Hot on the heels of their wildly successful album Tornado, Little Big Town’s prescription for continued success and creative drive is in their sixth album, Pain Killer.
The two years since Tornado’s release have proven to be the most formative and motivational for the inspired family of artists, together since 1998. In the short time since Tornado, Little Big Town earned two number one radio hits with Tornado and Pontoon, a Grammy, two ACM and three CMA awards and an Emmy. They also found time to headline a sold-out tour, join Keith Urban across North America and host the CMA Music Festival: Country’s Night to Rock twice.
These hard-earned accolades and new opportunities provided a steady dose of inspiration at every turn, leading them to a fresh and very intentional approach to their latest studio album. They co-wrote most of Tornado’s songs as a group and knocked out production in a matter of weeks, whereas the road to Pain Killer was significantly longer in the making, and much more calculated.
LBT intentionally began writing and curating their songs early in their tour for Tornado in May 2013. They followed the creative energy wherever it flowed by splitting into different writing combinations.
“We decided not to lock ourselves into writing as a group. We wanted a more relaxed and free approach,” says Karen Fairchild. “There was no pressure to write as certain groups at certain times. We followed the inspiration instead of forcing it.”
“I don’t know that we would have written Tumble and Fall if the boys had been in the room,” she continues. “The writing process on that song was very therapeutic for all of us girls. Just as Faster Gun is a guy’s song, it probably wouldn’t have turned out the same way had the girls been in the room.”
New voices, including Ryan Tyndell, Blair Daly, Jeremy Spillman and Shane McAnally, joined long-term LBT collaborators, such as Hillary Lindsey, Liz Rose, Lori McKenna, Jedd Hughes and Natalie Hemby.
As a result, Pain Killer covers all new territory for LBT. The band and its writing and production partners favored multi-layered effects. They drew from a mix of influences including vintage 50’s country, 70’s country, funk, groove, a cappella, bluegrass and straight up rock n’ roll.
This evolution of LBT’s sound is the outcome of their free reign to write and craft as they chose, making Pain Killer as uninhibited as their creative process.
“We don’t think about boundaries anymore. We let go of that because it doesn’t work for us. We do better when we’re freed up,” Karen says.
Phillip Sweet offers an enlightened perspective on songwriting. “You chase whatever idea starts the creative process. It might be a lyric. It might be a melody. Sometimes a song unloads on you and you have to catch it and hang on for dear life. [Writing Pain Killer] was a healthy competition and motivating. The best songs won. There was no ego involved in that.”
Pain Killer proves LBT has a strong command on the courage it takes to create. “We have learned to trust ourselves. It’s confidence and experience. We’re braver than we’ve ever been on this record,” explains Kimberly Schlapman.
LBT recorded 23 songs for Pain Killer, ultimately narrowing the album to 13. “The creative process is such a living thing,” says Jimi Westbook. “We’ve become good at acknowledging when it’s not working. It’s easy to try to force it, but we’ve grown to understand when to move on. There came a point when the song selection came together and felt right. It had a great personality.”
The bonds LBT and producer, songwriter and musician extraordinaire Jay Joyce formed when producing Tornado carried over seamlessly into the creation of Pain Killer. This relationship, combined with the unstructured writing process and the use of their road band in the studio, gave way to a new adventure in experimenting with sound.
Jimi makes an astute observation of Joyce, “He is such an amazing, creative person and fun to work with. He takes you places you don’t expect to go; and that’s exciting, musically. You feel a lot of freedom in that.”
“Jay is like a mad scientist. He uses our voices as instruments. Literally!” Phillip exclaims. “It was a deliberate choice to use our voices in ways we hadn’t before. It was exhilarating.”
Today’s recording standards are streamlined and corrected, manipulated and often times overpolished. Joyce makes music very differently, as found throughout critically acclaimed partnerships with artists such as Cage the Elephant, Amos Lee, Eric Church and Emmy Lou Harris.
“Jay doesn’t believe in a cleaned up, pristine track,” adds Karen. “Sometimes you don’t even know what layers exist. He will wake up in the middle of the night and go lay down some great, totally unexpected elements.”
Kimberly also enjoys Joyce’s creative drive. “He is very spontaneous when recording. He leaves a lot in. That’s good for us!”
One sign of a successful collaboration is simple: LBT still listens to Pain Killer and hears sounds and effects they never noticed before, an experience musical craftsmen the world over are sure to envy.
“Pain Killer has a lot of different sounds without sounding unorganized,” says Joyce. “It’s a more artistic album than LBT has done before. It has a lot of integrity.”
The provocative album has something for everyone: A treatment for the broken heart or the shattered spirit, a rally cry for those exhausted by love yet still inspired by it, a testament to the enduring hope of a long relationship, a promise of perseverance and a shot of good, old-fashioned fun.
