• HALLOWEEN LINERS 2016

    Audio / LINER Billy Currington (Trick or Treat, baby)

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    “Trick or Treat, baby.” [laughs]

    Audio / LINER Brothers Osborne (Halloween)

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    “Hey! This is TJ, and I’m John, and we are Brothers Osborne. Happy Halloween.”

    Audio / LINER Canaan Smith (Halloween)

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    “Hey! What’s up guys? I’m Canaan Smith. Happy Halloween.”

     

    Audio / LINER Clare Dunn (Halloween)

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    “Hey! This is Clare Dunn, wishing you a very Happy Halloween.”

     

    Audio / LINER Darius Rucker (Halloween)

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    “Hey! What’s up, y’all? This is Darius Rucker, wishing you a very Happy Halloween.”

    Audio / LINER David Nail (Halloween)

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    “Hey guys! It’s David Nail. Happy Halloween!”

    Audio / LINER Dierks Bentley (Halloween)

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    “Hey! It’s Dierks Bentley, wishing you a Happy Halloween.”

    Audio / LINER Eric Church (Halloween)

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    “Hey! This is Eric Church, wishing you a very Happy Halloween.”

    Audio / LINER Eric Paslay (Halloween)

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    “Hey! This is Eric Paslay, wishing you a very Happy Halloween.”

    Audio / LINER Kacey Musgraves (Halloween)

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    “Hey! It’s Kacey Musgraves, and I hope you have a Happy Halloween.”

     

    Audio / LINER Lady A (Halloween)

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    “Hey everybody! We are Lady Antebellum. Have a safe and Happy Halloween.”

     

    Audio / LINER Sam Hunt (Halloween)

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    “Hey everybody! This is Sam Hunt. Happy Halloween!”

  • NEWS AND NOTES: Vince, Kacey, Chris, Darius, Lady A, Brothers O

    Vince Gill, Kacey Musgraves and Chris Stapleton shared the same stage in a songwriters’ round with James Taylor and Joe Walsh Tuesday night (September 27th) for the Country Music Hall of Fame’s All For the Hall Los Angeles benefit.

    https://twitter.com/KaceyMusgraves/status/781075897705111553

    Since Darius Rucker performs a lot of shows, he doesn’t get to see a lot during his downtime. However, he made an exception the other night to catch the Violent Femmes.

    The  members of Lady Antebellum are currently in Los Angeles, staying in the same house and writing songs for their upcoming project.

     

    Brothers Osborne‘s “Stay a Little Longer” helped The Voice contestant Josh Gallagher get picked by Blake Shelton.

    https://twitter.com/RachiePix5/status/780932161461489665

    Speaking of TJ and John Osborne, the two have recorded a video urging folks to register to vote. Check it out below.

    Video / Brothers Osborne urge people to vote by holding their breath.

    View
  • FOREVER COUNTRY: Alan Jackson, Kacey Musgraves, Lady A, Rascal Flatts

    The video for “Forever Country,” the song and biggest music video in Country Music history, made its international premiere this week at ForeverCountry50.com. The star-studded single is available for streaming and download.

    Featured artists in the video include the following CMA Award winners: Alabama, Jason Aldean, Dierks Bentley, Brooks & Dunn, Luke BryanEric ChurchBrett EldredgeVince GillFaith HillAlan JacksonLady Antebellum, Miranda Lambert, Little Big Town, Martina McBrideTim McGraw, Ronnie MilsapKacey MusgravesWillie NelsonBrad PaisleyDolly PartonCharley PrideRascal FlattsRebaDarius Rucker, Blake Shelton, George StraitRandy Travis, Carrie UnderwoodKeith Urban and Trisha Yearwood.

    “Forever Country” is a fresh take on three Country classics: John Denver’s “Take Me Home, Country Roads,” Willie Nelson’s “On the Road Again,” and Dolly Parton’s “I Will Always Love You.”

    “Forever Country,” the single was produced by CMA Award winner and CMA Board member Shane McAnally, and the video was directed by Grammy Award-winning director Joseph Kahn.

    The 50th Annual CMA Awards will be hosted by Brad Paisley and Carrie Underwood and broadcast live from the Bridgestone Arena in Nashville, Wednesday, November 2nd (8:00-11:00 PM/ET) on ABC.


    Audio / Alan Jackson talks about “Forever Country.”

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    Alan Jackson (Forever Country) 1 OC: …for somebody. :17
    “Well, I knew it was the 50th Anniversary, so I was hoping they would come up with something interesting to do and something cool that would include a lot of artists. So, that’s what this is and I think they’ve done a good job with it, and it was hard to narrow down three songs and to narrow down all the artists too. It was a tough job for somebody.”

    Audio / Alan Jackson talks about the three songs that make up “Forever Country.”

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    Alan Jackson (Forever Country) 2 OC: …very cool. :13
    “When I first heard which songs they were using and I knew they were going to mix them up, I knew it was going to take a lot of thinking for somebody to make all those mesh together but when I heard the track it actually turned out pretty cool, very cool.”



    Audio / Kacey Musgraves talks about being a part of “Forever Country.”

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    Kacey Musgraves (Forever Country song) OC: …pretty special. :30
    “This project is crazy. I really respect the roots of the genre, the traditions of it. I just really love it.  So it’s been really fun for me to take that, which inspires me, and mix it with my own new ideas, and me as a 27-year-old girl in 2016 and make it my own thing. So, being a part of this song, a song with my peers but also with these amazing icons and legends is pretty special.”

