As the world becomes aware of singer/songwriter Adam Hambrick, listeners will get a two-fold reward – a short-term jolt from an engaging musical package and a long-term satisfaction as repeated plays unveil the depth in his word play and storytelling.
Hambrick cut his teeth as a Nashville songwriter, penning two #1 hits – Dan + Shay’s “How Not To” and Justin Moore’s “Somebody Else Will” – plus Lindsay Ell’s Top 40 single “Waiting On You.” He knows how to hook a song, and he does that brilliantly on his debut album, invariably imbuing the 16 songs with cool melodies and structures that balance mystery and optimism.
Those musical aspects are worthwhile in themselves, but after multiple listens, Hambrick’s subtle mastery of the classic country twist works as a delayed bonus. The turn of a phrase in “Country Stars” – where his youthful desire to become a travelling musician gives way to an adult appreciation of star-filled country skies – is likely obvious the first time around.
But the hidden-in-plain-sight meanings and phrases in other songs make it an album worth revisiting often. “Heart To Break” casts a steely barroom beauty who seems “heartless” at first glance as someone who’s “all out of heart to break.” “Do The Math” measures a man’s pain by adding up the drinks he uses to drown it. The album’s first single, “Rockin’ All Night Long,” takes a big-picture view of after-midnight activities, showing how the late-nights romps of a carefree kid turn into the early-morning expressions of comfort provided by a loving dad to his crying daughter.
That’s part of what Hambrick learned as he honed his songwriting craft on Music Row: how to create songs that work for a casual, surface listener but still reward invested fans who take the time to look under the hood. Those interlocking levels are key to understanding him.
“I’ve always found there is an innate power in music,” he says. “When you say something, you say it, but when you sing it, there’s a level of intentionality and force behind the weight of the words. So it’s a different thing. I love getting to sing these songs and mean them. To sing a song and mean it, you have to be saying something substantial.”
Hambrick accomplishes that while pulling together a passel of influences in a unique way. Atmospheric steel guitars, heavily reverbed rhythms and soaring melodies support the ‘90s country, 2000s pop and timeless blue-eyed soul at the heart of his art. It’s all delivered with a guy-next-door tenor that mixes angst and sensitivity while taking an adult viewpoint on topics that are familiar to consumers of every age.
“A lot of this record is me dealing with the younger me,” he notes. “It’s the emotional fallout from that, and missing that kid, and just trying to make sense of who I am as a means of understanding how I got here.”
As is the case with nearly every success story, Hambrick’s arrival in a much-coveted vocation is an opportunity created by both sweat and luck. Growing up in Corinth, Mississippi, he found himself in a sort of bridge locale between multiple Southern music centers. To the west was Memphis, a mecca for gritty soul. To the north was Jackson, Tennessee, the home of the Rockabilly Museum. To the east was Muscle Shoals with its raw pop/rock history. To the south was Tupelo, the birthplace of Elvis Presley.
Corinth itself was awash in country, and Hambrick’s personal interpretation of all those influences was filtered through the church, where his father was a Baptist pastor and his mom played piano. He had a natural gift for performing, though he didn’t initially think of it as much more than a hobby.
“As a kid, making music as a career is kind of a pipe dream,” he says. “There were some cover bands and stuff I had seen around town, but country music, radio, the Grand Ole Opry, Nashville – all that stuff felt so distant from where I was.”
And yet that music made a huge impression. Country hits from the ‘90s “laid the bedrock foundation for my love of songs,” Hambrick says, pointing to Mark Chesnutt, Joe Diffie and Alan Jackson, whose “Chasin’ That Neon Rainbow” earns an oblique reference in Hambrick’s own “Country Stars.” Hambrick wore out Garth Brooks’ landmark No Fences album when he received his first cassette tape player as a Christmas gift.