Pain Killer leads off with “Quit Breaking Up with Me,” a power pop anthem for those infamous on-again / off-again relationships that are plagued with drama and indecision. “It has so much attitude!” says Jimi. Written by Busbee, Natalie Hemby and Shane McAnally, it’s laced with punk, a shot of rock and rolls with LBT’s characteristic country sass.
“Day Drinking” was the first song LBT wrote as a group for Pain Killer, along with Troy Verges and Barry Dean, and is the album’s first single. Its fanciful marching band and quirky whistles work together brilliantly to create a playful song of summer. “People are genuinely happy when they hear it,” adds Phillip. “Day Drinking” set the tone for the album, motivating LBT to innovate with each new song. Recently selected as “Song of the Week” by USA Today, this first single continues to climb the charts.
“Tumble and Fall,” written by the ladies of LBT and Lori McKenna, Liz Rose and Hillary Lindsey, is a promise to persevere in a relationship despite the challenges and offenses that naturally arise. “It’s a reminder to be humble. Be vulnerable. It’s a peaceful song,” Kimberly adds. Featuring Jimi’s vocals and Kimberly’s soaring harmonies, “Tumble and Fall” is both heartfelt and delightful.
LBT knew early on in song selection that “Pain Killer” would be the title track. “Music, like medicine, can be a vice, a drug, a muse. But in this case, “Pain Killer” refers to the love drug,” says Karen. It is the magic potion made real, solving all problems with one fell swoop and intoxicating in the best way. Written by Karen, Jimi, Blair Daly and Lindsey, it is an upbeat, reggae-tinged tune perfect for a road trip, best enjoyed while riding with one hand out the window or on the back of a lover’s neck.
Perhaps the most affecting, jaw-dropping track is the down-tempo “Girl Crush.” This attention-grabber is stripped down to a power vocal with sparse backing. Karen’s soulful voice finds a fitting showcase against a retro beat, echoing the sounds of Patsy Cline and her contemporaries. Written by McKenna, Rose and Lindsey, it is one of the few songs to which every woman can relate. “’Girl Crush’ is one of the most brilliant lyrics I’ve ever heard. It takes a modern phrase and turns it at the hook. And it’s empty in the right places. It gives me chills every time I listen to it because the raw emotion really comes through,” Jimi explains.
One of the more cinematic and barrier-breaking tracks is “Faster Gun,” written by Jeremy Spillman, Ryan Tyndell, Jimi and Phillip while in “dude mode” in the perfect place for men to be men – a man cave, conveniently located at the studio. “Faster Gun” is one of the best examples of new sounds and layers for LBT. It sounds like a Tarantino flick – raw and liberated. “I could see it playing in my head like a trippy, acid western. It’s completely different than anything we’ve done before,” Phillip says. “Faster Gun” is the track that showcases LBT in a totally new light.
“Good People” is a musical high five to partners in crime and is the glue binding all of the tracks together. “We fell in love with it the minute we heard it. It felt great and we needed a moment like this on the record. It brought it to life,” Phillip says. Joyce, Hemby and Spillman wrote the song which spotlights Kimberly’s pure-tone soprano. This track is a gift to any friend who not only knows where the secrets are buried, but helped bury them.
“Stay All Night” is upbeat, totally rockin’ and full of life. “I love the groove. The phrasing is rapid fire and very rhythmic. It’s funky cool!” explains Jimi. “I’m so excited it made the record. The girls have lungs for days!” Written by Jimi, Phillip, Brent Cobb and Jason Saenz, “Stay All Night” is the party song fitting for a no-holds-barred night out. Jimi’s vocals cranked the dial to 11 while Joyce tuned guitar strings to one chord and used the entire instrument as a horn. Full of personality, “Stay All Night” is a shining example of sonic details masterfully woven.
Another powerful showcase of Kimberly’s full and lively vocals is “Save Your Sin.” It was written by McKenna, Rose and Lindsey as a swift kick in the behind to someone less than worthy of another’s heart. The upbeat and pulsing track is just what Pain Killer needs. “Kimberly freaking killed it,” Jimi says. “It’s like the Foo Fighters meets country with a big screaming vocal.”
Written on the road in a dressing room by the whole band with Spillman and Tyndell, “Live Forever” features the traditional harmonies that first attracted fans and critics to LBT. “It is the epic love song,” says Phillip. “Live Forever” is a master class in harmonies. It is the beautiful and profound track that anchors the album and expands on the talent the world has come to expect from Little Big Town.
In contrast to the classic LBT song that is laced with romance and sweeping vocal harmonies, “Things You Don’t Think About” is “total sassville,” says Kimberly. Written by Hemby, McAnally and Ross Copperman, it begins with a sparse groove followed by a chilling down beat. “You feel this arresting, visceral energy the moment it comes on. It’s a killer song about not taking someone for granted,” Phillip adds.
