“The thing that makes a Jon Pardi song isn’t what you think,” cautions the Country Music Association and Academy of Country Music award-winner. “It isn’t all drinking, and partying, and cowboy stuff. So many neon songs we turned down – and there’s still plenty of neon on here – but it’s gotta be something different and say something more.”


With Mr. Saturday Night, 14 songs steeped in losing, a little loving and what’s in between, the California-born and raised honky tonker considers a recording three years in the making. For the 37-year-old showman, who takes his time to create a true album, music that matters should never be rushed.


“I always remember when a Strait record came out, I was so excited,” Pardi begins. “You count the days ‘til you can get it; then when it’s finally out, you live inside every note. I still listen to those albums today. It taught me to make something that stands the test of time – which means slowing down. When people just eat music every week for the next TikTok craze, those who love real music keep listening.”


A classic old school country record, Mr. Saturday Night digs beneath the surface in new ways as it returns the genre to an era of buckle-polishing dancefloor encounters, yowling bar-room revelers and the occasional strong, silent type ballad. Along the way, David Ball, Keith Whitley, Brooks & Dunn, the Eagles, Buck Owens, Gary Stewart, Merle Haggard and the Red Dirt vanguard of “Ragweed, Charlie Robison, Chris Knight and Randy Rogers” inform the songs.


From the breezy, falling-in-love California shimmer “Santa Cruz,” the erotic slink of denial “Your Heart Or Mine,” the open plains tough guy surrender “Hung the Moon,” or the romping “Fill ’Er Up,” Pardi moves through all the gears of country and Western with an ease unseen in today’s Nashville.


“The true sound is not having the band play something you think you want, but play what’s your sound,” he laughs. “It’s who you are, not something you’re trying to be. With this music, it’s what I was born and raised on, what all my memories are made of. California’s got its own kind of country, kinda like Texas – and when the dust settles, really, they’re cousins.”


Pardi Country, beyond plenty of drinks and the whirling fiddles, has a toughness to it; it’s a guy’s guy take on working hard, loving hard and facing the consequences like a man. If it’s not always easy, it’s reality – and that reality is what forged Haggard or Johnny Cash’s place in the music.


“I’ve been writing so long in town, the writers all know me,” says Pardi. “They know it’s gotta have some backbone and some grit, but I’m also not just a tough guy. I’m someone in a relationship a woman can trust to be there and support her.”


That attitude tempers “Last Night Lonely,” the straight-forward walk-up that suggests a man worth keeping, or the slow fiddle-laced late-night encounter “Neon Light Speed.” On the Strait-invoking “Day I Stop Dancing” pledge of love eternal, Pardi demonstrates alternative ways to signal devotion.


Just as he’s still throwing the good timing party – the tumbling “Workin’ On A New One” that punctures swearing off hangovers, or the double break-up “New Place To Drink” with its signature ‘90s Brent Mason guitar licks – he’s found the undertow to those throwdowns. Rather than just drink and drown, the new album from the unrepentant Cali-tonker acclaimed by The New York Times, Cowboys & Indians, Variety, Rolling Stone, NPR and the Los Angeles Times explores what drives those hardcore Friday and Saturday nights.


“I feel like the country music I listened to trained me that this is what we do when we’re lonely or going out. It’s what life sounds like, and how you carry it around with you,” offers the man whose “Dirt On My Boots” was a CMA Song and Single of the Year nominee. “Lonely is a great feeling, a great songwriting feeling – a lot of this life is on the road, hotels rooms and highways. There are all kinds of lonely. But lonely’s always there. For me, and a lot of people, I mask it with having fun and going out.


“A true artist, I guess, you live what you want to feel, so you know it. I’ve been there. There’s plenty to go into the songs.”

The slow-rolling title track juxtaposes the high-spirited life of the party with the desolate guy who goes home to face what he’s lost. “It was the last song I played at the last meeting for this album, and everybody was like, ‘Where’d you get that?!’


“I’d had the song for two-and-a-half years, but it’s so different I hadn’t shared it. Almost a Sinatra or Dean Martin thing. Nobody’d heard it, so there was the usual, ‘I hope it’s not on hold…’ The head of A&R at my label said, ‘I guarantee it’s not on hold’ – because it’s so different – and it wasn’t.”


That same stoicism permeates the halting “Raincheck,” a puddle of steel guitar that soaks up a failed attempt at moving on. “That’s my Keith Whitley ‘Between the Devil and Me’ song. We’ve all been there, trying to get over someone and not quite getting there…”


In a world of shallow partying, Pardi considers not just the consequences, but the pain that comes with it. Having been the good time guy, he also recognizes for an artist to grow, he must look a little deeper and reach newer understandings of the moment.


