• ACM AWARDS 2020 WILL BE A STAR-STUDDED SHOW.

    The Academy of Country Music will present its annual awards show on Wednesday night (September 16th). The show was postponed from April in Las Vegas to September in Nashville due to the global pandemic (COVID-19).

    For the first time in the show’s history, the awards will take place in Nashville, broadcasting from three iconic Country Music venues: Grand Ole Opry House, Nashville’s historic Ryman Auditorium and The Bluebird Cafe. The reigning Entertainer of the Year, Keith Urban, will host the show from The Grand Ole Opry House.

    Performances include a star-studded medley from the night’s Entertainer of the Year nominees – Luke Bryan, Eric Church, Carrie Underwood, Luke Combs and Thomas Rhett – to kick off the show, as well as other performances by Carrie Underwood, Keith Urban and Pink, Blake Shelton with Gwen Stefani, Jimmie Allen, Kelsea Ballerini, Gabby Barrett, Luke Combs, Miranda Lambert, Tim McGraw, Maren Morris, Old Dominion, Riley Green, Tenille Townes, Thomas Rhett with Jon Pardi, Eric Church, Mickey Guyton, Morgan Wallen, Dan + Shay, Kane Brown, Florida Georgia Line, Trisha Yearwood, Taylor Swift and Luke Bryan.

    Eric Church is set to perform the anthemic “Stick Tat in Your Country Song,” while Luke Bryan will sing his multi-week No 1 summer smash “One Margarita.” Taylor will perform her Top 40 country hit, “betty,” and Carrie Underwood will turn in a medley of songs by the format’s most iconic female artists, including Patsy Cline, Loretta Lynn, Barbara Mandrell, Martina McBride, Reba McEntire and Dolly Parton. Mickey Guyton will sing the critically-acclaimed “What Are You Gonna Tell Her,” and the night’s host Keith Urban will perform with P!ink on his new song, “One Too Many from his upcoming album, The Speed of Now Part 1.

    Newcomer Caylee Hammack picked up her first ACM Award for Music Event of the Year for the Miranda Lambert-led collaboration, “Fooled Around and Fell in Love,” which also featured Maren Morris, Ashley McBryde, Tenille Townes and Elle King.

    Universal Music Group Nashville is celebrating its honorees (see below).

    Eric Church leads our nominees with three, including his second nod for Entertainer of the Year. He was also nominated as artist and songwriter in the Song of the Year category for “Some of It” – marking his eighth and ninth nominations in the category.

    Reigning Female Artist of the Year Kacey Musgraves earned three nominations including her seventh nod for Female Artist of the Year. Additionally, she received her first Single of the Year nomination as both artist and producer for “Rainbow.”

    Carrie Underwood is nominated for a pair of awards, including Entertainer of the Year, as well as Female Artist of the Year.

    Little Big Town also picks up a pair of nods for Group of the Year and Video of the Year for “Sugar Coat.”

    Chris Stapleton, Dierks Bentley and Keith Urban are nominated for Male Artist of the Year; Jon Pardi is up for Album of the Year for Heartache Medication; and Brothers Osborne and Maddie & Tae are up for Duo of the Year.

     

    The 55th ACADEMY OF COUNTRY MUSIC AWARDS, hosted by Keith Urban, will be broadcast Wednesday, September 16th (live 8:00-11:00 PM ET/delayed PT) on CBS  and will be available to stream on demand on CBS All Access.

     

    ENTERTAINER OF THE YEAR

    Luke Bryan

    Eric Church

    Luke Combs

    Thomas Rhett

    Carrie Underwood
    FEMALE ARTIST OF THE YEAR

    Kelsea Ballerini

    Miranda Lambert

    Maren Morris

    Kacey Musgraves

    Carrie Underwood
    MALE ARTIST OF THE YEAR

    Dierks Bentley

    Luke Combs

    Thomas Rhett

    Chris Stapleton

    Keith Urban
    DUO OF THE YEAR

    Brooks & Dunn

    Brothers Osborne

    Dan + Shay

    Florida Georgia Line

    Maddie & Tae
    GROUP OF THE YEAR

    Lady Antebellum

    Little Big Town

    Midland

    Old Dominion

    The Highwomen
    ALBUM OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]

    Center Point Road – Thomas Rhett

    Producers: Julian Bunetta, Jesse Frasure, Dann Huff, Thomas Rhett, The Stereotypes, Cleve Wilson

    GIRL – Maren Morris

    Producers: busbee, Greg Kurstin, Maren Morris

    Heartache Medication – Jon Pardi

    Producers: Bart Butler, Ryan Gore, Jon Pardi

     

    What You See Is What You Get – Luke Combs

    Producer: Scott Moffatt

    Wildcard – Miranda Lambert

    Producer: Jay Joyce

     

    SINGLE OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]

    God’s Country – Blake Shelton

    Producer: Scott Hendricks

    One Man Band – Old Dominion

    Producer: Shane McAnally

    Rainbow – Kacey Musgraves

    Producers: Ian Fitchuk, Kacey Musgraves, Daniel Tashian

    Rumor – Lee Brice

    Producers: Lee Brice, Dan Frizsell, Kyle Jacobs, Jon Stone

    What If I Never Get Over You – Lady Antebellum

    Producer: Dann Huff

     

    SONG OF THE YEAR [Awarded to Songwriter(s)/Publisher(s)/Artist(s)]

    10,000 Hours – Dan + Shay Featuring Justin Bieber

    Songwriters: Justin Bieber, Jason “Poo Bear” Boyd, Jessie Jo Dillon, Shay Mooney, Jordan Reynolds, Dan Smyers

    Publishers: Beats and Banjos (ASCAP), WB Music Corp. (ASCAP) / Shay Mooney Music (BMI), Warner-Tamerlane Publishing Corp. (BMI) / Big Ass Pile Of Dimes Music (BMI), Big Machine Music (BMI) / Buckeye 26 (ASCAP), Jreynmusic (ASCAP), WB Music Corp. (ASCAP) / Bieber Time Publishing (ASCAP), Universal Music (ASCAP) / Poo B Z Inc. (ASCAP), BMG Gold Songs (ASCAP).

    Girl Goin’ Nowhere – Ashley McBryde

    Songwriters: Jeremy Bussey, Ashley McBryde

    Publishers: Songs of Song Factory (BMI) / Universal Tunes (SESAC).

    God’s Country – Blake Shelton

    Songwriters: Devin Dawson, Michael Hardy, Jordan Schmidt

    Publishers: Relative Music Group (BMI), Administered by Songs of Kobalt Music Publishing (BMI) / WB Music Corp. / Georgia Song Vibez / We-volve Music (ASCAP) / Warner-Tamerlane Publishing Corp. / Neon Cross Music (BMI).