As he aged, rock acts such as Foo Fighters, Third Eye Blind, Red Hot Chili Peppers and Taking Back Sunday provided the soundtrack for a more rebellious stage. But Hambrick found the key to unlock his own skills when he discovered John Mayer.
“John Mayer was really the first singer-songwriter that just came out of nowhere and had a direct and lasting impact on me,” Hambrick enthuses. “That was the common thread that runs through all of it, because with all these bands and artists, it’s about their songs. They’re real-deal stories, vivid imagery, lyric-driven songs. That’s the thing that’s always been important to me, like ‘What are you actually saying?’”
The Hambricks had moved to Mississippi from Arkansas before Adam’s birth, but they spent enough time with relatives back in rural Des Arc that the Natural State felt as much like home as Mississippi. So when it came time for college, he majored in mass communications at Central Arkansas University, a campus known for its purple-and-gray football field (“Go Purple Bears,” Hambrick wryly cheers), located in Conway, the town that gave late Country Music Hall of Fame member Conway Twitty the first half of his stage name.
Hambrick became a bit of a local sensation, packing fraternity houses and Little Rock clubs for a time. One of his buddies in Conway, Kris Allen, won a season of American Idol, and watching that experience gave Hambrick motivation to start recording his own songs.
In the process, he ended up on Little Rock TV station KATV, promoting his first self-released album, Fighting From the Ground, and a local club show. As it happened, country star Justin Moore caught the televised performance and was impressed enough that he called his producer, Jeremy Stover (Jack Ingram, Drake White), and recommended Hambrick. Within days, Hambrick had a meeting in Nashville and started visiting regularly to write songs.
“Justin changed my life that day,” says Hambrick. “He could have been like, ‘That guy’s pretty good’ and then gone about his day, but just the fact that he made a phone call to the guy that’s now my mentor, that got a really incredible ball rolling for me.”
Roughly 18 months later, Hambrick signed his first publishing deal and made the move to Nashville. He intended to continue making the occasional album to appease his inner artist, but the real focus was writing songs. Initially, he put his focus in the writing room on creating material for Nashville’s A-list acts, but that evolved as he discovered that redirection took some of the character out of his compositions.
“If I’m trying to put myself into somebody else’s head and trying to say what I think Luke Bryan would say, I’m full of crap ‘cause I don’t know what Luke Bryan is gonna say or what he’s even comfortable saying,” Hambrick notes. “So it was kind of a process of getting smaller – don’t worry about what’s on the chart, just do what I feel. When I started doing that, I started becoming more inspired to write and those songs were becoming more reactive with people in town.”
Particularly with Universal Music Group A&R executive Stephanie Wright, who was in the audience when he played a songwriters round. She was intrigued by his melodic prowess, his unique outlook and his self-effacing sarcasm. After the show, she made a point of cultivating a relationship.
“Over that next year I just kept writing and kept sending her songs and she kept being a fan and kept making fans in the Universal building,” he says. “It was just a very organic, very relational development. I didn’t choose to go after country radio. That was an opportunity that opened up, and I walked through that door.”
He brought a figurative truck load of music with him. Hambrick had 110 songs that seemed ideal for his own artistry. They narrowed that to 40, then settled on a final 16 that showcase his passionate vulnerability and his ability to depict the drama in human interaction.
Splitting his time between two next-generation musician/producers – Andrew DeRoberts (Brantley Gilbert, James Blunt) and Paul DiGiovanni (Jordan Davis, Dan + Shay) – he came up with a project that balances country, soul and the occasional tinge of electro-pop. The incandescent “White Lying,” the ultra-catchy “Forever Ain’t Long Enough,” the hypnotic “Broken Ladder” and the melancholy “Sunset” are immediately gratifying. But like the other dozen songs in the package, their biggest reward is their long-term value, the payoff from exploring the layers of sound and pockets of meaning that are key to understanding Adam Hambrick. The multiple styles that feed his brand of country are authentic, but so is his commitment to songs that stand the test of time.
