Jon Pardi
Bio
“The thing that makes a Jon Pardi song isn’t what you think,” cautions the Country Music Association and Academy of Country Music award-winner. “It isn’t all drinking, and partying, and cowboy stuff. So many neon songs we turned down – and there’s still plenty of neon on here – but it’s gotta be something different and say something more.”
With Mr. Saturday Night, 14 songs steeped in losing, a little loving and what’s in between, the California-born and raised honky tonker considers a recording three years in the making. For the 37-year-old showman, who takes his time to create a true album, music that matters should never be rushed.
“I always remember when a Strait record came out, I was so excited,” Pardi begins. “You count the days ‘til you can get it; then when it’s finally out, you live inside every note. I still listen to those albums today. It taught me to make something that stands the test of time – which means slowing down. When people just eat music every week for the next TikTok craze, those who love real music keep listening.”
A classic old school country record, Mr. Saturday Night digs beneath the surface in new ways as it returns the genre to an era of buckle-polishing dancefloor encounters, yowling bar-room revelers and the occasional strong, silent type ballad. Along the way, David Ball, Keith Whitley, Brooks & Dunn, the Eagles, Buck Owens, Gary Stewart, Merle Haggard and the Red Dirt vanguard of “Ragweed, Charlie Robison, Chris Knight and Randy Rogers” inform the songs.
From the breezy, falling-in-love California shimmer “Santa Cruz,” the erotic slink of denial “Your Heart Or Mine,” the open plains tough guy surrender “Hung the Moon,” or the romping “Fill ’Er Up,” Pardi moves through all the gears of country and Western with an ease unseen in today’s Nashville.
“The true sound is not having the band play something you think you want, but play what’s your sound,” he laughs. “It’s who you are, not something you’re trying to be. With this music, it’s what I was born and raised on, what all my memories are made of. California’s got its own kind of country, kinda like Texas – and when the dust settles, really, they’re cousins.”
Pardi Country, beyond plenty of drinks and the whirling fiddles, has a toughness to it; it’s a guy’s guy take on working hard, loving hard and facing the consequences like a man. If it’s not always easy, it’s reality – and that reality is what forged Haggard or Johnny Cash’s place in the music.
“I’ve been writing so long in town, the writers all know me,” says Pardi. “They know it’s gotta have some backbone and some grit, but I’m also not just a tough guy. I’m someone in a relationship a woman can trust to be there and support her.”
That attitude tempers “Last Night Lonely,” the straight-forward walk-up that suggests a man worth keeping, or the slow fiddle-laced late-night encounter “Neon Light Speed.” On the Strait-invoking “Day I Stop Dancing” pledge of love eternal, Pardi demonstrates alternative ways to signal devotion.
Just as he’s still throwing the good timing party – the tumbling “Workin’ On A New One” that punctures swearing off hangovers, or the double break-up “New Place To Drink” with its signature ‘90s Brent Mason guitar licks – he’s found the undertow to those throwdowns. Rather than just drink and drown, the new album from the unrepentant Cali-tonker acclaimed by The New York Times, Cowboys & Indians, Variety, Rolling Stone, NPR and the Los Angeles Times explores what drives those hardcore Friday and Saturday nights.
“I feel like the country music I listened to trained me that this is what we do when we’re lonely or going out. It’s what life sounds like, and how you carry it around with you,” offers the man whose “Dirt On My Boots” was a CMA Song and Single of the Year nominee. “Lonely is a great feeling, a great songwriting feeling – a lot of this life is on the road, hotels rooms and highways. There are all kinds of lonely. But lonely’s always there. For me, and a lot of people, I mask it with having fun and going out.
“A true artist, I guess, you live what you want to feel, so you know it. I’ve been there. There’s plenty to go into the songs.”
The slow-rolling title track juxtaposes the high-spirited life of the party with the desolate guy who goes home to face what he’s lost. “It was the last song I played at the last meeting for this album, and everybody was like, ‘Where’d you get that?!’
“I’d had the song for two-and-a-half years, but it’s so different I hadn’t shared it. Almost a Sinatra or Dean Martin thing. Nobody’d heard it, so there was the usual, ‘I hope it’s not on hold…’ The head of A&R at my label said, ‘I guarantee it’s not on hold’ – because it’s so different – and it wasn’t.”