    One Man Band – Old Dominion

    Songwriters: Josh Osborne, Matthew Ramsey, Trevor Rosen, Brad Tursi

    Publishers: WB Music Corp/Smackville Music/Smack Songs LLC (ASCAP) adm by Kobalt Songs Music Publishing. Rezsongs/Reehits World/Smacktown Music, a division of Smack Blue, LLC/Unfair Entertainment  (ASCAP) adm. by Me Gusta Music. We’re Really Doin’ It Publishing (ASCAP) adm by Words & Music. Sony/ATV Cross Keys Publishing/Smackville Music/Smack Songs LLC (ASCAP) adm. by Kobalt Songs Music Publishing.

    Some Of It – Eric Church

    Songwriters: Eric Church, Clint Daniels, Jeff Hyde, Bobby Pinson

    Publishers: Sony/ATV Tree Publishing/Longer and Louder Music, admin. by Sony/ATV Music Publishing LLC; Mammaw’s Fried Okra Music/Little Louder Songs, admin. by Songs of Kobalt Music Publishing; New Writers Of Sea Gayle Music, admin. by ClearBox Rights; New Writers Of Sea Gayle Music/Not A Track Guy Music, admin. by ClearBox Rights (BMI).
     

    MUSIC EVENT OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]

    10,000 Hours – Dan + Shay Featuring Justin Bieber

    Producers: Dan Smyers

    Record Label: Warner Music Nashville

    Dive Bar – Garth Brooks Featuring Blake Shelton

    Producers: Garth Brooks

    Record Label: Pearl Records, Inc.

    Fooled Around And Fell In Love – Miranda Lambert Featuring Maren Morris, Ashley McBryde, Tenille Townes, Caylee Hammack & Elle King

    Producer: Jay Joyce

    Record Label: Vanner Records/RCA Records Nashville

    Old Town Road – Lil Nas X Featuring Billy Ray Cyrus

    Producers: Michael Trent Reznor, Atticus Matthew Ross, YoungKio

    Record Label: Columbia Records

    What Happens In A Small Town – Brantley Gilbert Featuring Lindsay Ell

    Producer: Dann Huff

    Record Label: The Valory Music Co.

    Audio / ERIC CHURCH TALKS ABOUT THE ENERGY EXCHANGED BETWEEN HIM AND HIS FANS IN THE AUDIENCE AT HIS SHOWS.

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    Eric Church (performing energy) OC: …type of crowd. :40
    “Well, I think for me every night I try to empty the tank. There’s always that energy floating around. It’s a palpable thing, and it’s up to me to start that exchange and get the crowd to give it back to me and then watch it build on itself and just to have that experience. We have one night here in whatever city we’re in, you know, we’ve got this night. I’m not gonna see you for a while you’re not gonna see me for a while, you know? And I love being able to capitalize on that moment and trying to live in that moment and get as much energy exchange between myself and the crowd as we can. I love that. That’s my favorite part of what we do. I love being around people, I’m very passionate about my music, and I love people who are passionate about the music too and I love playing a show for that type of crowd.”

    Audio / LAST YEAR, CARRIE UNDERWOOD TALKED ABOUT HER ENTERTAINER OF THE YEAR NOMINATION FOR LAST YEAR’S CMA AWARDS…AND THE SAME SENTIMENT HOLDS TRUE FOR THIS YEAR’S ACM AWARDS.

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    Carrie Underwood (Entertainer nod 2019) OC: …sorry boys! (laughs) :28
    “I personally feel like entertainer. It’s everything, right? So, I feel like people kind of narrow it down to tours, but I feel like there’s so many more components to it. And, you know, I’m blessed and lucky to be nominated, obviously, and fantastic company. It would be amazing, but of course, I’d be lying if I said I didn’t want it. (laughs) Sorry boys.” (laughs)

    Audio / A COUPLE OF YEARS AGO, LUKE BRYAN TALKED ABOUT BEING NAMED ENTERTAINER OF THE YEAR FROM BOTH THE ACM AWARDS AND CMA AWARDS.

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    Luke Bryan (Entertainer wins) OC: …got it right. :49
    “The title is what it is, you know? I mean, my focus in life when I’m on stage is entertaining these fans. If it’s my smile and my demeanor, if it’s my song that does it, if it’s me picking up a child out of the audience and letting them sing, it’s not being so premeditated that you can see it from a mile away. I mean, my main thing is be a fan up there that just gets to sing. That’s kind of how I’ve always approached it, and being called the Entertainer of the Year makes me want to do that to the best of my ability every night for the rest of my life as long as I’m on stage. I want people to leave my shows and go, ‘You know what? Whoever’s voting him Entertainer of the Year, they got it right.’”

    Audio / Caylee Hammack, who was nominated for a pair of awards going into this year's ACM AWARDS, has won her first for Music Event of the Year.

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    Caylee Hammack (ACM Music Event of the Year win) OC: …of women. :42
    “Getting to recreate this song with women that inspire me so very much was already a huge blessing for me. To get to perform it every night for the encore of Miranda Lambert’s show that I got to be on tour with her for, it was already this huge blessing for me and then to be nominated was a huge deal and now, we’ve won an ACM for vocal event of the year, this is unreal. And I wish there was another word I could use for it, but unreal is truly it. This is so very special, and I’m just so honored to be in this group of this caliber of women.”

    Audio / KACEY MUSGRAVES SAYS SHE WROTE “RAINBOW” AS A MEMO TO HERSELF, BUT SAYS IT CAN HELP PEOPLE ACTUALLY SEE THE SUN THROUGH THE CLOUDS.

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    Kacey Musgraves (Rainbow) 1 OC: …make it through. :48
    “The song ‘Rainbow’ was actually written a handful of years ago as sort of a little bit of a memo to myself. I think we can all get stuck in a mindset that things are never gonna improve or you can easily focus on kind of the bad parts of whatever you’re going through and not really realize that if you pulled your head above the water you’d see that the sun is actually shining and that everything’s actually okay. I think one of the reasons that people may relate to the song a lot is because, though it was written to myself, I think that it can take the shape of like whatever someone’s going through – whether it’s coming out and not having the support or just any kind of a situation that they don’t feel like they may make it through.”

    Audio / ERIC CHURCH TALKS ABOUT HIS SONG "SOME OF IT."