    Audio / Lady Antebellum’s Hillary Scott explains how they were approached to take part in “Forever Country.”

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    Lady Antebellum (Forever Country) OC: …around us.  :29
    We got approached by Shane McAnally through our management and we thought it was really interesting. Obviously being able to be a part of the 5oth year of the CMAs, the anniversary of that, it’s a huge milestone for country music and to be included was awesome and the songs that they chose, I mean it doesn’t get more iconic and legendary than that and then the company we’re in? Goodness, it’s our heroes all around us.”



    Audio / Lady Antebellum’s Charles Kelley talks about the songs that make up “Forever Country.”

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    Lady Antebellum (Forever Country) 2 OC: …massive songs. :51
    “I think I guess it puts our own stamp having three voices on that song which would separate it of course from the original but you know, what I thought was really cool was that all these songs represented are country songs that have also kind of crossed over in a way. They’re big, popular songs. ‘Country Roads’ was actually more of a pop song that turned into a country song and then you’ve got, of course, ‘I Will Always Love You’ which was a country song that then turned into a big pop song so I think that’s very representative too of where country music is right now – a genre that really does skirt the line and it is such a broad appeal and it always has been but it’s really cool to kind of be singing songs that weren’t just country songs. These are just iconic, massive songs.”

    Audio / Rascal Flatts’ Gary LeVox talks about “Forever Country.”

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    Rascal Flatts (Forever Country) 1 OC: …fun to do. :32
    Gary LeVox:
    “Well we first heard about the project when they, they actually sent us an email and told us what was going on and sent us some lines and who all was gonna be on it and what it was for, and we were just thrilled and honored to be a part of it, you know, with George Strait and all the and Reba and Charley Pride and Willie and you know, but we were thrilled, and it’s just the way that they took these three gigantic songs and made ‘em all mash up so perfectly is just is incredible. So, it’s gonna be really, really fun to do.”



    Audio / Rascal Flatts’ Jay DeMarcus and Joe Don Rooney talk about singing “On the Road Again” with Willie Nelson.

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    Rascal Flatts (On the Road Again) OC: …so special. :26
    Jay DeMarcus: actually it does fit us because we all started traveling at a really young age, I been on the road playing music since I was 15 years old and we uh certainly were on the same bus for many many years together so it was a thrill to be able to sing that line, in one of the most popular country songs ever.” Joe Don Rooney: “Yeah, it’s special to be a part of that, be in a band, and you know well be in a trio, but still a band, and Willie Nelson, my dad loves Willie, so to have him singing on it, we come in right after him, it’s just so special.”

    [[audio-player-8]]

    Video / Alan Jackson Forever Country

    Video / Kacey Musgraves Forever Country

    Video / Lady Antebellum Forever Country

    Video / Rascal Flatts

  • THE 10TH ANNUAL ACM HONORS AIRS FRIDAY ON CBS.

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    Tune-in alert for Friday (September 9th). The 10th Annual ACM Honors will air tomorrow beginning at 9pm ET/PT on CBS. The two-hour special, hosted by Lady Antebellum, is dedicated to celebrating honorees and off-camera category winners from this year’s ACM Awards. 

    The television special features an all-star lineup of live performances as well as award presentations celebrating honorees, including Special Awards recipients Glen Campbell, Crystal Gayle, Eddie Rabbitt (awarded posthumously), Tanya Tucker, Carrie Underwood, Keith Urban, Jeff Walker (awarded posthumously), Jimmy Webb, Little Big Town and The Statler Brothers. Additionally, Jason Aldean was honored with the ACM Triple Crown Award and Miranda Lambert was presented with the inaugural ACM Merle Haggard Spirit Award. Ross Copperman was also honored as Songwriter of the Year.

    Artists who performed in tribute to the honorees include:

    • Kelsea Ballerini performed “Don’t It Make My Brown Eyes Blue” in tribute to Crystal Gayle.
    • Dierks Bentley performed “Freedom” in tribute to Ross Copperman, joined onstage by participants of the ACM Lifting Lives Music Camp.
    • Luke Bryan and Cole Swindell performed “I Love A Rainy Night” in tribute to Eddie Rabbitt.
    • Alicia Keys and Cam performed a special duet of “Girl Crush” in tribute to Little Big Town.
    • Maren Morris performed “Delta Dawn” in tribute to Tanya Tucker.
    • Chris Young and Dan + Shay performed “Flowers on the Wall” in tribute to The Statler Brothers.
    • The Band Perry performed “MacArthur Park” in tribute to Jimmy Webb.
    • Blake Shelton, Toby Keith, Keith Urban and Dierks Bentley performed an all-star medley in a special tribute to Glen Campbell. The medley consisted of Campbell’s hits “Southern Nights,” “Gentle On My Mind,” “Wichita Linemen,” “By The Time I Get To Phoenix” and the iconic “Rhinestone Cowboy.”

    The Academy’s Studio Recording Award winners were celebrated in a pre-televised ceremony, and many served as the house band for the night under the direction of music director Frank Liddell. Backing up artists during performances on the telecast were ACM Guitarist of the Year Derek Wells, ACM Bass Player of the Year Michael Rhodes, ACM Specialty Instruments Player of the Year Danny Rader and ACM Piano/Keyboards Player of the Year Jim “Moose” Brown, who also served as bandleader.  Other Studio Recording Award honorees included Producer of the Year Dave Cobb, Audio Engineer of the Year Justin Niebank, Drummer of the Year Shannon Forrest and Steel Guitar Player of the Year Paul Franklin.