“I’m always gonna be invested in country music,” Hambrick says. “I’m always gonna be invested in the community around country music, but at the end of the day, I want to make good music. Period.”
Kacey Musgraves has just been announced as a presenter for this year’s Oscars. Fresh from winning four GRAMMY Awards, including Album of the Year for Golden Hour, she’ll join previously announced presenters Gary Oldman, Allison Janney, Frances McDormand, Sam Rockwell, Chris Evans, Brie Larson, Daniel Craig, Tina Fey, Whoopi Goldberg, Jennifer Lopez, Amy Poehler, Maya Rudolph, Charlize Theron, Angela Bassett, Chadwick Boseman, Emilia Clarke, Samuel L. Jackson, Melissa McCarthy, Jason Momoa and Sarah Paulson, among others.
The 91st Academy Awards will be handed out live from the Dolby Theatre in Hollywood on Sunday (February 24th) at 8pm ET/5pm PT on ABC. The Oscars will also be televised live in more than 225 countries and territories worldwide.
Kacey, who has hit the airwaves with her new single, “Rainbow,” from her Grammy-winning album, takes her Oh, What a World Tour to Portland, Oregon on Monday (February 18th) and Seattle on Tuesday (February 19th).
EMI Records Nashville/32 Bridge Entertainment artist Jon Langston celebrated CRS week with a late-night performance on Wednesday at Luke Bryan’s 32 Bridge Food + Drink which included a surprise visit from the bar’s namesake superstar showing his support for Langston. Fans lined up out the door to be admitted to the show and once inside, the rowdy crowd sang along to every song in Langston’s set. For more information about this event, click HERE.
Due to an overwhelming demand from his fans for new music, the Georgia native also released new song, “Dance Tonight.” Written by Langston and Jody Stevens, “Dance Tonight” tells the sweet story of a man who will do anything to make his significant other happy, even if it is as simple as dancing together at home to her favorite records. Langston’s debut and current single, “When It Comes To Loving You,” continues to climb the country radio charts.
Langston kicks off his Dance Tonight Tour with back-to-back sold-out shows in Chicago, IL and Lansing, MI. Additionally, Langston hits the road this summer on Luke Bryan’s Sunset Repeat Tour. To see all of Langston’s upcoming tour dates, fans can check out his website jonlangston.com.
DANCE TONIGHT TOUR
February 16 Joe’s On Weed Street Chicago, IL – SOLD OUT
February 22 Tequila Cowboy Lansing, MI – SOLD OUT
March 1 Whiskey Barrel Music Hall Laconia, NH
March 21 The Music Farm Charleston, SC
March 22 Saddlebags Savannah, GA
March 28 Midnight Rodeo Springfield, MO
March 29 Slide & Ride Saloon Martin, TN
April 12 The Tavern Milledgeville, GA
April 13 Barrelhouse LIVE August, GA
April 19 Grizzly Rose Denver, CO
April 20 Warehouse 2565 Grand Junction, CO
Singer-songwriter Jon Langston grew up on the music of his heroes like Alan Jackson and the Eagles. Then, following multiple concussions and the end of his Division I football career, Jon focused on music and worked to develop his own style and sound while drawing from that variety of influences. In 2013 with the release of his first song, “Forever Girl,” Jon’s live shows began to grow, and he found himself opening for Chase Rice at Georgia’s Kennesaw State University. It was his first-ever full band show, and when the crowd sang “Forever Girl” along with him, Jon knew he wanted to pursue a career in music. The now 27-year-old Music City resident has since signed a publishing deal with Sony ATV, management with KP Entertainment, landed a record deal with Universal Music Group Nashville, and is fostering his own voice in country music. The Georgia native is the first artist under Luke Bryan’s new label, 32 Bridge Entertainment, and will be worked in conjunction with EMI Records Nashville. He recently released his major label debut and current single “When It Comes To Loving You” which landed in the Top 5 of the all-genre iTunes Chart and has accumulated over 9 million streams.