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    Eric Church (Some of It coming of age) OC: …figure it out. :56
    “That’s a song, a coming-of-age song, it’s an adult song. It’s adult music. If you listen to the thematics in that and what it’s about, it’s about being older and having some wisdom about you. I think that’s something that I appreciate in my fan base now that early on probably wasn’t there. We were young and drunk and fighting and stupid. But I think now to see them grow – to see the fan base grow – it’s just one of those songs that came along at the right time. And again, it was such a blessing that happened. It wasn’t going to be on the album. It was just one of those freak things that I put it on the album, the last song on the album. The album was done, and all of a sudden it becomes the pillar, one of the pillars on the album. I think again, you go back to it’s one of the great things about music, is you just never know what’s going to happen until it’s all said and done. You can try to plan all you want to, but you’ll probably not going to figure it out.”

    Audio / Jon Pardi is excited for his ACM Album of the Year nomination.

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    Jon Pardi (nominated for ACM AWARD for album) OC: …it’s awesome. :32
    “Being nominated for an ACM Award is always awesome, especially when it’s for Album f the Year. From all the hard work we put in to making this record to seeing it as a nominee for Album of the Year is amazing. It’s such a great honor to just have a nomination – to still be in the game is what I’m saying, and I put in a lot of hard work and it’s just so fun. It’s my favorite category to be in and the most, it’s the one I want to be in because that means all the songs help you get that nomination. I think that’s so great, and we work so hard on picking songs. So, it’s awesome.”

    Audio / MADDIE MARLOW OF MADDIE & TAE TALK ABOUT BEING NOMINATED FOR THE ACM DUO OF THE YEAR AWARD.

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    Maddie & Tae (ACM 2019) OC: …this year. :35
    “Being in the Duo category, especially being the only females in that category, is really, really special. We are just in such good company. Every single duo that’s nominated this year, we are really good friends with and we love and support and root for, but just the fact the industry acknowledges what we’re doing, especially after the crazy past couple of years we’ve had, just to get that nod saying, ‘Hey! You’re doing good. Keep doing what you’re doing,’ is so special. We do not take that for granted ‘cause we didn’t expect that at all, and so it was a huge shock for us and such good news for us this year.”

    Audio / BROTHERS OSBORNE SAYS IT'S AN HONOR TO BE NOMINATED AT THIS YEAR'S ACM AWARDS.

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    Brothers Osborne (being nominated) OC: (TJ) …but it really is. :26
    JOHN: “One of the things I love about the country music genre is “It sounds cliché to say it’s an honor, but it really is that it’s a family. We’re all really, really close. We’re all a bunch of misfits thrown together. We’re all a little different, but we love one another and respect one another, and I’m just honored for the both of us to be a part of this awesome family.” TJ: “I will say to add on that, it sounds cliché to say it’s an honor to be nominated, but it really is.”

  • THE ACADEMY OF COUNTRY MUSIC TO FEATURE CAYLEE HAMMACK IN “ACM WINE DOWN WEDNESDAY” THIS WEDNESDAY, SEPTEMBER 9TH.

    The Academy of Country Music announced today the lineup for the upcoming episode of “ACM Wine Down Wednesday” Series and “The ACM Weekly.” The latest episode of “ACM Wine Down Wednesday” Series, presented by 1000 Stories Wine, will feature a performance, conversation and stories with Capitol Nashville recording artist Caylee Hammack. The “ACM Wine Down Wednesday” Series will be live on Hammack’s official Facebook page, as well as the Academy of Country Music and 1000 Stories Wine official Facebook pages on Wednesday (September 9th) at 6pm CT. Following Hammack’s performance on Facebook, the latest episode will be featured and available to watch at TheHub.ACMcountry.com for 30 days.

    Additionally, the latest episode of “The ACM Weekly” will feature Tucker Beathard, Ryan Griffin, Walker Hayes, Kylie Morgan, and The Shires. The episode will highlight new music and performances and will go live on the Academy of Country Music’s® Facebook page on Wednesday, September 9 at 8 PM CT. Following the Facebook broadcast, the latest episode will be featured and available to watch for 30 days at TheHub.ACMcountry.com.

    On behalf of each artist featured on the “ACM Wine Down Wednesday” Series1000 Stories® Wine is contributing a $2,000 donation towards the ACM Lifting Lives COVID-19 Response Fund to be disbursed to individuals in the Country Music community who are currently on the waitlist for pandemic relief assistance. To learn more about ACM Lifting Lives COVID-19 Response Fund, visit ACMLiftingLives.org.

    Caylee has recently released her new single, “Just Friends.”

  • LABOR DAY 2020

    For many decades, Labor Day was seen as a day for workers to voice their complaints and discuss better working conditions and pay.

    U.S. Congress declared Labor Day a national holiday in 1894, and on Monday, September 2nd, we will once again celebrate the people in every occupation whose work and dedication make this nation great. Labor Day in the United States is a holiday celebrated on the first Monday in September. It is a celebration of the American labor movement and is dedicated to the social and economic achievements of workers.

    Labor Day weekend also signals the unofficial end to summer, and many of the hottest country stars are taking a look back at some of the toughest jobs they had prior to making their mark in music or their dream job now.

     

    Audio / Adam Hambrick talks about one of his summer jobs when he was growing up in Arkansas.

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    Adam Hambrick (Labor Day) OC: …that summer. :41
    “I don’t know if I’ve ever had a bad job. I don’t think I had a bad job, ‘cause I actually enjoyed this job ‘cause I was actually sitting in the air conditioning all day over the summer in Arkansas. It was very monotonous, because I was spending every summer day repairing old fallen-apart medical charts in a heart clinic in Little Rock. I would take all these photos of all these records and re-sort them page-by-page and put ‘em back in the manila folder and re-alphabetize ‘em. But I did bring my computer and watch movies while I did it, so I drank a lot of soda and watched a lot of movies that summer.”

    Audio / Alan Jackson says that working man values have always been a part of his music.

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    AJ (working people songs) OC: … appreciate that. :28
    “I’ve always written songs and recorded songs, other people’s songs, about workin’ people, and workin’, the workin’ life ’cause I mean, that’s where I’m from. I mean, I worked…I’d already had jobs and worked as a grown person before I ever even thought about bein’ in the music business, so I come from that background, and…although I hadn’t had a job in a long time (laughs), I still remember a lot about it, you know, and I remember what the lifestyle is, and I still appreciate that.”

    Audio / Billy Currington recalls some of the jobs he had before landing his record deal in 2003.

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    Billy Currington (Labor Day) OC: …record deal. :40
    “I started working like at [age] 12, landscaping. This was summer, every summers, and roofing. I started when I was about 16 roofing houses, and that was probably one of my toughest jobs because down there in South Georgia, it gets hot, so doing that every day all summer long. The pawn shop when I moved to Nashville was one of my favorites, even though it was one of my least favorites. The concrete job was my least favorite of all – six years of that, and I couldn’t take it no more. After that job, that was my turning point. Either I’m going to do something else for a living [laughs] or quit and try to really focus on music and get this record deal.”