That same stoicism permeates the halting “Raincheck,” a puddle of steel guitar that soaks up a failed attempt at moving on. “That’s my Keith Whitley ‘Between the Devil and Me’ song. We’ve all been there, trying to get over someone and not quite getting there…”
In a world of shallow partying, Pardi considers not just the consequences, but the pain that comes with it. Having been the good time guy, he also recognizes for an artist to grow, he must look a little deeper and reach newer understandings of the moment.
Not that Pardi’s gone serious. “Longneck Way To Go,” his sweeping collaboration with hipster country force Midland, considers the collision between drinking her off your mind and just going hard. “That song is such an anthem for us to come together, because Midland is the other band who’s really standing up for this music that’s being left behind. They’re so stylistic, especially about the music and write as a band for their band… To me, this shows what country used to be.”
That inner Gary Cooper or Steve McQueen hasn’t dulled Pardi’s sense of humor. He closes the album with the unlikely “Reverse Cowgirl,” a yearning call to a woman who’s taken off, featuring Sarah Buxton vocals and two-time and current CMA Musician of the Year Jenee Fleenor.
“Bart sent it to me, and said, ‘Dude, don’t look at the title…’ But I did, and I wouldn’t even listen to it,” Pardi remembers. “Then we had some people over, and I played it as a joke. One listen in, we couldn’t stop listening! The girls loved it… It’s romantic, but it puts a smile on your face; makes you happy, sad, laugh all at once. Plus, when you hear that fiddle, you’re right back to Strait in the ‘90s.”
Country in the ‘90s is suddenly vogue. For Pardi, he’s steeped in it. His authenticity pushes him, co-producers Bart Butler and Ryan Gore to create something a little more honest, a little richer in the roots.
“You gotta know the right players,” the man whose California Sunrise and Heartache Medication were #1 Billboard Top Country Album debuts, plus CMA and ACM Album of the Year nominees. “There’s people who want to play country music, they just don’t get to. The whole computer thing really changes the way music’s made and feels, and that’s driving the modern country.”
Start there, keep going. A sold-out three-night run at New Braunfels’ famous Whitewater Amphitheater saw Pardi, Rhett Atkins and Luke Laird thinking about Texas, chilling out and what makes that kind of music so compelling. “Smokin’ A Doobie” emerged.
“We had rented a house and watched this crew member kinda slipping down to the banks of the river, just grabbing a moment and firing up. Rhett out of nowhere started singing ‘Smokin’ a doobie on the Guadalupe…’ The song fell out! I don’t think it was 40 minutes before we were done.”
In a Willie Nelson world, the sentiment shouldn’t be scandalous. But Pardi knows some people may still be shocked. “I don’t smoke that much and don’t carry it with me, but if someone’s passing a doobie? Sure. It’s that whole ‘Margaritaville’ thing of letting go of the day, just chilling out and letting the worries float away.”
The problem and the solution, the torque and the release. For a guy who still gets excited about heavy equipment, it makes sense. Rather than fit in with today’s sound, Pardi doubled down. Willing to do the heavy lifting for his kind of country, it’s not a matter of going along, but carving out a path that feels true.
“Some songs are easier for me to put down some chords and lyrics than try to describe it,” he explains. “The songwriters know who and what I am, and they bring me great stuff. I have plenty of time to work on the songs I do write. Together, that creates the best possible Jon Pardi album I can make.”
News
View all news on Jon PardiJON PARDI ANNOUNCES FIFTH STUDIO ALBUM HONKYTONK HOLLYWOOD – OUT APRIL 11, DROPS TITLE TRACK (AUDIO)
JON PARDI ANNOUNCES DUAL-NATURED FIFTH STUDIO ALBUM HONKYTONK HOLLYWOOD – OUT APRIL 11
Pardi’s Signature Sound Has a New Spark with 17-Song Album Produced by Jay Joyce, Available for Pre-Order Now
Fans Can Listen to HONKYTONK HOLLYWOOD‘s Grits-and-Glitz Core Title Track Today
NASHVILLE, Tenn. – January 17, 2025 – Capitol Records Nashville artist Jon Pardi began careening down the highway over ten years ago, leading the charge to modernize honky tonk with roaring guitars and a roaring, good-time spirit. Pardi’s reputation for punchy, against-the-wind bravado has only grown, with his upcoming fifth studio album HONKYTONK HOLLYWOOD slated for release April 11. The 17-track album is the spiritual successor to his fearless breakout hits, and once again finds Pardi pulling out the stops to stay true to himself – yet giving his signature sound a new spark. Some tracks ring with pristine, pure-country tenderness, while others embrace fuzzed-out fiddles and soaring tripled guitars, or grungy bass lines and bottomless grooves. The title track, “Honkytonk Hollywood,” sets the mood placed strategically in the core of the album. It’s a grits-and-glitz tribute to the dual nature of Pardi’s life and mindset, and is now available to listen HERE with the full album available for pre-order HERE.