Not that Pardi’s gone serious. “Longneck Way To Go,” his sweeping collaboration with hipster country force Midland, considers the collision between drinking her off your mind and just going hard. “That song is such an anthem for us to come together, because Midland is the other band who’s really standing up for this music that’s being left behind. They’re so stylistic, especially about the music and write as a band for their band… To me, this shows what country used to be.”


That inner Gary Cooper or Steve McQueen hasn’t dulled Pardi’s sense of humor. He closes the album with the unlikely “Reverse Cowgirl,” a yearning call to a woman who’s taken off, featuring Sarah Buxton vocals and two-time and current CMA Musician of the Year Jenee Fleenor.


“Bart sent it to me, and said, ‘Dude, don’t look at the title…’ But I did, and I wouldn’t even listen to it,” Pardi remembers. “Then we had some people over, and I played it as a joke. One listen in, we couldn’t stop listening! The girls loved it… It’s romantic, but it puts a smile on your face; makes you happy, sad, laugh all at once. Plus, when you hear that fiddle, you’re right back to Strait in the ‘90s.”


Country in the ‘90s is suddenly vogue. For Pardi, he’s steeped in it. His authenticity pushes him, co-producers Bart Butler and Ryan Gore to create something a little more honest, a little richer in the roots.


“You gotta know the right players,” the man whose California Sunrise and Heartache Medication were #1 Billboard Top Country Album debuts, plus CMA and ACM Album of the Year nominees. “There’s people who want to play country music, they just don’t get to. The whole computer thing really changes the way music’s made and feels, and that’s driving the modern country.”


Start there, keep going. A sold-out three-night run at New Braunfels’ famous Whitewater Amphitheater saw Pardi, Rhett Atkins and Luke Laird thinking about Texas, chilling out and what makes that kind of music so compelling. “Smokin’ A Doobie” emerged.


“We had rented a house and watched this crew member kinda slipping down to the banks of the river, just grabbing a moment and firing up. Rhett out of nowhere started singing ‘Smokin’ a doobie on the Guadalupe…’ The song fell out! I don’t think it was 40 minutes before we were done.”


In a Willie Nelson world, the sentiment shouldn’t be scandalous. But Pardi knows some people may still be shocked. “I don’t smoke that much and don’t carry it with me, but if someone’s passing a doobie? Sure. It’s that whole ‘Margaritaville’ thing of letting go of the day, just chilling out and letting the worries float away.”


The problem and the solution, the torque and the release. For a guy who still gets excited about heavy equipment, it makes sense. Rather than fit in with today’s sound, Pardi doubled down. Willing to do the heavy lifting for his kind of country, it’s not a matter of going along, but carving out a path that feels true.


“Some songs are easier for me to put down some chords and lyrics than try to describe it,” he explains. “The songwriters know who and what I am, and they bring me great stuff. I have plenty of time to work on the songs I do write. Together, that creates the best possible Jon Pardi album I can make.”


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Jon Pardi today announced his first official headlining run across the globe, the 2023 Mr. Saturday Night World Tour, produced by Live Nation. Named after his latest critically acclaimed album, Mr. Saturday Night, the tour kicks off in Belfast on Aug. 25 followed by multiple dates across the U.K. plus stops in Amsterdam, Hamburg, Oslo, and Stockholm. Pardi then returns for the North American leg of the Mr. Saturday Night World Tour, and rolls through Knoxville, Savannah, St. Louis, Fort Worth, Las Vegas, and more including dates in Ontario and B.C. Opening acts include Midland, Jackson Dean, Randall King, Ella Langley, and DJ Highmax on select dates.


Tickets will be available starting with a Citi presale beginning on Tuesday, March 21 and additional presales throughout the week (details below). The general on-sale for the tour begins Friday, March 24 at 10 AM Local Time on or Fans can also purchase VIP Packages for the tour, which may include: premium tickets, a backstage tour, a group photo backstage, an invitation to the PARDI TIME! VIP Lounge, a limited-edition gift item, and more. For more information, visit

Citi is the official card of the 2023 Mr. Saturday Night World Tour and Citi cardmembers will have access to presale tickets beginning Tuesday, March 21 at 10 AM local time until Thursday, March 23 at 10 PM local time through the Citi Entertainment program. For complete presale details visit

Fans can also take part in the Jon Pardi Fan Club Presale by joining Pardi’s email list (here) by today at 11pm ET to receive the presale code to their inbox on Tuesday morning.