    Audio / BRANDON LAY SAYS HE’S ALWAYS ENJOYED THE LABOR DAY WEEKEND.

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    Brandon Lay (Labor Day) OC: …a good one. :13
    “You know, I can’t complain too much about Labor Day, ‘cause usually doing landscaping and it had slowed down a little, but the water’s still warm enough to hit the river. I’ve gotten to spend some time out on the lake for Labor Day, so Labor Day’s a good one.”

    Audio / CARRIE UNDERWOOD TALKS ABOUT THE JOBS SHE HAD GROWING UP AND HER BEST JOB -- PERFORMING FOR HER FANS.

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    Carrie Underwood (Labor Day) OC: …born to do. :59
    “I don’t think I’ve ever had a bad job. I’ve had hard jobs. I’ve had jobs that worked random hours. My first job was at a gas station, and that was a lot of fun actually. While I was working at the gas station, I took another job at a hotel down the street. There was nobody else working there. I had one day of training and then the next day I came in, and the lady that had worked there the longest and was training me just didn’t show. So, the second day at work I was now in charge ‘cause I was now the senior member that was working at the hotel. So, I feel like that one was really challenging to figure my way through it, but I did. My best job is definitely what I do now. I really like being on stage. I really like performing for people and just having fun and singing, because that’s what I feel like I was born to do.”

    Audio / Caylee Hammack says her worst job truly smelled bad.

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    Caylee Hammack (Labor Day-worst job) OC: …worst job. (laughs) :38
    “My worst job was working in a nursery, actually. I love kids so I thought I’d be really good at it, but wen you’re the new person coming in, you have to change all the diapers first. So, I was changing 45 diapers a day and it got to the point where everything smelled like baby poop. It literally drove me crazy. I would walk my dog and I would have to go to pick up her poop, and it would smell like baby poop, and I just couldn’t handle it, honestly. The smell of poop warded me away. The children were lovely, but the smell of poop lingered, and I couldn’t handle that job. That was my worst job.” (laughs)

    Audio / Darius Rucker recalls one of his worst jobs before turning to music.

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    Darius Rucker (Labor Day) OC: …pizza. :15
    “I was fifteen, and I worked at a pizza place, and the guy decided that at fifteen, that I could not only clean the floors and wash the dishes, but I also had to make pizza. So, for two months, he taught me how to make pizza.”

    Audio / Dierks Bentley makes a living performing for his fans, and he can’t say enough about them.

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    Dierks Bentley (Labor Day) OC: …generosity. :26
    “Personally, the fans give me amazement. That’s the only word to really sum it up. I look out in the crowd, you know, usually see a lot of faces and fans are cheering. I know each one of these like from the road-the signs are from California…Michelle and Kayla live up in the Ohio area. They’re all, I just see them, and I’m like, ‘Wow!,’ they’re all from different regions. You know when you’re in a different region of the country and you just see certain fans. These people are way more hard core than I am, and I’m just amazed by their generosity.”

    Audio / Eric Church talks about one of his worst job.

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    Eric Church (Labor Day-odd jobs) OC: …bought at 2am. 1:27
    “I had an awful job. I’ve had a lot of awful jobs…my worst one was when I first came to Nashville. I got a job at the Shop at Home Network. I worked midnight, graveyard, midnight to eight. That was bad enough but then I would work all night, go home, shower and then I had writing appointments all day because I was trying to get a career started. I’d go write songs and get meetings just trying to get signed. And end up getting done at 3 of 4 with all of that, I’d go home, take a shower or sleep for a little bit and then I had to be at work again at midnight. So the schedule was bad enough, however, what I had to do at the job…I sold knives from midnight to 7 or 8am. And, anytime somebody calls you at 3 or 4am and needs 200 knives for $19.95, it’s automatically an alarming situation. And I just, I was young and I’d been in a lot of these people’s shoes, I had done this…I knew they were drunk. I knew what they had done. They’d just come home from the bar, flipped on Shop at Home and said, ‘You know what? I need that.’ So the reason the job didn’t last long for me is that I was maybe the worst salesmen in history because I ended up talking a lot of these people out of it, I’d say, ‘I’ll tell you what man, go to bed, call me, I’ll be here in the morning. If you get up in the morning and want these knives you call me back.’ Because I knew what was going to happen, you know. They bought 200 knives for $19.95…first of all some of these people you didn’t know whether you should call the cops. What do you need 200 knives for? Even though I’m selling them…what do you need them for? So, it was awful doing that job. And then they got rid of me because, they were like, ‘You’re the worst. I can’t believe you’re talking people out of it.’ I was like, ‘Man I know…I’ve been there.’ [laughs] I’d want some to talk me out of buying some of the stuff I’ve bought at 2am.”

    Audio / GEORGE STRAIT’S CAREER HAS SPANNED DECADES AND 60 NO. 1 HITS, BUT HE CAN RECALL HEARING ONE OF HIS SONGS ON THE RADIO AND HOW COUNTRY RADIO HAS SUPPORTED HIM.

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    George Strait (first time on radio) OC: …records I’ve put out. :26
    “I took it to a radio station in San Antonio KKYX, and a guy named Jerry King put it on and played it while I ran out to the car to listen to it on the radio. So, it’s just been relationships like that through the years that I’ve had with different people. I don’t know, they’ve just supported me so much and have been very open to the records I’ve put out.”

     

    Audio / JON LANGSTON TALKS ABOUT WORKING FOR HIS FAVORITE FAST-FOOD RESTAURANT...FOR A SHORT TIME.

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    Jon Langston (Labor Day) OC: …is the bomb. :45
    “The worst job – it wasn’t bad – I could just say growing up and stuff and in high school, I was working for my dad. It was a great job, working at the shop. One day I got tired of working for my dad. I thought it’d be smart to go work for somebody else and so I went to work at Chik-fil-a for a family friend, and I’m just not made for cooking chicken. But, I told my dad, ‘Hey, can I come back to work?’ (laughs) So, yeah, I mean, Chik-fil-a a great place to work if you’re into that kind of thing, but not me. But Chik-fil-a is m favorite fast food restaurant of all time. I mean, I will go to war for Chik-fil-a. I eat there probably three or four times a week. Chik-fil-a is the bomb.”

    Audio / Jon Pardi talks about his worst job, which was at a grocery store.

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    Jon Pardi (Labor Day) OC: …so bored! :17
    “The worst job I ever had was at Hometown Grocery Store. I didn’t want to work, I was 15, and I did not want to work at the grocery store. Bagging was fun, but they sent me down the aisles to pull up cans and turn ‘em around and face ‘em, and I would just get so bored!”