Audio / Jon Pardi - Honkytonk Hollywood (AUDIO INTRO)
Download“Hey, this is Jon Pardi and this is the title track of my new album, Honkytonk Hollywood. Hope you enjoy it.”
Audio / Jon Pardi - Honkytonk Hollywood (STORY AUDIO)
Download“Honkytonk Hollywood is just kind of a rock and roll song about a sexy girl. Kind of give them Hollywood vibes, and you’re loving it. And I don’t know, it’s a fun song. I think everybody’s gonna dig it.”
Audio / Jon Pardi - "Honkytonk Hollywood" (OUTRO AUDIO)
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“All my albums have been rock and roll with a country flare – this one keeps on rockin’,” Pardi explains. “It’s also the most grown-up record I’ve ever made, all my soul basically. ‘Honkytonk Hollywood’ is for the Nashville that’s in my blood and it’s also a nod to my California roots. And right now, more than ever, I hope it’s a way to honor and lift up the people of my home state.”
Enlisting Jay Joyce for the first time as producer and stepping away from the traditional Nashville recording system, Pardi spent three solid weeks in the studio, building each track up from nothing with his touring band handling the vast majority of the recording. Starting the album off in overdrive, “Boots Off” explodes from the speakers with a brash guitar hook and roadhouse-rocking stomp, representing the first of many hot-and-heavy love songs. Tracks like the grungy “Rush” continue the flirtatious fun, fusing alt-rock attitude with a synthetic skid-row crunch and howling vocals, perfectly capturing the swirling ecstasy of desire. Likewise, “Love the Lights Out” melts into a steamy soul rocker with slide guitar hooks and a throbbing pulse – a soundtrack for love that takes its time – and “She Gets to Drinking” sways with an intoxicating swing. Meanwhile, others push boundaries even further sonically, with the current single “Friday Night Heartbreaker” pairing a dark, tortured blast of hard rock with a sleek singalong vocal. “Hey California” cruises down a Sunset Strip of ‘70s-style studio-rock sophistication – complete with dreamy vocal stacks and atmospheric guitars. And with the slow-grooving “Don’t You Wanna Know,” Pardi’s twangy vocal pleads for romantic reconnection through a cloud of mellow, new-wave pop.
Elsewhere, family-minded balladry makes timeless trad-country feel modern, with tracks like “He Went to Work” tipping a hat to the steadfast fathers of the world. And Pardi calls the cinematic beauty of his lump-in-your-throat life ballad “She Drives Away” “undeniable.” He goes all-in on the moody “Gambling Man,” a busted flat tuxedo-twang warning to avoid his dice-rolling ways. And the two-stepper “Bar Room Blue” aches with a woozy, San Antonio swing. But by closing the set on “Kinda Wanna Keep It That Way,” Pardi once and for all declares his creative independence. A tranquil, acoustic-groove anthem with the easy strut of self-confidence, its message sums up where the restless counter-country star is at – and ultimately, the foundation of his success. But no matter how far he roamed, Pardi’s barbed-wire vocal fenced the new ground.
“We did what we wanted, and it stands out because of it,” Pardi goes on. “Taking the chance paid off, and I kind of want to keep it that way.”
HONKYTONK HOLLYWOOD Track List:
- Boots Off
- Friday Night Heartbreaker
- She Gets to Drinking
- Gambling Man
- Hey California
- Rush
- She Drives Away
- He Went to Work
- Last Call Thing
- Honkytonk Hollywood
- Love The Lights Out
- Nice Place to Visit
- Hard Knocks
- Don’t You Wanna Know
- Bar Room Blue
- Who I Don’t Wanna Be
- Kinda Wanna Keep It That Way
With four Top 5 albums which include 2016’s Platinum No. 1, CALIFORNIA SUNRISE, and Pardi’s reputation for punchy, against-the-wind bravado has only grown. Never afraid to break from the pack, fourteen RIAA-certified singles feature six No. 1’s (like the back-to-back 6x-Platinum “Head Over Boots” and “Dirt On My Boots”), and with years of blue-collar barnstorming behind him, the California native has earned his international headlining acclaim, alongside 9.3 billion global streams. For all the success of his multi-album, decade-plus climb, it has to come honestly, from a spark of true creative interest – and good old-fashioned fun. The lessons for Pardi, just made him stronger.