    The ceremony presenters included Blake Shelton, Cole Swindell, Dierks Bentley, Emmylou Harris, Kelsea Ballerini, Little Big Town, Luke Bryan, Maren Morris, Martina McBride, Mike Fisher, Thomas Rhett, and Toby Keith. The event was taped at Nashville’s historic Ryman Auditorium in Nashville, TN, and sponsored by City National Bank and Kendra Scott.

    About ACM Honors™

    ACM Honors™ is an evening dedicated to recognizing the special honorees and off-camera category winners from the Academy of Country Music Awards, including the Special Awards, Studio Recording Awards and Songwriter of the Year Award winners. The 10th Annual ACM Honors was taped on Tuesday, August 30, 2016 at Nashville’s historic Ryman Auditorium and – for the first time ever – was produced for television by dick clark productions to be broadcast on Friday, September 9 (9:00-11:00 PM, ET/PT) on the CBS Television Network. Allen Shapiro, Mike Mahan, R.A. Clark, Barry Adelman and Mark Bracco are executive producers. Tiffany Moon is executive producer for the Academy of Country Music. For more information, visit www.ACMcountry.com.

    Photo L-R: Shannon Campbell, Keith Urban, Blake Shelton, Dierks Bentley and Toby Keith performing at the 10th Annual ACM Honors in tribute to Glen Campbell. Photo Credit: John Shearer/Getty Images for ACM/Courtesy of the Academy of Country Music)

    Audio / Luke Bryan talks about honoring the late Eddie Rabbitt at this year's ACM Honors.

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    Luke Bryan (ACM Honors-Eddie Rabbitt) OC: …he had. :24
    Me and Cole Swindell did a version honoring Eddie Rabbitt and we did ‘I Love A Rainy Night.’ It was fun being on stage with Cole. ‘I Love A Rainy Night’ was a song that I covered for years in my band in Georgia so it was like riding a bike up there, I just hopped up there and … And Eddie Rabbitt is one of those artists that you forget just how dynamic of a career that he had.”

    Audio / Toby Keith talks about the legendary Glen Campbell, who he’s paying tribute to at the ACM Honors this week.

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    Toby Keith (Glen Campbell) OC: …to ’75? :57
    “The amazing thing about Glen’s deal is, Glen looks so good. Glen looks 15 years younger than he is, and he has full-blown Alzheimer’s. It’s just really sad to think that he’s in as great a shape as he is physically, except for that debilitating affliction. But, man! He was one of the greatest guitar players of all time, and I don’t think most people realize that. I think most people saw him on the Glen Campbell Good Time Hour and some movies, and they just thought he’s a singer that sings some pop country. But Glen was one of the greatest guitar players of all time too, and even when he couldn’t remember his songs he could still play them without remembering the words. It’s nice that they’re paying tribute to Glen, ‘cause he’s certainly an icon and worked with the Wrecking Crew back in the day in L.A. which is probably the band that played on most of the hits that you heard from ’65 to ’75?”

     

    Audio / Keith Urban says Glen Campbell is one of his biggest musical influences.

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    Keith Urban (Glen Campbell) OC: …guitar player. :22
    “I’ve always been a fan of what I like to call guitartists, you know those guitar-artists like Glen Campbell, who’s probably one of my biggest influences; those guys who knew a good song, had a great voice and played great and just the all-around guys with a guitar, you know? When you think of Glen Campbell, you think of, I think of ‘Galveston,’ ‘Wichita Lineman,’ then I also think of him being a phenomenal guitar player.”

     

  • THE 10TH ANNUAL ACM HONORS ARE SET TO AIR ON FRIDAY.

    Tune-in Friday, September 9, 2016 at 9:00pm ET/PT on CBS for the television debut of the 10th Annual ACM Honors™. Hosted by multi-ACM Award-winning group Lady Antebellum, the two-hour special is dedicated to celebrating honorees and off-camera category winners from the 51st Academy of Country Music Awards.

     The television special features an all-star lineup of live performances as well as award presentations celebrating honorees including Special Awards recipients Glen Campbell, Crystal Gayle,Eddie Rabbitt (awarded posthumously), Tanya Tucker, Carrie Underwood, Keith Urban, Jeff Walker (awarded posthumously), Jimmy Webb, Little Big Town and The Statler Brothers. Additionally, Jason Aldean was honored with the ACM Triple Crown Award and Miranda Lambert was presented with the inaugural ACM Merle Haggard Spirit Award. Ross Copperman was also honored as Songwriter of the Year.