    Audio / JORDAN DAVIS TALKS ABOUT HIS WORST JOB.

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    Jordan Davis (Labor Day) OC: …worst job. :41
    “[My] worst job was probably whenever I got out of school I started working for an environmental group in Baton Rouge, and I was doing actual environmental work at first. I went to my boss probably about four months in and told him that I was going to move to Nashville and write songs. Luckily enough, he let me stay on, but I became the weedeater guy for the landscaping side of the business. I seriously weedeated eight hours a day. The only break I would get would be in-between yard to yard. So, like we would be in the car and I would try to doze off for like 10 minutes. I was covered in grass in the middle of the summer in Baton Rouge. It was awful. That was definitely the worst job.”

    Audio / KEITH URBAN TALKS ABOUT PERFORMING FOR FANS.

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    Keith Urban (Labor Day) OC: …amazing. :22
    “Seeing people connect to the music is absolutely, hands-down the biggest reward for me, especially when you go to a place you’ve never been to before and it’s all these people, I mean lots of people out there. You’ve never met a single one of ‘em and they’re singing every word, and you realize that it’s not just a pretty melody and everything, but they get the songs. It’s amazing.”

    Audio / Kip Moore recalls his worst job...ever.

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    Kip Moore (Labor Day-worst job) OC: …than that. :21
    “I’d have to say my worst job ever was laying sod in the south Georgia heat. There’s nothing than that, especially when somebody would think that you’re waiting for the next sod patch to be thrown to you and you got your back turned, and all of a sudden, that big ole piece of sod hits you right on the back. You got nowhere to clean up, and you’re just stuck with dirt on your back for the rest of the day. It doesn’t get any worse than that.”

    Audio / NEWCOMER KYLIE MORGAN SAYS BEING ON THE ROAD AND TRAVELING TO GIGS IS TRULY WHAT MAKES HER HEART HAPPY.

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    Audio / Luke Bryan talks about the different jobs he worked in and around Leesburg, Georgia, before heading to Nashville to pursue a career in music.

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    Luke Bryan (Labor Day-jobs) OC: …Nashville… 1:07
    “At age 12 thru 13, I worked at Rubos IGA Supermarket in Leesburg, GA. I worked during the summers on Monday and Tuesday. I stocked and cleaned up the produce.  They paid me under the table…I peeled off all of the brown lettuce. Let’s see, when I was 15, I was a cashier at K-Mart for two months. I worked at K-Mart for two months, and then I reverted back to Rubos because it didn’t really make sense for me to drive all the way into Albany and work for K-Mart. The benefits were great though-you’d get an hour-long on the blue light special. So I started back at Rubos, and then I quit Rubos and worked for my Dad-just awful just driving tractors through cotton all day, and spraying pesticides that eventually would turn your hair green. And then at some point, I started playing guitar. And well, after college I went back and worked for my dad and continued to spray and haul fertilizer around. And then I moved to Nashville…”

  • THE NOMINATIONS FOR THIS YEAR’S CMA AWARDS HAVE BEEN REVEALED.

    The nominees for this year’s CMA Awards have been announced, and Keith Urban has earned three nods this year, bringing his total count to 50 nominations and 12 wins. He is now a 13-time Entertainer of the Year nominee, bringing home the trophy two times previously. He has now been nominated 16 times for Male Vocalist of the Year with three wins. Keith received his sixth Musical Event of the Year nomination for Thomas Rhett’s “Be A Light,” which features Keith, Reba McEntire, Hillary Scott and Chris Tomlin. He has previously taken home the Musical Event award four times.

    Eric Church and Carrie Underwood each earned two nods apiece – both scored an Entertainer of the Year nomination, as well as Male Vocalist and Female Vocalist, respectively. As did Chris Stapleton, who is up against Church for Male Vocalist, but also garners a Music Video nomination for his LEGO-filmed “Second One to Know.”

    Brothers Osborne, Caylee Hammack, Little Big Town, Maddie & Tae, Reba McEntire, Kacey Musgraves and Jon Pardi also earned nominations.

     

     

     

    https://twitter.com/MaddieandTae/status/1300796991467925505

     

    Winners of “The 54th Annual CMA Awards” will be determined in a final round of voting by eligible voting CMA members. The third and final ballot will be emailed to CMA members Thursday, October 1st. Voting for the CMA Awards final ballot ends Tuesday, Oct. 27 (6:00 PM/CT).

    For more information on the CMA AWARDS go to cmaawards.com.

    “The 54th Annual CMA Awards” will be broadcast live November 11th at 8pm ET on ABC.

     

     

    ENTERTAINER OF THE YEAR

    • Eric Church
    • Luke Combs
    • Miranda Lambert
    • Carrie Underwood  
    • Keith Urban   

     

    SINGLE OF THE YEAR
    Award goes to Artist(s), Producer(s) and Mix Engineer

    • “10,000 Hours” – Dan + Shay (with Justin Bieber)
      Producer: Dan Smyers
      Mix Engineer: Jeff Juliano
    • “Beer Never Broke My Heart” – Luke Combs
      Producer: Scott Moffatt
      Mix Engineer: Jim Cooley
    • “Bluebird” – Miranda Lambert
      Producer: Jay Joyce
      Mix Engineers: Jason Hall, Jay Joyce
    • “The Bones” – Maren Morris
      Producer: Greg Kurstin
      Mix Engineer: Greg Kurstin
    • “I Hope” – Gabby Barrett
      Producers: Ross Copperman, Zach Kale
      Mix Engineer: Buckley Miller

    ALBUM OF THE YEAR
    Award goes to Artist and Producer(s) 

    • Heartache Medication – Jon Pardi
      Producers: Bart Butler, Ryan Gore, Jon Pardi 
    • Never Will – Ashley McBryde
      Producers: Jay Joyce, John Peets
    • Old Dominion – Old Dominion
      Producers: Shane McAnally, Old Dominion
    • What You See Is What You Get – Luke Combs
      Producer: Scott Moffatt
    • Wildcard – Miranda Lambert
      Producer: Jay Joyce

     

    SONG OF THE YEAR
    Award goes to Songwriters 

    • “Bluebird”
      Songwriters: Luke Dick, Natalie Hemby, Miranda Lambert
    • “The Bones”
      Songwriters: Maren Morris, Jimmy Robbins, Laura Veltz
    • “Even Though I’m Leaving”
      Songwriters: Luke Combs, Wyatt B. Durrette III, Ray Fulcher
    • “I Hope You’re Happy Now”
      Songwriters: Luke Combs, Randy Montana, Carly Pearce, Jonathan Singleton
    • “More Hearts Than Mine”
      Songwriters: Ingrid Andress, Sam Ellis, Derrick Southerland

