Adam Hambrick

Bio

            As the world becomes aware of singer/songwriter Adam Hambrick, listeners will get a two-fold reward – a short-term jolt from an engaging musical package and a long-term satisfaction as repeated plays unveil the depth in his word play and storytelling.

            Hambrick cut his teeth as a Nashville songwriter, penning two #1 hits – Dan + Shay’s “How Not To” and Justin Moore’s “Somebody Else Will” – plus Lindsay Ell’s Top 40 single “Waiting On You.” He knows how to hook a song, and he does that brilliantly on his debut album, invariably imbuing the 16 songs with cool melodies and structures that balance mystery and optimism.

Those musical aspects are worthwhile in themselves, but after multiple listens, Hambrick’s subtle mastery of the classic country twist works as a delayed bonus. The turn of a phrase in “Country Stars” – where his youthful desire to become a travelling musician gives way to an adult appreciation of star-filled country skies – is likely obvious the first time around.

But the hidden-in-plain-sight meanings and phrases in other songs make it an album worth revisiting often. “Heart To Break” casts a steely barroom beauty who seems “heartless” at first glance as someone who’s “all out of heart to break.” “Do The Math” measures a man’s pain by adding up the drinks he uses to drown it. The album’s first single, “Rockin’ All Night Long,” takes a big-picture view of after-midnight activities, showing how the late-nights romps of a carefree kid turn into the early-morning expressions of comfort provided by a loving dad to his crying daughter.

That’s part of what Hambrick learned as he honed his songwriting craft on Music Row: how to create songs that work for a casual, surface listener but still reward invested fans who take the time to look under the hood. Those interlocking levels are key to understanding him.

“I’ve always found there is an innate power in music,” he says. “When you say something, you say it, but when you sing it, there’s a level of intentionality and force behind the weight of the words. So it’s a different thing. I love getting to sing these songs and mean them. To sing a song and mean it, you have to be saying something substantial.”

Hambrick accomplishes that while pulling together a passel of influences in a unique way. Atmospheric steel guitars, heavily reverbed rhythms and soaring melodies support the ‘90s country, 2000s pop and timeless blue-eyed soul at the heart of his art. It’s all delivered with a guy-next-door tenor that mixes angst and sensitivity while taking an adult viewpoint on topics that are familiar to consumers of every age.

“A lot of this record is me dealing with the younger me,” he notes. “It’s the emotional fallout from that, and missing that kid, and just trying to make sense of who I am as a means of understanding how I got here.”

As is the case with nearly every success story, Hambrick’s arrival in a much-coveted vocation is an opportunity created by both sweat and luck. Growing up in Corinth, Mississippi, he found himself in a sort of bridge locale between multiple Southern music centers. To the west was Memphis, a mecca for gritty soul. To the north was Jackson, Tennessee, the home of the Rockabilly Museum. To the east was Muscle Shoals with its raw pop/rock history. To the south was Tupelo, the birthplace of Elvis Presley.

Corinth itself was awash in country, and Hambrick’s personal interpretation of all those influences was filtered through the church, where his father was a Baptist pastor and his mom played piano. He had a natural gift for performing, though he didn’t initially think of it as much more than a hobby.

“As a kid, making music as a career is kind of a pipe dream,” he says. “There were some cover bands and stuff I had seen around town, but country music, radio, the Grand Ole Opry, Nashville – all that stuff felt so distant from where I was.”

And yet that music made a huge impression. Country hits from the ‘90s “laid the bedrock foundation for my love of songs,” Hambrick says, pointing to Mark Chesnutt, Joe Diffie and Alan Jackson, whose “Chasin’ That Neon Rainbow” earns an oblique reference in Hambrick’s own “Country Stars.” Hambrick wore out Garth Brooks’ landmark No Fences album when he received his first cassette tape player as a Christmas gift.

As he aged, rock acts such as Foo Fighters, Third Eye Blind, Red Hot Chili Peppers and Taking Back Sunday provided the soundtrack for a more rebellious stage. But Hambrick found the key to unlock his own skills when he discovered John Mayer.