    Artists who performed in tribute to the honorees include:

    • Kelsea Ballerini performed “Don’t It Make My Brown Eyes Blue” in tribute to Crystal Gayle.
    • Dierks Bentley performed “Freedom” in tribute to Ross Copperman, joined onstage by participants of the ACM Lifting Lives Music Camp.
    • Luke Bryan and Cole Swindell performed “I Love A Rainy Night” in tribute to Eddie Rabbitt.
    • Alicia Keys and Cam performed a special duet of “Girl Crush” in tribute to Little Big Town.
    • Maren Morris performed “Delta Dawn” in tribute to Tanya Tucker.
    • Chris Young and Dan + Shay performed “Flowers on the Wall” in tribute to The Statler Brothers.
    • The Band Perry performed “MacArthur Park” in tribute to Jimmy Webb.
    • Blake Shelton, Toby Keith, Keith Urban and Dierks Bentley performed an all-star medley in a special tribute to Glen Campbell. The medley consisted of Campbell’s hits “Southern Nights,” “Gentle On My Mind,” “Wichita Linemen,” “By The Time I Get To Phoenix” and the iconic “Rhinestone Cowboy.”

     The Academy’s Studio Recording Award winners were celebrated in a pre-televised ceremony, and many served as the house band for the night under the direction of music director Frank Liddell. Backing up artists during performances on the telecast were ACM Guitarist of the Year Derek Wells, ACM Bass Player of the Year Michael Rhodes, ACM Specialty Instruments Player of the Year Danny Rader and ACM Piano/Keyboards Player of the Year Jim “Moose” Brown, who also served as bandleader.  Other Studio Recording Award honorees included Producer of the Year Dave Cobb, Audio Engineer of the Year Justin Niebank, Drummer of the Year Shannon Forrest and Steel Guitar Player of the Year Paul Franklin.

     The ceremony presenters included Blake Shelton, Cole Swindell, Dierks Bentley, Emmylou Harris, Kelsea Ballerini, Little Big Town, Luke Bryan, Maren Morris, Martina McBride, Mike Fisher,Thomas Rhett, and Toby Keith. The event was taped at Nashville’s historic Ryman Auditorium in Nashville, TN, and sponsored by City National Bank and Kendra Scott.

     About ACM Honors™

    ACM Honors™ is an evening dedicated to recognizing the special honorees and off-camera category winners from the Academy of Country Music Awards, including the Special Awards, Studio Recording Awards and Songwriter of the Year Award winners. The 10th Annual ACM Honors was taped on Tuesday, August 30, 2016 at Nashville’s historic Ryman Auditorium and – for the first time ever – was produced for television by dick clark productions to be broadcast on Friday, September 9 (9:00-11:00 PM, ET/PT) on the CBS Television Network. Allen Shapiro, Mike Mahan, R.A. Clark, Barry Adelman and Mark Bracco are executive producers. Tiffany Moon is executive producer for the Academy of Country Music. For more information, visit www.ACMcountry.com.

    Photo L-R: Shannon Campbell, Keith Urban, Blake Shelton, Dierks Bentley and Toby Keith performing at the 10th Annual ACM Honors in tribute to Glen Campbell. Photo Credit: John Shearer/Getty Images for ACM/ Courtesy of the Academy of Country Music)

  • THE 2016 CMA NOMINATIONS HAVE BEEN ANNOUNCED!

    The nominations for the this year’s CMA Awards have been announced, and Eric Church, Chris Stapleton and Maren Morris lead the list with five apiece. Chris could take home six awards, which includes single so he could win as both artist and producer. Keith Urban, Dierks Bentley and Carrie Underwood received four nominations, and Keith could pick up five trophies as he is both artist and producer for his album Ripcord, while Luke Bryan and Brothers Osborne each picked up two nominations.

    For the first time on ABC’s “Good Morning America,” the announcement of the final nominees in six of the 12 CMA Awards categories was made live from the historic stage of the Grand Ole Opry House in Nashville, which was home to the annual CMA Awards broadcast from 1974 to 2004. The announcement was made by Bentley, Cam, and Urban. Following “Good Morning America” the six remaining categories were announced by the nominated trio of artists on GoodMorningAmerica.com on Yahoo! as well as the “Good Morning America” Facebook page through Facebook Live – making the announcements a complete ABC takeover for the second year.

    The 50th Annual CMA Awards will be broadcast live from Nashville’s Bridgestone Arena November 2nd at 8pm ET on ABC.

    ENTERTAINER OF THE YEAR
    Garth Brooks
    Luke Bryan
    Chris Stapleton
    Carrie Underwood
    Keith Urban 

    SINGLE OF THE YEAR
    (Award goes to Artist, Producer(s), and Mix Engineer(s))
    “Die a Happy Man”
    Thomas Rhett
    Produced by Dann Huff and Jesse Frasure
    Mix Engineered by Justin Niebank
    The Valory Music Co. 

    “Humble and Kind”
    Tim McGraw
    Produced by Byron Gallimore and Tim McGraw
    Mix Engineered by Byron Gallimore
    Big Machine Records 

    “My Church”
    Maren Morris
    Produced by busbee and Maren Morris
    Mix Engineered by Dave Clauss and busbee
    Columbia Nashville/Sony Music Nashville 

    “Nobody To Blame”
    Chris Stapleton
    Produced by Dave Cobb and Chris Stapleton
    Mix Engineered by Vance Powell
    Mercury Nashville/Universal Music Group Nashville 

    “Record Year”
    Eric Church
    Produced by Jay Joyce
    Mix Engineered by Jay Joyce and Jason Hall
    EMI Records Nashville/Universal Music Group Nashville 

    ALBUM OF THE YEAR
    (Award goes to Artist and Producer(s))
    Black
    Dierks Bentley
    Produced by Ross Copperman and Arturo Buenahora, Jr.
    Capitol Records Nashville/Universal Music Group Nashville