     

    FEMALE VOCALIST OF THE YEAR

    • Miranda Lambert
    • Ashley McBryde
    • Maren Morris
    • Kacey Musgraves  
    • Carrie Underwood   

     

    MALE VOCALIST OF THE YEAR  

    • Eric Church   
    • Luke Combs
    • Thomas Rhett
    • Chris Stapleton  
    • Keith Urban    

    VOCAL GROUP OF THE YEAR

    • Lady A
    • Little Big Town  
    • Midland
    • Old Dominion
    • Rascal Flatts

    VOCAL DUO OF THE YEAR

    • Brooks & Dunn
    • Brothers Osborne  
    • Dan + Shay
    • Florida Georgia Line
    • Maddie & Tae

    MUSICAL EVENT OF THE YEAR
    Award goes to Artists and Producer(s) 

    • “10,000 Hours” – Dan + Shay (with Justin Bieber)
      Producer: Dan Smyers
    • “Be A Light” – Thomas Rhett featuring Reba McEntire, Hillary Scott, Chris Tomlin, Keith Urban
      Producer: Dann Huff
    • “The Bones” – Maren Morris with Hozier
      Producer: Greg Kurstin
    • “Fooled Around And Fell In Love” – Miranda Lambert (feat. Maren Morris, Elle King, Ashley McBryde, Tenille Townes & Caylee Hammack)
      Producer: Jay Joyce
    • “I Hope You’re Happy Now” – Carly Pearce and Lee Brice
      Producer: busbee

    MUSICIAN OF THE YEAR

    • Jenee Fleenor, Fiddle
    • Paul Franklin, Steel Guitar
    • Rob McNelley, Guitar
    • Ilya Toshinskiy, Guitar
    • Derek Wells, Guitar

    MUSIC VIDEO OF THE YEAR
    Award goes to Artist(s) and Director 

    • “10,000 Hours” – Dan + Shay (with Justin Bieber)
      Director: Patrick Tracy
    • “Bluebird” – Miranda Lambert
      Director: Trey Fanjoy
    • “Homemade” – Jake Owen
      Director: Justin Clough
    • “I Hope You’re Happy Now” – Carly Pearce and Lee Brice
      Director: Sam Siske
    • “Second One To Know” – Chris Stapleton
      Director: David Coleman 


    NEW ARTIST OF THE YEAR 

    • Jimmie Allen
    • Ingrid Andress
    • Gabby Barrett
    • Carly Pearce
    • Morgan Wallen

     

  • CAYLEE HAMMACK DEBUTS NEW SINGLE “JUST FRIENDS” WITH PERFORMANCE ON THE LATE SHOW WITH STEPHEN COLBERT’S #PLAYATHOME SERIES.

    “Stand back—she’s breathing fire,” declares Paste regarding Caylee Hammack’s new single “Just Friends” available at Country Radio today. The Capitol Nashville “songwriter/producer/full-throttle vocalist” (HITS) celebrated her new single (written by Hammack, Aaron Raitiere, Mikey Reaves) today by making her The Late Show With Stephen Colbert debut as part of their #PlayAtHome series in a full production and high velocity performance, available to watch here.

    Hammack just released her debut record IF IT WASN’T FOR YOU on August 14, available to listen here. Since the release, critics have continued to highly praise the 13-track set that sees Hammack with writer and producer credits on every track on the album.

    “With a huge voice and dynamic presence, the country newcomer pulls out all the stops on If It Wasn’t for You…The results are big and bright, effortlessly skipping between styles and packed with personality.” – Rolling Stone

    “Hammack has arrived with this 13-track adrenaline blast…every song on here plays out like an entry in Hammack’s diary—and is just as compelling…Hammack deserves to be a star.” – Billboard 

    The Georgia-born singer’s new album is one of the year’s best country debuts.” – Paste 

    “One of Nashville’s most promising young singers”-  Washington Post

    “Caylee Hammack’s debut album is powered by a drive for difference.” – American Songwriter 

    “Every song on her spunky, eclectic, 13-track album offers vignettes from her life story, woven with words of hope, determination, heartache, entanglement and above all, inspiration.” – Music Row

    “Hammack’s wit and grit make listening to it all a pleasure” –  PEOPLE

    “Hammack cements herself as an incredible talent with a story all her own who has artfully turned her experiences into catchy, engaging and honest songs that will have you listening again and again.” – Pop Culture 

    “From tales about her childhood, to stories about heartbreak, to fiery songs about life, the Georgia-born artist infuses her personality and vulnerability into every word.”  Sounds Like Nashville 

    IF IT WASN’T FOR YOU takes listeners on an intimate journey, from Hammack growing up in Ellaville, GA, braving a medical scare and coming out the other side of a bad love that was the catalyst for her turning down a scholarship to Belmont University and ultimately arriving in Nashville, TN. The LP, also included in NPR’s “noteworthy releases,” exudes that Hammack is all about the truth, the complete, whole unvarnished truth. Some of country music’s most potent women have also thrown in on Hammack’s debut. With appearances by Reba, Ashley McBryde and Tenille Townes, Hammack is setting a bar for women across the genre. Hammack also continues to show her reverence for classic country music, just releasing a collaboration with Country music icon Alan Jackson: a special rendition of Don Williams’ “Lord, I Hope This Day Is Good.”

    Nominated for ACM “New Female Artist Of The Year” and “Music Event Of The Year,” Caylee Hammack has been noted as an “Artist To Watch” by outlets including The Bobby Bones Show, Rolling Stone and HITS Magazine for her “voice to move mountains” (Rolling Stone). With her breakout Top 30 single “Family Tree” marking the most-added single at Country radio by a female artist in over three years, Hammack, the Capitol Nashville recording artist has previously brought her unforgettable live set to opening slots for Eric Church, Dierks Bentley, Miranda Lambert, Trisha Yearwood, Brothers Osborne and some of country music’s biggest festivals. For more information visit www.cayleehammack.com.

  • LABOR DAY 2020 LINERS

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    LINER Adam Hambrick (Labor Day)
    “Hey guys! It’s Adam Hambrick, hoping you have a Happy Labor Day weekend.”

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    LINER Billy Currington (Labor Day)
    Hey y’all! It’s Billy Currington, wishing you a very happy Labor Day weekend.

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    LINER Brandon Lay (Labor Day)
    Hey y’all! This is Brandon Lay, wishing you a happy and work-free Labor Day weekend.