Since first hitting the country landscape, Jon Pardi has long since separated himself from the pack, carving a lane that was all his own by producing, writing, and singing songs he created from the melodies up, and earning praise for it. “Jon Pardi cut a path through modern country’s embrace of pop, hip-hop and EDM” (The New York Times) with “an emboldened work… a distilling of his sound into a more potent form that draws both vitality and assurance from his anything-but-sterile relationship to his tradition’s modern era” (NPR). With his “state-of-the-art blend of traditional instrumentation and progressive grooves that point to country’s future” (Rolling Stone), Pardi is “a leader among a growing number of artists bringing back fiddle, steel and twang” (People). “Even when he’s singing sad songs, he wants people to have a good time” (Associated Press).

Pardi’s current single off Mr. Saturday Night, “Your Heart Or Mine,” is Top 30 and climbing on country radio airplay charts. Featured by NPR, Paste, Billboard, The Tennessean and more, Pardi’s album Mr. Saturday Night proved Pardi has “blazed his own trail over the past decade” (Billboard), with Taste of Country noting, his “refusal to chase sets Mr. Saturday Night apart” and Nash News raving, Mr. Saturday Night “proves he might be the most successful at combining the old-school sound with today’s need for hooks.” Mr. Saturday Night reunited the producing team of Bart Butler, Ryan Gore and Pardi- the same team behind the boards of his critically acclaimed album, Heartache Medication. Pardi’s CMA and ACM Album of the Year nominated project. Heartache Medication debuted among the top albums on Billboard’s Country Albums chart and was named in 2019 Rolling Stone’s “Best Album of the Year” and by the Los Angeles Times as one of the (Top 10) “Best Albums of the Year.” Heartache Medication followed his breakthrough Platinum-selling album, California Sunrise, which featured the multi-platinum, chart-topping hits “Dirt On My Boots,” “Head Over Boots,” “Heartache On The Dance Floor” and “Night Shift.”

Named a “hero in the making” (Variety), Pardi has earned five No. 1s on country radio and is noted for his “long-lasting mark on the genre” (MusicRow) and his impressive ability to carve out his own path creating “the kind of country music multiple generations came to know, and love can still wok on a mass scale” (Variety). Filled with fiddle, twang and steel guitar, Pardi continues to “apply new ideas to country’s old sounds” (Los Angeles Times) and “bring authenticity back into Country music” (People).



* Midland, Ella Langley, DJ Highmax | + Randall King, Ella Langley, DJ Highmax

# Jackson Dean, Ella Langley, DJ Highmax | ~ Ella Langley Only Support

^ Not a Live Nation Date


Friday, August 25 – Belfast, Northern Ireland – Ulster Hall^~

Sunday, August 27 – Lutterworth, U.K. – The Long Road Festival

Monday, August 28 – Glasgow, U.K. – Old Fruitmarket~

Tuesday, August 29 – Manchester, U.K. – O2 Ritz~

Thursday, August 31 – Bristol, U.K. – O2 Academy~

Friday, September 1 – London, U.K. – O2 Shepherd’s Bush Empire~

Sunday, September 3 – Amsterdam, Netherlands – Melkweg^~

Monday, September 4 – Hamburg, Germany – Gruenspan^~

Wednesday, September 6 – Oslo, Norway – Rockefeller~

Thursday, September 7 – Stockholm, Sweden – Debaser Strand^~

Thursday, September 28 – Knoxville, TN – Knoxville Civic Coliseum*

Friday, September 29 – Pikeville, KY – Appalachian Wireless Arena*

Saturday, September 30 – Savannah, GA – Enmarket Arena*

Thursday, October 5 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood*

Friday, October 6 – Estero, FL – Hertz Arena*

Saturday, October 7 – Jacksonville, FL – Dailys Place*

Thursday, October 19 – Brookings, SD – Swiftel Center*

Friday, October 20 – Omaha, NE – Baxter Arena*

Saturday, October 21 – St. Louis, MO – Chaifetz Arena*

Thursday, October 26 – Eugene, OR – Matthew Knight Arena*

Friday, October 27 – Abbotsford, BC – Abbotsford Centre*

Saturday, October 28 – Everett, WA – Angel Of The Winds Arena*

Thursday, November 2 – Nampa, ID – Ford Idaho Center Arena+

Friday, November 3 – Missoula, MT – Adams Center#

Saturday, November 4 – Billings, MT – First Interstate Arena at MetraPark#

Thursday, November 16 – London, ON – Budweiser Gardens#

Friday, November 17 – Oshawa, ON – Tribute Communities Centre#

Saturday, November 18 – Hershey, PA – GIANT Center+

Thursday, November 30 – Independence, MO – Cable Dahmer Arena+

Friday, December 1 – Tulsa, OK – BOK Center+

Saturday, December 2 – Fort Worth, TX – DICKIES ARENA (Support to be announced)