Little Big Town deeply understands and respects the creative process. They know the challenges a creative spirit faces in an unforgiving music industry. With this is in mind, they set out with Spillman, Hemby and Joyce to write a wake up call, “Turn the Lights On.” This hard-driving, rock n’ roll hymn is especially for those brilliant minds that have to continually hear “no” before they ever hear the “yes” that changes everything. It’s an inspiring and over-the-top reminder to anyone to get up off the mat and keep going. “Standing up for yourself as an artist is the hardest lesson to learn. Artists aren’t always nurtured once they become part of the business machine. It’s a lot harder for solo artists, but we have each other for the gut check,” says Karen.
The album’s coda, “Silver and Gold,” is a poetic, quiet song starring the characteristic LBT harmonies that have never been lost or lessened by time or circumstance. Karen, Kimberly, Joyce and Jedd Hughes penned it under the stained glass in Joyce’s church-turned-studio. Kimberly says, “Jedd Hughes is a poet and inspiration.” A simple, sonic masterpiece backed by a solo acoustic guitar, “Silver and Gold” is an encouraging reminder for a heavy heart that good still lives inside. “The vocals just wash over you,” says Phillip.
When reflecting on the entirety of Pain Killer, Jimi sums it up well. “Being in a studio, creating music and a moment that means something to people is magic. We love this record. The creative part of us is satisfied.”
With a keen focus on different vocal and writing configurations, LBT again astounds its fans and critics alike with harmonies that are typically found among voices sharing the same DNA. Their strengthening relationships and maturity earned over 15 years together all come together in this masterful production.
A remedy for everything that ails any listener, Pain Killer is an antidote of anthems and inspiration to heal even the most tortured heart. It is one big love letter to Little Big Town’s fans.
Wednesday is Valentine’s Day (February 14th), and we’ve got some thoughts and feelings more about love, romance and marriage from several of your favorite country artists. Some are new and some have become our favorites over the years. Which country stars are romantic? Which ones aren’t? Which ones have a good reason to celebrate the holiday that’s all about love?
AJ (Valentine’s Day) OC: …continue to. :24
“We got a lot of history together now, and we’re happier than we’ve ever been. So, she’s still beautiful, and she’s always inspired songs. I mean, one of my early hits was a song called ‘I’d Love You All Over Again,’ I wrote for her for our 10th anniversary. I mean, there’s been a zillion songs that have pieces of our good days and bad days inspired, and they continue to.”
Billy Currington (Valentine’s Day memory) OC: …took off running. :21
“Yeah, I remember my first girlfriend. I was in first or second grade, but anyway, I remember it was Valentine’s Day and your mom going, ‘You’ve got to give your girlfriend something, and you’ve got to go give it to her.’ I’ll never forget — we got her a box of chocolates or whatever it was. I remember going down to her classroom and knocking on the door, getting her to come to the door. I remember handing it to her, and then I took off running.”
Darius Rucker (wife) OC: …her and country music saved my life. :43
“I don’t know what it was about her. I mean, it was EVERYTHING about her. I knew, I told her I was going to marry her on our first date, [laughs] yeah. Beth’s a strong woman. It takes a strong woman to be married to a musician, especially a musician who was drinking and partying as hard as I was, and I think life for us is where we are now. It took a long time for us to get to where we are now, and we say to each other all the time, ‘I love us. I love our family. I love us.’ And I thank her every day for staying with me and being the strong woman she is, because with Hootie & the Blowfish, I could be gone for three months and then I’d come home for two days and then I’d be gone again for a month, and she put up with all that crap. You know, her and country music saved my life.”
Dierks Bentley (first date tips for guys) OC: …first date. :19
“You know, just opening the door, it’s such a big deal. It’s just a nice thing to do. It’s a car door, unlocking the door for somebody to get in the car first and hold the door to get in, and I just think that’s just, if you’re doing that, then you’re obviously thinking about ways to be respectful, be considerate, be kind and be thoughtful and make for a good first date.”
Dierks Bentley (Valentine’s Day-most interesting gift he’s given his wife) OC: …formulate yourself. 1:19
“When ‘What Was I Thinkin’’ was released in 2003, I didn’t know what my life would look like, and all of a sudden, I found myself out on the road full-time, just gone. So, the place where I was staying, I had some friends pack it up and move it into a storage facility. This year, I got that whole thing dumped back out into my house. I’m going through just years of old stuff, and in there I found some letters that she and I had written back and forth when we were dating. I was working at The Nashville Network and she was working out in San Francisco and found some letters I had written her and I’d gotten back and some stuff she’d sent me, including a CD of songs she’d been listening to, back when you made CD mixes and there’s like these three hearts on that CD. I just found that it was so meaningful for me those gifts you give each other before any money, before anything else was going on, just music, giving of mixtapes was so cool. She reminded me of a mixtape I sent her. I’d sent it to her via FedEx, because it was so important she get this as quickly as possible. This was sadly before, I guess we had internet back then, but you really couldn’t send songs over the internet. I think the most interesting thing I’ve given her and she’s given me was just mixtapes, because there’s nothing like music to put into words and the thoughts you have in your head that you can’t formulate yourself.”