“John Mayer was really the first singer-songwriter that just came out of nowhere and had a direct and lasting impact on me,” Hambrick enthuses. “That was the common thread that runs through all of it, because with all these bands and artists, it’s about their songs. They’re real-deal stories, vivid imagery, lyric-driven songs. That’s the thing that’s always been important to me, like ‘What are you actually saying?’”

The Hambricks had moved to Mississippi from Arkansas before Adam’s birth, but they spent enough time with relatives back in rural Des Arc that the Natural State felt as much like home as Mississippi. So when it came time for college, he majored in mass communications at Central Arkansas University, a campus known for its purple-and-gray football field (“Go Purple Bears,” Hambrick wryly cheers), located in Conway, the town that gave late Country Music Hall of Fame member Conway Twitty the first half of his stage name.

Hambrick became a bit of a local sensation, packing fraternity houses and Little Rock clubs for a time. One of his buddies in Conway, Kris Allen, won a season of American Idol, and watching that experience gave Hambrick motivation to start recording his own songs.

In the process, he ended up on Little Rock TV station KATV, promoting his first self-released album, Fighting From the Ground, and a local club show. As it happened, country star Justin Moore caught the televised performance and was impressed enough that he called his producer, Jeremy Stover (Jack Ingram, Drake White), and recommended Hambrick. Within days, Hambrick had a meeting in Nashville and started visiting regularly to write songs.

“Justin changed my life that day,” says Hambrick. “He could have been like, ‘That guy’s pretty good’ and then gone about his day, but just the fact that he made a phone call to the guy that’s now my mentor, that got a really incredible ball rolling for me.”

Roughly 18 months later, Hambrick signed his first publishing deal and made the move to Nashville. He intended to continue making the occasional album to appease his inner artist, but the real focus was writing songs. Initially, he put his focus in the writing room on creating material for Nashville’s A-list acts, but that evolved as he discovered that redirection took some of the character out of his compositions.

“If I’m trying to put myself into somebody else’s head and trying to say what I think Luke Bryan would say, I’m full of crap ‘cause I don’t know what Luke Bryan is gonna say or what he’s even comfortable saying,” Hambrick notes. “So it was kind of a process of getting smaller – don’t worry about what’s on the chart, just do what I feel. When I started doing that, I started becoming more inspired to write and those songs were becoming more reactive with people in town.”

Particularly with Universal Music Group A&R executive Stephanie Wright, who was in the audience when he played a songwriters round. She was intrigued by his melodic prowess, his unique outlook and his self-effacing sarcasm. After the show, she made a point of cultivating a relationship.

“Over that next year I just kept writing and kept sending her songs and she kept being a fan and kept making fans in the Universal building,” he says. “It was just a very organic, very relational development. I didn’t choose to go after country radio. That was an opportunity that opened up, and I walked through that door.”

He brought a figurative truck load of music with him. Hambrick had 110 songs that seemed ideal for his own artistry. They narrowed that to 40, then settled on a final 16 that showcase his passionate vulnerability and his ability to depict the drama in human interaction.

Splitting his time between two next-generation musician/producers – Andrew DeRoberts (Brantley Gilbert, James Blunt) and Paul DiGiovanni (Jordan Davis, Dan + Shay) – he came up with a project that balances country, soul and the occasional tinge of electro-pop. The incandescent “White Lying,” the ultra-catchy “Forever Ain’t Long Enough,” the hypnotic “Broken Ladder” and the melancholy “Sunset” are immediately gratifying. But like the other dozen songs in the package, their biggest reward is their long-term value, the payoff from exploring the layers of sound and pockets of meaning that are key to understanding Adam Hambrick. The multiple styles that feed his brand of country are authentic, but so is his commitment to songs that stand the test of time.

“I’m always gonna be invested in country music,” Hambrick says. “I’m always gonna be invested in the community around country music, but at the end of the day, I want to make good music. Period.”

 

 

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MICKEY GUYTON RELEASES ALBUM TITLE TRACK REMEMBER HER NAME.