After headlining shows in the US and Australia including CMC Rocks this spring, the multi-Platinum country star and “spirited entertainer, with infectious energy” (Star Tribune) will kickoff his HONKYTONK HOLLYWOOD TOUR on April 25, hitting 16 arenas and amphitheaters across the U.S. with support from Corey Kent on select dates and Kassi Ashton. For more information on new music and for a full list of upcoming tour dates, visit JonPardi.com.
# # #
Contact:
Tyne Parrish
The GreenRoom
Tynep@thegreenroompr.com
Leigh Malleus
Universal Music Group Nashville
leigh.malleus@umusic.com
Video / Jon Pardi - "Honkytonk Hollywood" (Official Vizualizer)
ViewJON PARDI DROPS OFFICIAL MUSIC VIDEO FOR “FRIDAY NIGHT HEARTBREAKER (PRESS RELEASE)
Jon Pardi Gives a Dark and Thrilling Look to New Music Video for “Friday Night Heartbreaker” – Watch HERE
NASHVILLE, Tenn. – January 7, 2025 – Today, country superstar Jon Pardi hits the streets in a dark and thrilling new music video for current radio single “Friday Night Heartbreaker.” Released as the lead track off his upcoming fifth studio album, the video for the track that “kicks down the door of this next musical chapter” (American Songwriter) was directed by Jim Wright and shot in Nashville’s historic Printer’s Alley. It highlights Pardi’s signature mix of honky-tonk rhythms and contemporary flair, capturing the bittersweet blend of infatuation and the heartbreak often felt during fleeting moments of romance. With its lively melody and mysterious edge, “Friday Night Heartbreaker” highlights Pardi’s knack for blending storytelling with an infectious, danceable sound. Fans can watch the new video now HERE.
“I always enjoy filming with Jim Wright, even if it means being in Printer’s Alley until 2 AM,” says Pardi. “You really see some wild characters down there at that hour. One of my favorite parts of the shoot was chatting with the actors and actresses who performed the circus stunts—they were amazing! All I had to do was play guitar and drive a cool car while they were over there breathing fire and swallowing swords. It was awesome to watch it all come together!”
Since first hitting the country landscape, singer/songwriter/producer Jon Pardi has long separated himself from the pack, carving a lane that was all his own by producing, writing, and singing songs he created from the melodies up, and earning praise for it. “Jon Pardi cut a path through modern country’s embrace of pop, hip-hop and EDM” (The New York Times) with “an emboldened work… a distilling of his sound into a more potent form that draws both vitality and assurance from his anything-but-sterile relationship to his tradition’s modern era” (NPR). Pardi is “a leader among a growing number of artists bringing back fiddle, steel, and twang” (People) and “even when he’s singing sad songs, he wants people to have a good time” (Associated Press). Pardi’s critically acclaimed most recent album MR. SATURDAY NIGHT proved he has “blazed his own trail over the past decade” (Billboard) and followed his critically acclaimed 2019 album – HEARTACHE MEDICATION – a CMA and ACM Album of the Year nominated project that was also named as one of Rolling Stone’s “Best Album of the Year” and Los Angeles Times’ (Top 10) “Best Albums of the Year” upon release. His breakthrough Platinum-selling album, CALIFORNIA SUNRISE, features the multi-Platinum, chart-topping hits “Dirt On My Boots,” “Head Over Boots,” “Heartache On The Dance Floor” and “Night Shift.” Pardi has earned several No. 1s on country radio and is noted for his “long-lasting mark on the genre” (MusicRow) and his impressive ability to carve out his own path creating “the kind of country music multiple generations came to know, and love can still work on a mass scale” (Variety). Filled with fiddle, twang and steel guitar, Pardi continues to “apply new ideas to country’s old sounds” (Los Angeles Times) and “bring authenticity back into Country music” (People). Pardi’s brand new “Friday Night Heartbreaker” is the lead single from his upcoming fifth studio album, anticipated for release in 2025. For more information and for a full list of upcoming tour dates, visit JonPardi.com.
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Media Contacts:
Tyne Parrish
The GreenRoom
Leigh Malleus
Universal Music Group Nashville
Video / Jon Pardi - "Friday Night Heartbreaker" (Official Music Video)
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