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    LINER Brothers Osborne (Labor Day)
    This is TJ, and I’m John, and we are Brothers Osborne, wishing you a happy and work-free Labor Day weekend.

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    LINER Carrie Underwood (Labor Day Weekend)
    Hey everyone! I’m Carrie Underwood, hoping you have a happy Labor Day weekend.

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    LINER Caylee Hammack (Labor Day)
    Hey y’all! This is Caylee Hammack. I’m wishing you a fun and work-free Labor Day weekend.

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    LINER Chrissy Metz (Labor Day)
    Hi, I’m Chrissy Metz, wishing you a work-free Labor Day Weeend.

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    LINER Darius Rucker (Labor Day)
    Hey! It’s Darius Rucker, and I hope you have a have a happy work-free Labor Day weekend.

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    LINER Eric Church (Labor Day)
    Hey! It’s Eric Church, and I hope you have a have a happy Labor Day weekend.

    Audio /

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    LINER Jon Langston (Labor Day)
    Hey! I’m Jon Langston. Hope you have a Happy Labor Day weekend.

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    LINER Jon Pardi (Labor Day weekend)
    Hey! It’s Jon Pardi, and I hope you have a happy and work-free Labor Day weekend.

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    LINER Jordan Davis (Labor Day)
    Hey! I’m Jordan Davis, wishing you a happy and work-free Labor Day weekend.

    Audio /

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    LINER Kacey Musgraves (Labor Day weekend)
    Hey! It’s Kacey Musgraves, hoping you have a happy Labor Day weekend.

    Audio /

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    LINER Keith Urban (Labor Day weekend)
    Hi everybody! This is Keith Urban, wishing you a very happy Labor Day weekend.

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    LINER Kip Moore (Labor Day)
    Hey—what’s happening guys? This is Kip Moore, wishing you a happy and work-free Labor Day Weekend.

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    LINER LBT (Labor Day)
    Hi! We’re Little Big Town, hoping you have a work-free Labor Day weekend.

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    LINER Luke Bryan (Labor Day)
    Hey! It’s Luke Bryan, and I hope you have a have a happy Labor Day weekend.

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    LINER Maddie & Tae (Labor Day)
    Hey everybody! I’m Maddie, and I’m Tae, and we’re Maddie & Tae, hoping you have a happy and work-free Labor Day weekend.

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    LINER Sam Hunt (Labor Day)
    Hey everybody! I’m Sam Hunt. Have a great and work-free Labor Day weekend.

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    LINER Travis Denning (Labor Day)
    Hey y’all. It’s Travis Denning, hoping you have a happy and work-free Labor Day weekend.

     

  • CAYLEE HAMMACK PARTNERS WITH ORLY COLOR LABS TO EXPRESS DEBUT ALBUM IF IT WASN’T FOR YOU THROUGH COLOR.

     

    “One of Nashville’s most promising young singers” (Washington Post) Caylee Hammack is partnering with ORLY Color Labs to celebrate the launch of her already critically-acclaimed and just-released debut album IF IT WASN’T FOR YOU. Hammack customized nail colors inspired by her songs on the record through ORLY Color Labs Mobile. This online platform allows users to choose photo inspirations or upload their favorite photos to create a color palette. Fans are encouraged to create their own custom shades inspired by Hammack’s album at colorlabs.com.

    The 12 signature shades Hammack created will be available in trios to be released quarterly. The “If It Wasn’t For You Nail Polish Collection 1” features fiery reddish hues inspired by the tracks “Just Friends,” “Looking for a Lighter,” and “Redhead.” The nail collection retails for $35 and is available for pre-order now at store.cayleehammack.com. The musical package of a physical autographed CD, a digital copy of the album, and the nail collection retails for $55.

    “I love being able to express myself through my music, but also through fashion and the colors that I’m wearing,” shared Hammack. “I’m always changing my nail polish color to suit my mood, and so this partnership felt like the perfect fit for my new record. I’m excited for these first colors to be out there in the world and for people to enjoy them like I have enjoyed working on them with Orly.”

    IF IT WASN’T FOR YOU takes listeners on an intimate journey, from Hammack growing up in Ellaville, GA, braving a medical scare and coming out the other side of a bad love that was the catalyst for her turning down a scholarship to Belmont University and ultimately arriving in Nashville, TN. The LP has already been praised by critics with PEOPLE declaring the set as a “a lavish feast of autobiographical storytelling, served up with catchy hooks and the singer’s power-packed voice.” Some of country music’s most potent women have also thrown in on Hammack’s debut, with appearances by Reba, Ashley McBryde and Tenille Townes. Hammack also continues to show her reverence for classic country music, just releasing a collaboration with Country music icon Alan Jackson: a special rendition of Don Williams’ “Lord, I Hope This Day Is Good.”

    Currently nominated for ACM “New Female Artist Of The Year” and “Music Event Of The Year,” Caylee Hammack has been noted as an “Artist To Watch” by outlets including The Bobby Bones Show, Rolling Stone and HITS Magazine for her “voice to move mountains” (Rolling Stone). With her breakout Top 30 single “Family Tree” marking the most-added single at Country radio by a female artist in over three years, Hammack, the Capitol Nashville recording artist has previously brought her unforgettable live set to opening slots for Eric Church, Dierks Bentley, Miranda Lambert, Trisha Yearwood, Brothers Osborne and some of country music’s biggest festivals. For more information visit www.cayleehammack.com.

  • CAYLEE HAMMACK’S “DREAM COME TRUE” APPEARS ON HER DEBUT ALBUM, IF IT WASN’T FOR YOU.

    Caylee Hammack just released her debut album, If It Wasn’t For You, and she experienced a surreal moment during the process of putting together her record when she realized a dream come true — she got to record a song with the iconic Reba McEntire. The song, titled “Redhead” is a fitting tribute to all the fiery gingers in the world.

    “Having a song I get to sing with Reba McEntire is a dream come true. It definitely is a childhood dream of mine that I never, honestly, thought could ever happen,” says Caylee. “But God has been so good to me to connect me to wonderful people that I look up to (and) that I’ve always admired, and I admire even more when I get to know them personally. Reba McEntire is such a professional. She’s such a businesswoman, but also so kindhearted and good willed. Just working with her, it was truly a dream that I never thought could come true.”

    Caylee was supposed to tour as Reba’s opening act this spring and summer, but the tour — along with many others — were postponed until next year because of COVID-19. Caylee is making the most of it, though, hosting virtual concerts with her friends and CMT every week or having socially distanced backporch parties with pals Ashley McBryde and Tenille Townes.

    Audio / Caylee Hammack says working with the iconic Reba McEntire is a childhood dream come true.