Capitol Nashville’s Mickey Guyton released the title track today from her album, Remember Her Name.  The song written by Guyton, Parker Welling, Black Hubbard and Jarrod Ingram and produced by Karen Kosowski is an anthem about finding strength through hard times.

The vocal powerhouse posted the news on her socials, writing, “It almost doesn’t feel real yet, but my new song ‘Remember Her Name’ is officially out everywhere now! This song means so, so much to me. Not only does this song represent my journey, but I hope the message reflects yours as well. This is our story.”

The vocal powerhouse posted the news on her socials, writing, “It almost doesn’t feel real yet, but my new song ‘Remember Her Name’ is officially out everywhere now! This song means so, so much to me. Not only does this song represent my journey, but I hope the message reflects yours as well. This is our story.”

 

Remember the fire

Remember her face

She felt the storm and danced out in the pouring a rain

Remember her laughing

Through all the pain

Remember the girl that didn’t let anything get in her way

Remember her name

“‘Remember Her Name’ is a song for anyone who has ever felt less than, forgotten or up against impossible obstacles,” shares Guyton. “I hope this song is a reminder of the importance of self-worth and the power of persistence and perseverance.”

Mickey Guyton’s Remember Her Name Track List

  1. Remember Her Name (Mickey Guyton, Parker Welling, Blake Hubbard, Jarrod Ingram)
  2. All American (Mickey Guyton, Victoria Banks, Emma-Lee, Karen Kosowski) Different (Mickey Guyton, Emma-Lee, Karen Kosowski)
  3. Love My Hair (Mickey Guyton, Anna Krantz)
  4. Lay It On Me (Mickey Guyton, Jaden Michaels, Gavin Slate)
  5. Higher (Mickey Guyton, Nathan Chapman, Fraser Churchill, Preston Glass, Narada Walden)
  6. Dancing In The Living Room (Mickey Guyton, Karen Kosowski, Victoria Banks, Emma-Lee)
  7. Do You Really Wanna Know (Mickey Guyton, Melissa Fuller, Andy Skib)
  8. Black Like Me (Mickey Guyton, Emma Davidson-Dillon, Fraser Churchill, Nathan Chapman)
  9. Words (Mickey Guyton, Abbey Cone, David Kalmusky)
  10. What Are You Gonna Tell Her? (Mickey Guyton, Karen Kosowski, Victoria Banks, Emma-Lee)
  11. Smoke (Mickey Guyton, Nathan Chapman, Balewa Muhammad)
  12. Rosé (Mickey Guyton, Karen Kosowski, Victoria Banks)
  13. Indigo (Mickey Guyton, Jimmy Robbins, Laura Veltz, Mozella)
  14. If I Were A Boy (Toby Gad, Brittany Jean Carlson)
  15. Better Than You Left Me (Fly Higher Version) (Mickey Guyton, Nathan Chapman, Jennifer Hanson, Jenn Schott)

Mickey is coming off an incredible year that saw her co-hosting the 56th Academy of Country Music Awards in April with labelmate Keith Urban, a historic performance and nomination for “Black Like Me” on the 63rd GRAMMY Awards in March and “Black Like Me” being named a Top 5 song of 2020 (all genre) by NPR and Associated Press.

On July 28th, Turning the Tables with Robin Roberts premiered on Disney+ including an episode featuring Mickey, Jamie Lee Curtis and Billie Jean King. Mickey was also recently featured on the cover of Billboard and profiled in The New Yorker.  Over the last year she has been featured in American Songwriter, BBC News, CBS This Morning, Ebony, Elle, Entertainment Weekly, Essence, HITS, The Kelly Clarkson Show, Late Show with Stephen Colbert, Los Angeles Times, New York Magazine’s Vulture, The New York Times, PEOPLE, Pollstar, Rolling Stone, Today Show, USA Today, Variety, VIBE, Vogue, Washington Post and many more.

Remember Her Name available HERE

 

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PARKER McCOLLUM GOLD CHAIN COWBOY ALBUM AUDIO TOOLKIT.