Eric Church (Valentine’s) OC: …love song is. :18
“True love to me is when you love a person in spite of all their fallibilities, and for me, I have a lot of ‘em. I’m definitely at times hard to love, and that’s what’s great about Katherine and the way she loves me. She loves me in spite of those things and really for those things.”
Josh Turner (Romantic) OC: …long time to come. :26
“If you ask my wife Jennifer if I was a romantic, she would definitely say, ‘Yes,’ but she knows that sometimes my hectic schedule and our busy lifestyles can kind of interfere with the romantic side of things. But we do try to make efforts towards being together and having adult conversations and taking time away from the children and doing things that husbands and wives do, so we’ll definitely try to continue that for a long time to come.”
Lauren Alaina (Valentine’s Day) OC: …pretty embarrassing. 1:37
“I think my first Valentine’s Day with Alex, I was trying to be super cute and cook him a Valentine’s Day dinner. I was 18 at the time, and I’d just moved into this brand new apartment in Chattanooga. I was trying to get used to not living with my parents before I moved to Nashville, so I did like six months in Chattanooga in an apartment. And [giggles] my mom makes these really great mashed potatoes, which I’ve modified the recipe, but they’re delicious and I wanted to make him these potatoes, because I knew I could make these potatoes. Well, I did not grow up with a very updated kitchen, so I didn’t have a [garbage] disposal, it was very new to me. So, I peeled the bag of potatoes and put the potato peels in to the sink and tried to use the disposal and it broke it before he got there. Annnd, I turned the water on, and I was baking chicken and I was cooking broccoli and mashed potatoes, and just turned the water on and then I forgot I had the water on, so I overflowed the kitchen sink with the potato peels, and it looked like something died in my sink and my sink was like spitting it up. It was horrible. I was panicking and trying to get it all cleaned up before he got there, and he knocked in the middle of it, like knocked on the door. He was early, of course. He’s always early, and he freaking knocked. I had like potato peels flying through the air, my potatoes were boiling over. I was still boiling the potatoes. I was running behind and he was running early, so it was just crazy. But, we’ve had some great Valentine’s.”
Little Big Town (Phillip – reasons fell in love) OC: …real love. :17
“I think everything that I had gone through before had prepared me to be ready to see that there was genuine love there for me, and my Rebecca. So, it was just a great time, I wouldn’t have been ready before I met her…Now it’s just been a really great journey to heal through the past and to know real love.”
Luke Bryan (Valentine’s Day) OC: …full day. :11
“Well, I mean Valentine’s Day is, it’s kinda me and Caroline’s day just to go and just being with one another for a full day.”
Little Big Town won the GRAMMY Award for Best Country Duo/Group Performance for their Taylor Swift-penned smash hit “Better Man.”
Taylor sent the song to them – her first time pitching a song she wrote – and knew their harmonies would be perfect on it.
“She thought of us because of the harmonies and she’d never pitched a song to anyone before and the moment that we heard it we were like, ‘Man, that is a song that we are going to cut and so, yeah.’” (Phillip) “Immediately we were all like had the same reaction. Through our whole career, anytime we’ve had that reaction to a song we knew it felt right. So, this one just felt special and we’ve known Taylor since she was in high school, so she’s a dear friend of ours.”
Little Big Town is currently making their way up the country charts with their latest song, “When Someone Stops Loving You.”
LBT (Better Man-Taylor) OC: …of ours. :36
(Karen) “She sent us this song and it was one that was really special to her and she thought of us because of the harmonies and she’d never pitched a song to anyone before and the moment that we heard it we were like, ‘Man, that is a song that we are going to cut and so, yeah.’” (Phillip) “Immediately we were all like had the same reaction. Through our whole career, anytime we’ve had that reaction to a song we knew it felt right. So, this one just felt special and we’ve known Taylor since she was in high school, so she’s a dear friend of ours.”
Keith Urban and Little Big Town were among the artists who performed at the MusiCares pre-GRAMMY concert honoring classic-rock icons Fleetwood Mac. Miley Cyrus, Zac Brown Band, Alison Krauss, Harry Styles and Imagine Dragons also performed.
MusiCares raises funds to support the music community by assisting with medical bills, emergency relief and much more. This year’s event raised $7 million for the organization.