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    Caylee Hammack (working with Reba) OC: …come true. :37
    “Having a song I get to sing with Reba McEntire is a dream come true. It definitely is a childhood dream of mine that I never, honestly, thought could ever happen. But God has been so good to me to connect me to wonderful people that I look up to (and) that I’ve always admired, and I admire even more when I get to know them personally. Reba McEntire is such a professional. She’s such a businesswoman, but also so kindhearted and good willed. Just working with her, it was truly a dream that I never thought could come true.”

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  • CAYLEE HAMMACK’S “LAVISH FEAST OF AUTOBIOGRAPHICAL STORYTELLING” IN DEBUT RECORD IF IT WASN’T FOR YOU IS OUT TODAY AND PULLS IN EARLY CRITICAL ACCLAIM.

    “Larger than life, glowing with punk-rock energy, an electric technicolor persona” (HITS) breakout singer/songwriter Caylee Hammack’s debut album IF IT WASN’T FOR YOU is available today.  Hammack, who wrote and produced every track on the 13-song collection, will kick off her first-ever album release week with a full-band livestream of the whole record tonight on YouTube and Facebook at 6pm CT. Hammack has also invited special guests, friends and album collaborators Ashley McBryde and Tenille Townes to join her during the livestream event, available to watch here.

    The support I have felt from the minute this album was released has been overwhelming,” said Hammack. “If it wasn’t for every person on my team, every person willing to listen to a new artist and emotionally invest in them, and my family, I wouldn’t have been able to create this album. So thank you. Thank you so very much.  I feel free in a way I’ve never felt before with this album out in the world now.”

    Critics have been quick to praise Hammack’s debut album and the vulnerable songs on the collection:

    “A dynamic singer and equally memorable songwriter, Hammack’s soulful vocals and descriptive lyrics shine.” – Billboard

    “Manages to thread the needle beautifully” – American Songwriter

    “A lavish feast of autobiographical storytelling, served up with catchy hooks and the singer’s power-packed voice.”  – PEOPLE

    “Songs filled with smart, shit-kicking energy” – Rolling Stone
    “It’s safe to say that Caylee Hammack has one of the wildest life stories of any rising artist at the moment, and there is no doubt she’s born for a life in music.” – CMT

     

    “Songwriter/producer/full-throttle vocalist’s positivity-seeking If It Wasn’t for You includes the perky down-home “Family Tree, the Kacey Musgraves-feeling “Small Town Hypocrite” and the clever Southern charm kiss-off “Preciatcha” – HITS

     

    “Known for her mix of clever lyrics and haunting melodies” – Music Row

     

    “Shows off a strong voice and a stronger disposition.” – Star Tribune 

     

    “Hammack writes with a keen sense of observation and clever lyrics” – Taste Of Country

     

    “One of Country’s most promising newcomers” – Variety

     

    IF IT WASN’T FOR YOU takes listeners on an intimate journey, from Hammack growing up in Ellaville, GA, braving a medical scare and coming out the other side of a bad love that was the catalyst for her turning down a scholarship to Belmont University and ultimately arriving in Nashville, TN. The LP exudes that Hammack is all about the truth, the complete, whole unvarnished truth. Some of country music’s most potent women have also thrown in on Hammack’s debut. With appearances by Reba, Ashley McBryde and Tenille Townes, Hammack is setting a bar for women across the genre. Hammack also continues to show her reverence for classic country music, just releasing a collaboration with Country music icon Alan Jackson: a special rendition of Don Williams’ “Lord, I Hope This Day Is Good.”

    Currently nominated for ACM “New Female Artist Of The Year” and “Music Event Of The Year,” Caylee Hammack has been noted as an “Artist To Watch” by outlets including The Bobby Bones Show, Rolling Stone and HITS Magazine for her “voice to move mountains” (Rolling Stone). With her breakout Top 30 single “Family Tree” marking the most-added single at Country radio by a female artist in over three years, Hammack, the Capitol Nashville recording artist has previously brought her unforgettable live set to opening slots for Eric Church, Dierks Bentley, Miranda Lambert, Trisha Yearwood, Brothers Osborne and some of country music’s biggest festivals. For more information visit www.cayleehammack.com.

    Audio / LINER Caylee Hammack (available now)

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    Audio / Caylee Hammack talks about her debut album.

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    Caylee Hammack (debut album) OC: …to tell you. :29
    “Working on my debut album, it is the first time I’ve actually truly had a voice of my own. It’s the first time I’ve actually got to sing my own songs. It’s the first time I get to be heard, which is so exciting and something that as an artist we yearn and dream of every night when we go to bed. Every single song on this record is a little part of me that I’ve turned into a story to tell you.”

  • CAYLEE HAMMACK SET TO RELEASE HER DEBUT ALBUM ON FRIDAY, AUGUST 14TH.

    Caylee Hammack will release her debut album, If It Wasn’t For You, on Friday (August 14th). The thoughtful Georgia born-and-bred singer-songwriter penned all 13 tracks on the collection, including “Just Friends,” “Family Tree,” “Redhead” (which is a duet with Reba McEntire). She titled the collection, If It Wasn’t For You, to honor all of those who helped make her dream of being a country music artist a reality.

    “The album was named If It Wasn’t For You, because I could not have made this record in any capacity without all of the people in my life – my family who have encouraged me from day one; God being able to give me ideas and lining me up with people to make it; every single person listening. They don’t understand how important it is that they listen so I could be heard. If it wasn’t for everyone, none of this would happen.”

    Currently nominated for ACM “New Female Artist Of The Year” and “Music Event Of The Year,” Caylee Hammack has been noted as an “Artist To Watch” by outlets including The Bobby Bones Show, Rolling Stone and HITS Magazine for her “mix of clever lyrics and haunting melodies” (Music Row). With her breakout Top 30 single “Family Tree” marking the most-added single at Country radio by a female artist in over three years, Hammack has “created a kind of country music that’s larger—and brighter—than real life”(HITS Magazine). The Capitol Nashville recording artist has previously brought her unforgettable live set to opening slots for Eric Church, Dierks Bentley, Miranda Lambert, Trisha Yearwood, Brothers Osborne and some of country music’s biggest festivals. For more information visit cayleehammack.com

     

     

     

    Audio / Caylee Hammack talks about naming her debut album, If It Wasn't For You.

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    Caylee Hammack (album title) OC: …Wasn’t For You. :29
    “The album was named If It Wasn’t For You, because I could not have made this record in any capacity without all of the people in my life – my family who have encouraged me from day one; God being able to give me ideas and lining me up with people to make it; every single person listening. They don’t understand how important it is that they listen so I could be heard. If it wasn’t for everyone, none of this would happen. So, the record is named If It Wasn’t For You.”

     

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