Dierks Bentley and the world’s leading live entertainment company Live Nation announced that Seven Peaks Music Festival will officially return for a second year on Aug 30 – Sept 1 over Labor Day Weekend. Set against the heart-stopping mountain views of Buena Vista, CO, fans traveled from 49 states and as far as Australia for the inaugural event in 2018.
By signing up to the festival’s official newsletter at SevenPeaksFestival.com, fans can gain access to a special Pre-Sale code to purchase passes before they go on sale to the general public. Additionally, Alumni fans, that bought passes for the inaugural year, will have the first chance at passes with the Alumni Pre-Sale. More information on the upcoming event including lineup and ticket details will be revealed in the coming weeks.
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About Dierks Bentley:
Pegged as “one of Country music’s most enviable brands, equal parts affability and authenticity” (Forbes), Bentley continues to be a dominant voice for the genre with over 8.6 billion overall digital streams. Reaching a new creative high while “making music designed to challenge” (New York Times), Bentley co-wrote 10 of his current album THE MOUNTAIN’s (Capitol Records Nashville) 13 tracks, which earned him the highest debut sales of his career and became his seventh chart-topping album. Critics continue to applaud “one of the most joyful, brazen, and cohesive collections of his career” (Entertainment Weekly) as it was featured as one of “2018 Best Albums” by Esquire, USA Today, Rolling Stone, The Tennessean, and more as it was also of the only Country albums on Billboard’s all-genre year end list. THE MOUNTAIN garnered multiple nominations including “Album of the Year” nods from the ACM and CMAs and has been streamed more than 245 million times. Bentley has amassed 18 career No. Ones, billions of digital streams, countless nominations from the ACMs, Billboard Music Awards and more while earning 13 GRAMMY nominations – including at least one stemming from each of his last six albums. Bentley will make notable stops throughout the country on his 2019 BURNING MAN TOUR with special guests Jon Pardi, Tenille Townes and the Hot Country Knights, including his return to Nashville’s Bridgestone Arena next week after making a sold-out headlining debut in 2016. For more information, visit www.dierks.com.
About Seven Peaks Music Festival:
Seven Peaks Music Festival is the latest addition to Live Nation’s family of country festivals spread across the country including Watershed in George, WA; Faster Horses in Brooklyn, MI; Country LakeShake in Chicago, IL and Tortuga Music Festival in Ft. Lauderdale. FL. Launched in 2018, the three-day, two-stage camping experience festival offers an eclectic and comradery-filled lineup with fans enjoying the unexpected with late-night jams and surprise guests, as well as activity-filled excursions during the day. PEOPLE heralded the festival’s “authenticity in every component” with Rolling Stone praising the “community-first, play-every-set take on a country festival.” The natural beauty of the site’s sprawling grounds provides the perfect homegrown vibe for a Labor Day weekend camp out under the stars, where festival-goers will have multiple camping options from tents to full-sized RV accommodations. For more information visit sevenpeaksfestival.com.
Dierks Bentley (Seven Peaks 2nd year) 1 OC: …people. :45
“This festival is, the word special gets overused, but it is really special. One of the ways you can tell a festival is really good is when the artists want to come back and play it again. Last year, Miranda Lambert, she was supposed to fly off, but she actually stayed an extra day because she was having so much fun being there and everyone who was there last year wanted to come out again. You’re talking about year two. I can’t announce who’s coming, but the festival is early on, so I can’t pay some of these huge prices that some of these guys get, but I have some friends coming out [this year] that are actually doing it for a reduced rate because they just want to be there. They’re like, ‘Man! I’ll do whatever it takes. I just want to be there. It sounds like a vacation. It sounds so fun.’ So, that’s a big tell. The fact that we had fans from 49 states says a lot. This year is gonna be crazy attendance-wise, because I know every person is going to tell at least one or two people to come with ’em.”