Back to news 09/26/19

JON PARDI HEARTACHE MEDICATION ALBUM AUDIO TOOLKIT.

JON PARDI HEARTACHE MEDICATION ALBUM AUDIO TOOLKIT.
Artist
Jon Pardi

Click to download Jon Pardi’s Heartache Medication Album Audio Toolkit here.

 

We have compiled an array of content — a variety of liners and soundbites – from JON PARDI to equip you with everything you might need to put together your own album radio special; roll-out tracks leading up to –and following — the release of his new record, HEARTACHE MEDICATION, to use in news feeds, radio specials and much more. Check out all of details below (including audio liners and soundbites, as well as transcriptions) to create your own content surrounding Jon’s new album release.

“You know ‘Head Over Boots’ was one of the countriest songs off California Sunrise,” the affable young man points out. “And it was one of our biggest singles, so it led us to feel like we could go in this direction. My label was like, ‘Don’t be afraid to be more traditional.  The ball’s in your court, man. We’re perfectly fine with this!’”

And so, Jon Pardi dug in, slung low and came back with Heartache Medication. An unrepentantly Bakersfield juke joint/Texas ice house proposition, it’s a cocktail of vintage Brooks & Dunn, stone cold Haggard, a strong shot of the smoothest and swinginest Strait, a long pour of Alan Jackson and equal measures Buck’n’Dwight. From the unapologetic lope of “Old Hat,” a declaration of the good ole boy code of honor, to the quick banjo-trimmed blessing “Starlight,” honoring loved ones who’ve passed, the 34-year old writer sought to re-establish as many classic idioms as possible.

With the twin-fiddle/Telecaster grounded title track, Pardi expands the sweeping “Fool Hearted Memory” classicism into a bar-stool coping strategy, while the turbo-thumping post-rockabilly “Me & Jack” recalls the humor-steeped hijinks of Cash or Waylon and Willie at their wittiest. There’s the fiddle-soaked “Call Me Country” with its ascending guitar solos, the mariachi horns of “Tequila Little Time,” the torch truth of “Don’t Blame It On The Whiskey,” with Lauren Alaina at her most aching, and the steel-stitched promenade turning high-test swing “Tied One On” offering a breadth of style that’s pure ‘90s octane.