ERIC CHURCH, BROTHERS OSBORNE, LITTLE BIG TOWN, VINCE GILL AND CHRIS STAPLETON SCORE GRAMMY NOMINATIONS.

Artists: Brothers Osborne; Chris Stapleton; Eric Church; Little Big Town

Eric Church scores two nominations at this year’s GRAMMY Awards, including Best Country Album for Desperate Man and Best Country Song for his recent No. 1 smash, “Some Of It.”

Brothers Osborne scored Best Country Duo/Group Performance for “I Don’t Remember Me (Before You),” while Little Big Town receives a nod in the same category for “The Daughters.”

Vince Gill is up for Best American Roots Song for “I Don’t Wanna Ride the Rails No More,” and Chris Stapleton is nominated for Best Song Written for Visual Media for “The Ballad of the Lonesome Cowboy” for Toy Story 4.

The 62nd GRAMMY Awards will air live from the Staples Center in Los Angeles January 26^th at 8pm ET on CBS.

Best Country Duo/Group Performance
“Brand New Man,” Brooks & Dunn With Luke Combs
“I Don’t Remember Me (Before You),” Brothers Osborne
“Speechless,” Dan + Shay
“The Daughters,” Little Big Town
“Common,” Maren Morris Featuring Brandi Carlile

Best Country Song
“Bring My Flowers Now,” Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
“Girl Goin’ Nowhere,” Jeremy Bussey & Ashley McBryde, songwriters (Ashley McBryde)
“It All Comes Out in the Wash,” Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Miranda Lambert)
“Some of It,” Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, songwriters (Eric Church)
“Speechless,” Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters (Dan + Shay)

Best Country Album
Desperate Man, Eric Church
Stronger Than the Truth, Reba McEntire
Interstate Gospel, Pistol Annies
Center Point Road, Thomas Rhett
While I’m Livin’, Tanya Tucker

Best American Roots Song
“Black Myself,” Amythyst Kiah, songwriter (Our Native Daughters)
“Call My Name,” Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her)
“Crossing to Jerusalem,” Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
“Faraway Look,” Dan Auerbach, Yola Carter & Pat McLaughlin, songwriters (Yola)
“I Don’t Wanna Ride the Rails No More,” Vince Gill, songwriter (Vince Gill)

Best Song Written for Visual Media
“The Ballad of the Lonesome Cowboy,” From: Toy Story 4 (Chris Stapleton)
“Girl in the Movies,” From: Dumplin’
“I’ll Never Love Again” (Film Version), From: A Star Is Born
“Sprit,” From: The Lion King
“Suspirium,” From: Suspiria

Eric Church (creative process in the studio) OC: …the creativity. :57
“It was an interesting creative process. This record was made in the studio, from writing to completion, then any record we have ever made. It was really there, ‘cause I wrote songs there, we change things there. I played parts there, I never played, never thought of. I think maybe it was the first album in our career that there was more creative energy in the studio than any other, because it was written, made, conceived, it was all there. I mean, on ‘The Snake,’ for example, that background part was myself, Jeff Hyde and Joanna, and we tried to sound the old blues kind of sound. We were doing that creatively in the studio, and it made a really interesting thing. A lot of people will say, ‘Who sang that? who is that?’ Well it was us! We were feeling the creativity.”

Brothers Osborne (I Don’t Remember Me (Before You) 1:05
“There was a bit of the song that was a little on the nose. I don’t – it started the first tag (sings) which was an idea Shane had. He showed up that day and goes ‘I don’t remember my life before I had my babies.’ He said, ‘I literally can’t think of who I was. I don’t remember who I was before [my] husband Michael.’ And we thought man, that is a really interesting thing. An incredible idea. I’m sure it’s been done to some extent, but I can’t really recall that subject being said that way. And so, we were all about it. We loved the idea and the concept, but when Jay [Joyce] heard it, he goes, ‘Man, I think it would be really cool to save the ‘before you’ till the end of the song and I instantly was like, ‘Man, I think that’s a killer idea.’ John and I were all about it. And so, it ends now (sings) it kind of goes in a turn around. You don’t know what the hell I’m talking about. ‘I don’t remember me,’ you keep hearing this, and then at the end is the reveal ‘I don’t remember me before you,’ which I think is great. It also made it problematic [for] the title of the song.”