swagger as Country’s rootsy twang. The last is “747,” a soaring title track built around the singers’ three-part harmonies. “This 747 can’t go fast enough,” goes the latter tune’s refrain, and while those lyrics technically refer to a heartsick man who’s flying back home to see his wife, they also paint the picture of a band that’s already skyrocketed to creative heights… but can’t help pushing down the throttle for a bit more speed. “We put so much energy into every single vocal performance and every aspect of recording,” Scott says of the album, which arrives less a year after the deluxe release of Golden, “and that’s what we want people to hear. That electricity. The electricity of new relationships, of new music, of new ways of recording.” “747 is a snapshot of where we are as a band,” adds Kelley. “It’s us wanting to solidify our place — to stay at the top of our game, for lack of a better way of saying it. You know, when you start playing these arenas and these amphitheaters, and the fans are gravitating toward this music, it’s a drug. You want it. You want to stay there. As a band, we’re ready.”
Since relaunching in January, Lady Antebellum has made sure to “cement their place as legends of Country” (Vulture) following their return to the airwaves after taking time to nourish their personal lives and pursue GRAMMY nominated and winning solo projects. To rewind the year alongside Lady A and their biggest fans, check out the video below.
As they introduced “the most groove-driven song they’ve ever recorded” with “You Look Good,” their moment propelled with the announce of Lady A’s “must see” (Rolling Stone) YOU LOOK GOOD WORLD TOUR spanning over 60 shows. Simultaneously, Lady A kicked off the year with the announcement of their sixth studio album HEART BREAK (Capitol Nashville). Honing in on the melodious foundation that first brought Lady A together, the trio headed to the West Coast for the television debut of the hit single on The Ellen DeGeneres Show, before stopping by Jimmy Kimmel Live!, The Late Show with Stephen Colbert and Dancing With The Stars. Additionally, “the expert level of musicianship on display during the 2017 ACM Awards made this performance a knockout” (Billboard) as well as a highlight of the night.
Leading into the anticipated release of HEART BREAK, which included eleven songs penned by the trio and was produced by busbee, Lady A continued to offer fans a taste of new music during their first-ever SXSW appearance and were also hand-selected by NPR‘s “First Listen” as it “served their native genre well, but also is irresistible to broader audiences” (NPR). Before earning their fifth debut at the No. 1 position on Billboard’s Top Country Albums chart with HEART BREAK in June, Lady A put their fans at the forefront during release week with CMA Music Festival activities including three packed shows in a 360-degree visual experience and national television appearances including Good Morning America’s 2017 Summer Concert Series, Late Night Starring Jimmy Fallon, CBS This Morning and Live from the Artists Den. The “buoyant album” (Entertainment Weekly) immediately skyrocketed to the Top 10 on all-genre iTunes charts in 15 countries around the world and the new collection landed on multiple mid-year “best of lists” including Rolling Stone, The Tennessean and Taste of Country.
Using their “renewed energy” (People) the group returned to the road in May on their YOU LOOK GOOD WORLD TOUR featuring special guests Kelsea Ballerini and Brett Young, as they introduced fans to “a fresh twist with the addition of a live horn section” (CMT) into a set already packed with mega-hits. Throughout their North American leg, “fans were happy to know it was like no time has passed” (Omaha World-Herald) before the trio wrapped Entertainment Weekly and Rolling Stone’s “must-see summer tour” to a packed hometown crowd at Nashville’s Bridgestone Arena in September. Concluding with dates overseas, the tour was dubbed “one of the best nights of mainstream Nashville music that the UK’s seen” (The Digital Fix) as “they put on a polished show for a rapturous crowd in London,” (The Guardian).
Country Music’s star-studded benefit concert COUNTRY RISING announced today that in light of last week’s tragedy, it will now support victims of the Las Vegas shooting in addition to those in Texas, Florida, Puerto Rico and additional Caribbean islands who have been impacted by the recent hurricanes. Tickets and VIP packages for the event will now go on sale next Friday, Oct. 20 at 10:00A CT on www.Ticketmaster.com. Citi® is the official presale credit card of Country Rising. Citi® cardmembers will have access to purchase presale tickets beginning Wednesday, Oct. 18 at 10:00A CT through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com.
Keith Urban is the latest mega-star to add his name to the bill, which also includes Jason Aldean, Dierks Bentley, Sam Hunt, Lady Antebellum, Little Big Town, Martina McBride, Reba McEntire, Chris Stapleton, George Strait and Carrie Underwood. Due to a scheduling conflict with additional tour dates being added in Spokane, WA, Garth Brooks will no longer be part of the event in Nashville and will instead donate all proceeds from his two added concerts on November 12th to The Country Rising Fund.
COUNTRY RISING will benefit The Country Rising Fund of The Community Foundation of Middle Tennessee, which was established to support charitable initiatives to help victims of the September 2017 hurricanes — Hurricanes Harvey, Irma, Jose and Maria. Additionally, the fund will now also envelop victims of the shooting in Las Vegas last week. In the course of rebuilding lives disrupted by these devastating events, there are immediate needs and there also will be long-term needs. This fund will strategically support both as they emerge.
For more information, visit: www.CountryRising.org.
The members of Lady Antebellum have teamed up with National Geographic and Musicians On Call and are putting together a music video for their song, “Army,” which is included on their latest album, Heart Break. National Geographic will produce the video, and the channel is asking for your help; they want to see who is in your “Army.” Fans can submit photos or videos via Facebook, Twitter or Instagram through November 7th using the hashtag #MyArmyContest and tagging @NatGeoChannel to showcase the heroes in their life, and have a chance to be featured in the new video.
“Throughout our career we have been lucky enough to meet some incredible military veterans and their families,” Lady A’s Hillary Scott tells Billboard. “‘Army’ has such a special meaning to us and when we were writing this for our families we had no idea how much of a universal feeling it would draw out of our fans. Whether it be their teacher, mom or best friend, we are looking forward to watching the stories that come through and create an incredible music moment that will also recognize the heroic sacrifices of our troops and their families.”
National Geographic also launces the #LongRoadHome campaign, and will donate $1 to Musicians on Call for every time fans use the hashtag, up to $75,000 total. Musicians on Call is an organization which brings music directly veterans in healthcare facilities.
Musicians on Call will also host a concert headlined by Lady Antebellum for their 10th Anniversary at Nashville’s City Winery on October 26th.
Lady Antebellum will be part of National Geographic’s new mini-series Long Road Home, which will spotlight the U.S. First Calvary Division ambushed in Iraq in 2004, along with their families at home.
Lady A is currently making their way up the country charts with their latest song, “Heart Break.”