    Hero
    Maren Morris
    Produced by busbee, Maren Morris, and Brad Hill
    Columbia Nashville/Sony Music Nashville 

    Mr. Misunderstood
    Eric Church
    Produced by Jay Joyce and Arturo Buenahora, Jr.
    EMI Records Nashville/Universal Music Group Nashville 

    Ripcord
    Keith Urban
    Produced by Jeff Bhasker, Tyler Johnson, Dann Huff, Greg Wells, Nile Rodgers, busbee, K-Kov, Nathan Chapman, Jonny Price, and Keith Urban
    Hit Red Records/Capitol Records Nashville/Universal Music Group Nashville 

    Storyteller
    Carrie Underwood
    Produced by Jay Joyce, Mark Bright, and Zach Crowell
    19 Recordings/Arista Nashville/Sony Music Nashville 

    SONG OF THE YEAR
    (Award goes to Songwriter(s))
    “Burning House”
    Camaron “Cam” Ochs, Tyler Johnson, Jeff Bhasker

    “Die a Happy Man”
    Sean Douglas, Thomas Rhett, and Joe Spargur 

    “Humble and Kind”
    Lori McKenna 

    “My Church”
    busbee and Maren Morris

    “Record Year”
    Eric Church and Jeff Hyde 

    FEMALE VOCALIST OF THE YEAR
    Kelsea Ballerini
    Miranda Lambert
    Maren Morris
    Kacey Musgraves
    Carrie Underwood 

    MALE VOCALIST OF THE YEAR
    Dierks Bentley
    Eric Church

    Tim McGraw
    Chris Stapleton
    Keith Urban 

    VOCAL GROUP OF THE YEAR
    Lady Antebellum
    Little Big Town
    Old Dominion
    Rascal Flatts
    Zac Brown Band 

    VOCAL DUO OF THE YEAR
    Brothers Osborne
    Dan + Shay
    Florida Georgia Line
    Joey + Rory
    Maddie & Tae 

    MUSICAL EVENT OF THE YEAR
    (Award goes to each Artist)
    “Different For Girls”
    Dierks Bentley feat. Elle King
    Capitol Records Nashville/Universal Music Group Nashville
     

    “Home Alone Tonight”
    Luke Bryan featuring Karen Fairchild
    Capitol Records Nashville/Universal Music Group Nashville 

    “The Fighter”
    Keith Urban (featuring Carrie Underwood)
    Hit Red Records/Capitol Records Nashville/Universal Music Group Nashville 

    “Think of You”
    Chris Young (duet with Cassadee Pope)
    RCA Nashville/Sony Music Nashville 

    “You Are My Sunshine”
    Morgane Stapleton with Chris Stapleton
    Low Country Sound/Elektra Records 

    MUSIC VIDEO OF THE YEAR
    (Award goes to Artist and Director(s))
    “Burning House”
    Cam
    Directed by Trey Fanjoy 

    “Fire Away”
    Chris Stapleton
    Directed by Tim Mattia 

    “Humble and Kind”
    Tim McGraw
    Directed by Wes Edwards 

    “Record Year”
    Eric Church
    Directed by John Peets and Reid Long 

    “Somewhere On A Beach”
    Dierks Bentley
    Directed by Wes Edwards 

    NEW ARTIST OF THE YEAR
    Kelsea Ballerini
    Brothers Osborne
    Maren Morris
    Old Dominion
    Cole Swindell 

     

     

    Video / GMA CMA Announcement

  • DIERKS, TOBY AND KEITH WILL PAY SPECIAL TRIBUTE TO GLEN CAMPBELL AT THIS YEAR’S ACM HONORS.

    The Academy of Country Music® (ACM) announced that Dierks Bentley, Toby Keith, Blake Shelton and Keith Urban will take the stage at the 10TH ANNUAL ACM HONORS™ for a special tribute to Glen Campbell, who as previously announced will be honored with the ACM Career Achievement Award. The country music luminaries will perform an all-star medley of Campbell’s greatest hits, culminating to an ensemble performance of the iconic “Rhinestone Cowboy.” Kim Campbell will accept the award on behalf of her husband (of 35 years).

    Toby Keith and Blake Shelton join previously announced performers Jason Aldean, Kelsea Ballerini, Dierks Bentley, Luke Bryan, Cam, Maren Morris, Cole Swindell, Keith Urban and hosts Lady Antebellum. Additional performers and presenters will be announced.

    The 10TH ACM Honors™ is an evening dedicated to celebrating the special honorees and off-camera category winners from the 51st Academy of Country Music Awards. Hosted by multi-ACM Award-winning group Lady Antebellum, the two-hour special will tape on Tuesday, August 30 at Nashville’s historic Ryman Auditorium, and make its television debut on Friday, September 9 (9:00-11:00 PM, ET/PT) on the CBS Television Network. Tickets for the special taping are available for purchase to the general public now at Ticketmaster.com.

    For more information on the Academy of Country Music and the ACM Honors, please visit www.acmcountry.com.