We have compiled an array of content — a variety of liners and soundbites – from PARKER McCOLLUM to equip you with everything you might need to put together your own album radio special; roll-out tracks leading up to –and following — the release of his new record, GOLD CHAIN COWBOY, to use in news feeds, radio specials and much more. Check out all of details below (including audio liners and soundbites, as well as transcriptions) to create your own content surrounding Parker’s new album release.

Parker McCollum wants it both ways. Restless soul who can slam dunk a major venue. Texas spirit who can exist on mainstream country radio. Songwriter with a sense of turpentine and truth singing for people whose life isn’t quite the truckbed/field party revel much of country music would have you believe.

Coming up in Texas, selling out Stubbs, Billy Bobs and Nutty Browns, the brash young man with a taste for Rodney Crowell, Todd Snider and James McMurtry had just enough Houston gangster rap in the water to develop a swagger that’s miles from the good ole boy patina so many of his peers embody. But don’t let that bravado fool you, his passion for songwriting runs deep.
“I want to have Luke Bryan success, singing Chris Knight-caliber songs,” he declares. “To have longevity, you can’t sacrifice integrity to get on the radio. People know the difference, look at Willie, look at Strait. I knew I could do Texas and never leave, or come to Nashville and do the pop-country thing. My goal is to ride the middle.”

He exhales as he says this, takes in the landscape. He’s already notched a platinum-certified #1 with the banged-up declaration of love and betrayal “Pretty Heart.”

 

 

CLICK HERE TO DOWNLOAD ALBUM AUDIO TOOLKIT.

LAUREN ALAINA ANNOUNCES HER TRACK LIST FOR HER NEW ALBUM, SITTING PRETTY ON TOP OF THE WORLD.

Lauren Alaina announced on her socials the track list for her new album, Sitting Pretty On Top Of The World, as well as the release dateThe collection features 15 tracks and will be released September 3rd. She also released one of the new tracks and her favorite song she’s ever written, “It Was Me.”

 

Sitting Pretty on Top of the World is available for preorder beginning today at all digital retailers or by clicking HERE. Those who preorder the album will instantly get a download of the album’s lead off song “It Was Me.” The song is available now on all DSPs and for digital download HERE.

Alongside award-winning songwriters Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Ben Johnson, and more, Alaina co-wrote 14 of the 15 songs on Sitting Pretty On Top of the World, including her “Getting Over Him” featuring Jon Pardi, which is currently climbing the country charts.

Alaina describes how personal this album is saying, “It’s about a dreamer becoming an achiever. It’s being broken and ending up healed. It’s all of me. The early chapters. The new beginnings. The hope for the future and total appreciation for the past. Taking the Road Less Traveled and ending up Sitting Pretty on Top of the World.”

In addition to the 12 brand new songs included on Sitting Pretty on Top of the World, Alaina included the two duets she recorded for her Getting Over Him EP- “What Do You Think Of?” featuring international pop sensation Lukas Graham and “Getting Over Him” featuring Jon Pardi. Additionally, the Georgia native also reached out to her friend/mentor Trisha Yearwood to remix the just recently GOLDâ certified “Getting Good” from her Getting Good EP to include as a duet on this new album.

Sitting Pretty On Top Of The World Track List:

  1. It Was Me
  2. If The World Was A Small Town
  3. Getting Good (Duet with Trisha Yearwood)
  4. Same Story, Different Saturday Night
  5. On Top Of The World
  6. Run
  7. I’m Not Sad Anymore
  8. What Do You Think Of? (With Lukas Graham)
  9. Getting Over Him (With Jon Pardi)
  10. Good Ole Boy
  11. When The Party’s Over
  12. You Ain’t A Cowboy
  13. Goodbye Street
  14. Written In The Bar
  15. Change My Mind

In more Lauren Alaina news, the Georgia native will star in an upcoming episode of CBS Television’s Secret Celebrity Renovation. She will join Florida Georgia Line’s I Love My Country Tour in September and will star in a Hallmark Channel movie “Roadhouse Romance” premiering on September 11. On November 2, her book, Getting Good At Being You will be released. The book is available for presale wherever books are sold.

Audio / LINER Lauren Alaina (It Was Me out now)

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