Friday, December 8 – Fresno, CA – Save Mart Center at Fresno State#

Saturday, December 9 – Las Vegas, NV – Michelob ULTRA Arena#

NEWS AND NOTES: Keith Urban, Chris Stapleton, Little Big Town, Jordan Davis, Parker McCollum, Jon Pardi

Keith Urban just announced new dates for his Las Vegas residency at Planet Hollywood Resort and Casino. He will keep the party going November 1st – 18th with his fan club presale beginning on Wednesday (March 15th) at 10am PT, with tickets on sale to the public on Saturday (March 18th).


You can win a limited-edition Chris Stapleton guitar. The folks at Epiphone just announced the release of the Chris Stapleton Frontier. Only 300 guitars will be produced. Check out the details below and how to get the limited run axe.

Little Big Town will perform as part of the new CBS television special, “A GRAMMY Salute To The Beach Boys,” a two-hour tribute  featuring a star-studded  lineup, which will also include performances by John Legend, Brandi Carlile, Beck, Mumford & Sons, Weezer and many others. The special, which will also feature appearances by . The special also features appearances by Drew Carey, Tom Hanks, Jimmy Jam, Elton John, Bruce Springsteen, and John Stamos, airs April 9th beginning at 8pm ET/7pm CT on CBS and Paramount+.


Jordan Davis and Parker McCollum are featured in the new Country Music Hall of Fame exhibit: American Currents: State of the Music. American Currents takes a view of the country genre over the past year, exploring musical development and artist achievement. The exhibit, which also features HARDY, Molly Tuttle, Scotty McCreery, Shania Twain and more, runs until February 2024.


Jon Pardi headlined the Houston Rodeo for the second time, and it looks like he had a little bit of fun. He posted a short video on his socials, showing a little behind-the-scenes action, as well as his well-executed exit from the arena on horseback.


Keith Urban will perform at this year’s iHeartRadio Music Awards, taking place March 27th at 8pm ET/7pm CT/tape-delayed PT on FOX. P!nk, Kelly Clarkson, Pat Benatar & Neil Giraldo, Cody Johnson and Coldplay, among others. Taylor Swift will receive the 2023 iHeartRadio Innovator Award.

NEWS AND NOTES: Eric Church, Jon Pardi, Kip Moore, Brothers Osborne, The War and Treaty, Luke Grimes, Boy Named Banjo, Jordan Davis, The War and Treaty, Boy Named Banjo

Eric Church, Jon Pardi and Kip Moore are among the artists performing during the 2023 Frontier Nights during the Cheyenne Frontier Days. The week+-long event kicks off July 21st and will also feature performances by Old Dominion, Zach Bryan, Five Finger Death Punch, Tim McGraw, Carly Pearce and wrapping up with a show by Cody Johnson on July 29th. Tickets go on sale March 15th. Click here for more information and to buy tickets.

Brothers Osborne will perform at a benefit concert, “Love Rising,” to support Tennessee equal rights organizations on March 20th at Nashville’s Bridgestone Arena. The show will also feature performances by Maren Morris, Jason Isbell, Sheryl Crow, Hayley Williams, Hozier, Amanda Shires, Joy Oladokun.

Brothers Osborne’s TJ Osborne is being honored by the Human Rights Campaign with the Visibility Award at their 2023 Nashville Dinner on Saturday (March 11th). The award recognizes LBGTQ+ individuals who are living open and honest lives at home, at work and in their community.

The War and Treaty, Luke Grimes and Boy Named Banjo have been tapped to perform at this year’s Pilgrimage Music & Cultural Festival, taking place September 23rd-24th in Franklin, Tennessee. Zach Bryan and The Lumineers will headline the two-day event, with additional performances by Ashley McBryde, Hailey Whitters, Yola, The Black Crowes, Charlie Worsham, James Bay, Madeline Edwards, Margo Price, Tigirlily Gold and more. Tickets go on sale Thursday (March 9th) at 10am CT. For more information on tickets, click here.



Jordan Davis performed his latest single, “Next Thing You Know,” on ABC’s Live With Kelly and Ryan last week.


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