    About ACM Honors™
    ACM Honors™ is an evening dedicated to recognizing the special honorees and off-camera category winners from the Academy of Country Music Awards, including the Special Awards, Studio Recording Awards and Songwriter of the Year Award winners. The 10th Annual ACM Honors takes place Tuesday, August 30, 2016 at Nashville’s historic Ryman Auditorium and – for the first time ever – will be produced for television by dick clark productions to be broadcast on Friday, September 9 (9:00-11:00 PM, ET/PT) on the CBS Television Network. Allen Shapiro, Mike Mahan, R.A. Clark, Barry Adelman and Mark Bracco are executive producers. Tiffany Moon is executive producer for the Academy of Country Music. Tickets to ACM Honors are priced at $60 and $100 and will go on sale to the general public at Ticketmaster.com and the Ryman box office at 10:00 AM CT on Wednesday, August 10, 2016. For more information, visit www.ACMcountry.com.

    Audio / Dierks Bentley talks about being a part of the Glen Campbell tribute at this year's ACM Honors.

    Download

    Dierks Bentley (Glen Campbell tribute) OC: …part  of it. 1:05
    “He’s got some ties to Arizona and someboy who spent some time there, and when I moved to Nashville and got into bluegrass music and I discovered ‘Gentle on My Mind’ was a big song that John Hartford had written, so he had a little bit of world in the bluegrass community. But some of these bigger hits are so good and so classic and they’re so different than anything else out there. And he just has a way of performing that I’ve always felt like he’s one of those guys that if all of the power went out and there was no PA system and no band behind you and it just had to be just you and a guitar, he could entertain that crowd just as well as if they had all of the lights and production, and it’s Glen. He’s such a great singer, great musician and so funny, and such a great storyteller. He really carved out his niche. There’s no one that’ll ever sound like him – a classic legend. I’m honored to get the chance to perform on this tribute show for the ACMs [Honors], to be a part of this tribute. I’ve always felt connected to his music, grew up listening to it. I’m honored to be a part of it.”

  • LABOR DAY: AJ, BILLY, CANAAN, DARIUS, DAVID, DIERKS, ERIC CHURCH, ERIC PASLAY, JON, LADY A, LUKE

    For many decades, Labor Day was seen as a day for workers to voice their complaints and discuss better working conditions and pay.

    U.S. Congress declared Labor Day a national holiday in 1894, and on Monday, September 5th, we will once again celebrate the people in every occupation whose work and dedication make this nation great. Labor Day in the United States is a holiday celebrated on the first Monday in September. It is a celebration of the American labor movement and is dedicated to the social and economic achievements of workers.

    Labor Day weekend also signals the unofficial end to summer, and many of the hottest country stars are taking a look back at some of the toughest jobs they had prior to making their mark in music or their dream job now.

     

    Audio / Alan Jackson says that working man values have always been a part of his music.

    Download

    AJ (working people songs) OC: … appreciate that. :28
    “I’ve always written songs and recorded songs, other people’s songs, about workin’ people, and workin’, the workin’ life ’cause I mean, that’s where I’m from. I mean, I worked…I’d already had jobs and worked as a grown person before I ever even thought about bein’ in the music business, so I come from that background, and…although I hadn’t had a job in a long time (laughs), I still remember a lot about it, you know, and I remember what the lifestyle is, and I still appreciate that.”

    Audio / Billy Currington recalls some of the jobs he had before landing his record deal in 2003.

    Download

    Billy Currington (Labor Day) OC: …record deal. :40
    “I started working like at [age] 12, landscaping. This was summer, every summers, and roofing. I started when I was about 16 roofing houses, and that was probably one of my toughest jobs because down there in south Georgia, it gets hot, so doing that every day all summer long. The pawn shop when I moved to Nashville was one of my favorites, even though it was one of my least favorites. The concrete job was my least favorite of all – six years of that, and I couldn’t take it no more. After that job, that was my turning point. Either I’m going to do something else for a living [laughs] or quit and try to really focus on music and get this record deal.”

    Audio / Canaan Smith talks about the bad jobs he had before signing a publishing deal and later a record deal.

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    Canaan Smith (worst jobs) OC: …of that. [laughs] :54
    “I’ve had some terrible jobs. I was a janitor for a while, and I mopped floors, vacuums all kinds of, picking up dog poop, taking out trash, just basically somebody’s beyatch [laughs], that was my job. I did that for two-and-a-half years before I signed a publishing deal. Before that, actually my very first job, I got fired from. It was some sort of candy/chocolate store. My mom dropped me off one time, and I went to work and I was like I think I can do this, and then two shifts later I just didn’t show up because I didn’t understand the concept of having to look at a schedule to see when you come in. I just didn’t show. I just thought they’d call me, ‘Hey, we need you to come in.’ I didn’t know. I was 15 years old, and never worked and that kind of stuff. I always cut grass when I was a kid and cleaned golf clubs – whatever I could do to make some money. But, yeah, I got fired from my first job. I’m pretty proud of that.” [laughs]

    Audio / Clare Dunn discovered her love of music while working on her family’s farm in Southern Colorado.

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    Clare Dunn (discovered music) OC: …that way. :40
    “I did most of my music discovery as a young girl driving a tractor for most of the day – 10, 12 hours a day, you have nothing but the radio as your companion, basically, to keep you entertained. So, there was a local country radio station, and they, along with my parents’ love of music, I mean, that’s how I found Keith Urban and George Strait. My mom is a huge Waylon Jennings’ fan. And so music for me, I discovered it driving long hours on a tractor or hauling water to a cattle in a pickup by myself or through my parents’ love of music. And so, I was really fortunate that way.”

    Audio / Darius Rucker recalls one of his worst jobs before turning to music.

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    Darius Rucker (Labor Day) OC: …pizza. :15
    “I was fifteen, and I worked at a pizza place, and the guy decided that at fifteen, that I could not only clean the floors and wash the dishes, but I also had to make pizza. So, for two months, he taught me how to make pizza.”

    Audio / David Nail recalls his first job at Dairy Queen.

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    David Nail (Labor Day) OC: …Dilly Bar. :32
    “The first job that I ever had was working at Dairy Queen. One of my very best friends in the world’s mother purchased a franchise, so it was kinda a cool place to work. You put me in an ice cream place, it’s a recipe for disaster. So, Kathy Jeffers, her mother tends to tell people it was a ‘mutual separation,’ but I can vividly remember her saying that they were going to lose money if they continued to let me work, because I was eating more food than I was selling. But, it was a great two days that I spent there, and I had many a Dilly Bar.”

    Audio / Dierks Bentley makes a living performing for his fans, and he can’t say enough about them.

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    Dierks Bentley (Labor Day) OC: …generosity. :26
    “Personally, the fans give me amazement. That’s the only word to really sum it up. I look out in the crowd, you know, usually see a lot of faces and fans are cheering. I know each one of these like from the road-the signs are from California…Michelle and Kayla live up in the Ohio area. They’re all, I just see them, and I’m like, ‘Wow!,’ they’re all from different regions. You know when you’re in a different region of the country and you just see certain fans. These people are way more hard core than I am, and I’m just amazed by their generosity.”

    Audio / Eric Church talks about one of his worst jobs.

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    Eric Church (Labor Day-odd jobs) OC: …bought at 2am. 1:27
    “I had an awful job. I’ve had a lot of awful jobs…my worst one was when I first came to Nashville. I got a job at the Shop at Home Network. I worked midnight, graveyard, midnight to eight. That was bad enough but then I would work all night, go home, shower and then I had writing appointments all day because I was trying to get a career started. I’d go write songs and get meetings just trying to get signed. And end up getting done at 3 of 4 with all of that, I’d go home, take a shower or sleep for a little bit and then I had to be at work again at midnight. So the schedule was bad enough, however, what I had to do at the job…I sold knives from midnight to 7 or 8am. And, anytime somebody calls you at 3 or 4am and needs 200 knives for $19.95, it’s automatically an alarming situation. And I just, I was young and I’d been in a lot of these people’s shoes, I had done this…I knew they were drunk. I knew what they had done. They’d just come home from the bar, flipped on Shop at Home and said, ‘You know what? I need that.’ So the reason the job didn’t last long for me is that I was maybe the worst salesmen in history because I ended up talking a lot of these people out of it, I’d say, ‘I’ll tell you what man, go to bed, call me, I’ll be here in the morning. If you get up in the morning and want these knives you call me back.’ Because I knew what was going to happen, you know. They bought 200 knives for $19.95…first of all some of these people you didn’t know whether you should call the cops. What do you need 200 knives for? Even though I’m selling them…what do you need them for? So, it was awful doing that job. And then they got rid of me because, they were like, ‘You’re the worst. I can’t believe you’re talking people out of it.’ I was like, ‘Man I know…I’ve been there.’ [laughs] I’d want some to talk me out of buying some of the stuff I’ve bought at 2am.”

    Audio / Eric Paslay talks about his first job…printing logos on fanny packs.

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    Eric Paslay (Labor Day) OC: …could print. :34
    “My first official job was working at a screen printing place in Texas during the summer in a metal building that had no AC. We printed on fanny packs – really cool — and these other little bags. And it was eye doctors that, some company if you bought supplies through them, they’d put your logo on fanny packs for your customers to put in a drawer somewhere. Fanny packs are cool, if you like ‘em. You know, we’d like time ourselves to see how many fanny packs you could print.”

    Audio / Jon Pardi talks about his worst job, which was at a grocery store.

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    Jon Pardi (Labor Day) OC: …so bored! :17
    “The worst job I ever had was at Hometown Grocery Store. I didn’t want to work, I was 15, and I did not want to work at the grocery store. Bagging was fun, but they sent me down the aisles to pull up cans and turn ‘em around and face ‘em, and I would just get so bored!”

    Audio / Kip Moore recalls his worst job...ever.

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    Kip Moore (Labor Day-worst job) OC: …than that. :21
    “I’d have to say my worst job ever was laying sod in the south Georgia heat. There’s nothing than that, especially when somebody would think that you’re waiting for the next sod patch to be thrown to you and you got your back turned, and all of a sudden, that big ole piece of sod hits you right on the back. You got nowhere to clean up, and you’re just stuck with dirt on your back for the rest of the day. It doesn’t get any worse than that.”

    Audio / Charles Kelley of Lady Antebellum tells us what he used to do to make a buck before finding success as a musician.

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    Lady A (Labor Day) OC: …I had a lot of crummy jobs. :31
    CK “I used to…” HS: “… knock out asbestos walls.” CK: “I did that for a long time. But even before that, I used to do lawn care every summer. Oh, man, I do not miss that. Just glad those days are over. I get out here and play music for a living. It’s a lot more fun. But yeah, I used to do that, and I used to work as a bag boy at a golf course once. I did that for a couple of summers. I had a lot of crummy jobs.”

    Audio / Luke Bryan talks about the different jobs he worked in and around Leesburg, Georgia, before heading to Nashville to pursue a career in music.

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    Luke Bryan (Labor Day-jobs) OC: …Nashville… 1:07
    “At age 12 thru 13, I worked at Rubos IGA Supermarket in Leesburg, GA. I worked during the summers on Monday and Tuesday. I stocked and cleaned up the produce.  They paid me under the table…I peeled off all of the brown lettuce. Let’s see, when I was 15, I was a cashier at K-Mart for two months. I worked at K-Mart for two months, and then I reverted back to Rubos because it didn’t really make sense for me to drive all the way into Albany and work for K-Mart. The benefits were great though-you’d get an hour-long on the blue light special. So I started back at Rubos, and then I quit Rubos and worked for my Dad-just awful just driving tractors through cotton all day, and spraying pesticides that eventually would turn your hair green. And then at some point, I started playing guitar. And well, after college I went back and worked for my dad and continued to spray and haul fertilizer around. And then I moved to Nashville…”

  • NEWS AND NOTES: Little Big Town, Lady Antebellum, Eric Paslay, Luke Bryan, Chris Stapleton

    Little Big Town’s Kimberly Schlapman appears on the Food Network’s Beat Bobby Flay show tomorrow (August 18th). See if Kimberly can take down the celebrity chef beginning at 10pm ET on The Food Network.

    embed]https://twitter.com/littlebigtown/status/765937243504738304[/embed]

    Lady Antebellum’s Charles Kelley has been tapped as the NSAI Song Contest Grand Prize Mentor this year.

    Eric Paslay will appear on GAC Playlist August 29th at 12p and 3p ET.

    Luke Bryan welcomes friend and his former ACM Awards co-host Blake Shelton as a headliner for the third year of Luke Bryan’s Crash My Playa, an all-inclusive concert vacation set for January 19-22, 2017 in Riviera Maya, Mexico. After two sold-out years, the hottest country music destination event keeps getting better and better. The Caribbean beach vacation will also feature Luke headlining two of the four nightly concerts. Additional performers to be announced soon.

    Chris Stapleton‘s “Parachute” is being used in Dodge Ram commercials. Check them out below.

    Video / Parachute -- Dodge Ram 1

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    Video / Parachute -- Dodge Ram 2

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  • HILLARY SCOTT & THE SCOTT FAMILY LEAVE A MARK ON THE CHARTS WITH LOVE REMAINS.

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    Hillary Scott & The Scott Family top the Billboard Top Christian Albums chart and secure the No. 2 postion on the Billboard Top Country Album’s chart this week with the critically acclaimed debut album LOVE REMAINS (EMI Nashville), after moving over 31,000 units in its first week. Its “heart-stopping” (Rolling Stone) lead single “Thy Will” also claims the No. 1 position on Billboard’s Hot Christian Songs for the second week while dominating Billboard’s Christian Digital Songs for its eight consecutive week.

    The 13-track collection LOVE REMAINS offers “impressively tight harmonies and emotional performances” (Billboard) from Hillary, mother Linda Davis, father Lang Scott and younger sister Rylee. Mainstream music critics continue to praise the “stirring new album” (Nashville Lifestyles).

    “It’s striking — a collection of hymns and contemporary Christian music delivered with extreme polish.” – New York Times

    “The music includes contemporary Christian pop and country, along with distinct nods to bluegrass, Southern spirituals and traditional gospel music.” – Associated Press

    “A sweet, powerful celebration of faith and family harmony, LOVE REMAINS is grounded in love.” – Rolling Stone

    “Fans find their own sense of peace while listening to the new music.” – CMT

    “A tenderhearted family collaboration…they are simple songs of faith, both old and new, all affirming that no low valley is without some high hill. Ricky Skaggs’ production gently blends bluegrass and gospel.” – People

    “The stories behind the songs are personal, but were created to share a message of joy and hope through difficult times.” – Southern Living

    LOVE REMAINS follows more than 18 million album sales worldwide for Hillary Scott as one-third of the one of the world’s most popular groups, Lady Antebellum. The trio has earned six PLATINUM singles and dubbed ACM and CMA “Vocal Group of the Year” three years in a row. For more information on new music and more, visit www.hillaryscott.com

    Audio / Hillary Scott says the new album, Love Remains, is about leaving a mark and the person she wants to be.

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    Hillary Scott (leaving a mark) OC: …leaving a mark. 1:20
    “I have always really tried to be an open book, you know? And I think everybody can see that. Over the years of being in the public eye, and if you’re a friend in my personal life, ya know outside of work. I think for me, a lot of this record is just about wanting to say something that is real, and authentic and wanting, I feel like I’ve always tried to be truly who I am to people. It doesn’t get more ‘me’ than these songs…and a lot of it is the me I’m trying to be. It’s not the me that I necessarily am right now. It’s the me that I hope to continue to grow into and, I think now as a mother to a beautiful little girl, you think a lot about what you’re gonna leave behind. Even though, I just had a birthday, and I’m not that old [LAUGHS]…but it’s just, like what you want to teach your children, what you want them to teach their friends, and their children, and with my family on it, I think that is an even more a part of the heart of this project. I mean, this isn’t just me leaving a legacy, this is my parents leaving a legacy. And in honor of the life that they’ve lived, and the loss that they’ve had, and the dreams that they’ve had come true, all of it. It’s about leaving a mark.”