Josh Turner – Down In Georgia (AUDIO) – “

TURNER: So ‘Down in Georgia’ was one of the first songs that I had pitched to me for this record. And it was actually surprisingly, pitched to me by my brother. My brother’s in the publishing industry there in Nashville. And he’s pitched me a lot of songs over the years, but you know, I’ve never cut any of them until now. So that’s an interesting connection. And I think it’s kind of cool that that’s actually you know, leading the record off. And not only that, I think the writers of this song, who I’m not familiar with, Tyler Booth, Anthony Olympia and Brent Rupert, I think they’ve been reading my mail because I married a girl from Georgia and we actually moved to Georgia last- last year. So it’s kind of a special song in that aspect.  

INTERVIEWER:  That is cool. And I think it’s a great one to start off because you get that real low bass note.It comes in real early, right? Was that part of the idea there? 

TURNER: Yeah, and you know, and that was kind of the way the song was written, but obviously, my voice is lower than the guy who sang it on the demo. And I feel like my version of it on this record has a lot more texture than the demo had. And that was one thing that I was a little concerned about. I felt like the song was really thin when I first heard it, but I like I said, I never know how a song is really going to turn out when you go in and make a record on it. When I first heard ‘Your Man’, I didn’t know if it was going to be right for me, but it’s been one of the, if not the biggest hit of my career.”

Josh Turner – If You Ain’t With Me (AUDIO) –

TURNER: So, ‘If You Ain’t With Me’ was, it just was kind of a straightforward country song that, that I liked. I love the simplicity of it. And, you know, like I was saying earlier, a lot of these songs on this record were pretty challenging vocally. And this one kind of allowed me to kind of sit back and have a little bit of fun and not have to worry about killing myself. So, you know, this was one of those songs that was written by Marv Green and Jimmy Urie and Lance Miller and it, you know, like I say, just a straightforward country song that I had a lot of fun with. 

Josh Turner – I Just Wanna Kiss You (AUDIO) –

TURNER: So Jeff Hyde and I have become really good friends over the years and I’ve actually written with John Knight too. John and I actually went to Belmont together and Jeff, I’d been begging for songs from Jeff and we’ve had a lot of his songs on hold for this record making process. And this was the one that kind of surprised us. This was literally pitched to me the night before the first tracking session. So it was like the last song that, that we heard that ended up on this record. And so it just had that, it had a laid back kind of feel and it told a story, but melodically and musically, once you thought it was going one place, it went another. And I think that was the most intriguing and interesting part of this song was that it wasn’t predictable. 

And so it was a really fun song. And like I said, it was super laid back and kind of mellow. But then Gordon gets to playin’ on that little, that organ part in the solo, and it just kind of took it to a whole new level. It’s like, you know, you’re already visualizing what’s going on in the song, but when he did that, it was like you were there, you know? And it was, you were at the fair with that young couple. It was pretty cool.” 

Josh Turner – Heatin’ Things Up (AUDIO) – 

TURNER: “So, ‘Heatin’ Things Up’ was one of the first songs that we cut, and that was the one that we were most excited about early on because I think from what I’ve heard, Marv said that they actually sat down to try to write a song for me. And I don’t hear that very often, but I was flattered by that. That’s not why I cut it, but they did a great job with this melodically, and it was, it was, kind of in the same vein as ‘Your Man’.” 

“Um, but, uh, musically it’s like I say, it’s just very interesting. It’s got a very unique chord progression. And when I went into to track this, I’m, I’m standing in the big room there at the castle and so it’s like, you know, me and Glenn Wharf and, uh, you know, Kenny and a couple of other guys and we do that first pass and when it’s over, Glenn says, my God, he was like, that first note, you know, it felt like you just had a load of gravel dumped on you- in a good way. He was talking about that first low note in the song and he was just like floored by that. But so that’s always fun. I can’t wait to see, you know, how fans react to that live.” 

INTERVIEWER: “I’ve never heard that one before. (inaudible) That one’s got a bit of swagger too, which is nice and fits in well here.” 

TURNER: “And that’s one, this is one of the songs too, you know, that is not easy to sing. You know, I won’t be singing this one, right as I get out of bed every morning. This is gonna be one that I’m gonna have to warm up good for.”

Josh Turner – This Country Music Thing (AUDIO)

TURNER: “Yeah, This Country Music Thing, I think it’s an appropriate title for the record. It’s uh, it kind of, you know, encapsulates my story in a nutshell where I grew up, you know, dreaming about singing for a living and ended up moving to Nashville, leaving everything that I knew and loved for a dream that wasn’t guaranteed to me. And it worked out,  and I’ve had success doing this as, as a career. And so I’ve had a lot of fun doing it. So it’s not only that, I’ve been able to become friends with, you know, a lot of my heroes. And so that’s been a dream come true too. So it’s a, you know, small snapshot of my musical life.” 

Josh Turner – My Side (AUDIO)

TURNER: “Yeah, you know, this song kind of stands alone on this record because it, it’s kind of got that bluegrassy thing. It’s got that folk thing. It’s, it’s kind of, it kind of harkens back to like the band and you know, the, you know, Bob Dylan and, and just that kind of era. And it, it just, it’s a cool love song that I felt like was, was written in a way that I’ve never really heard a song written before. And, and there’s these little interludes musically that happen at the end of the verses that, you know, kind of catch you by surprise. You know, we were talking about the unpredictability and it definitely, this song definitely has that element to it. And so having Brian Sutton play in the banjo on this and, and just that whole thing with him and Joe Spivey on the fiddle, it’s just, it just adds for a cool moment on the record, um, because there’s not a lot of songs, you know, no other songs on this record like that.” 

Josh Turner – Two Steppin’ On The Moon (AUDIO)

TURNER: “So this song was very similar to a lot of songs that we heard in preparation for this record. There’s a lot of that kind of just hip hop-y, dance-y kind of thing that gets pitched to you nowadays. And a lot of them just fell flat. But this one just had a different kind of vibe to it. It felt like it had potential. It felt like it had some depth.It was fun to sing. We just kind of had to get it out of that more dance club kind of feel and get to where it was like you were– you were in that honky tonk and you were in a country kind of setting. And so it was fun to sing. You know, the band played great on it. I think Matt Dragstrom, actually, I think Kenny got him to kind of help us do a little bit of the tracks on this. But uh yeah, it kind of provides a little, you know, newness and freshness, you know, compared to some of the more traditional songs on the record.“

Josh Turner – Somewhere With Her (AUDIO)

TURNER: “Rhett Akins and I are really good friends and we’ve written together a lot, but we’ve never, you know, had a cut together, but I’ve always been interested in what he’s doing and what he’s writing. And so, he pitched me a ton of songs as we were making this record. And this was the one that really just kind of stuck with us. It just kept coming back over and over again every time we- Kenny and I would talk about our list of favorites and it kind of talks about how, you know, this guy is in this conversation with another guy, but his mind keeps drifting off to being with her and whether it’s in California or Alabama or Tennessee or Mississippi or, or wherever it doesn’t really matter as long as he’s with her. And so it’s like, he’s, he’s there supposedly having this conversation with this other guy, but he’s really somewhere else. Um, and so it was a fun song to sing. It’s kind of got that more, it’s honestly kind of more of like a 90s country kind of feel to it as far as the way it was written and all that. But like I say, Rhett and I, we’re like, I always tell people that we’re brothers that were separated at birth because we’re so much alike and we have so many common interests that, I always want to hear you know what he’s writing, just to make sure that I’m not missing anything.”

Josh Turner- Whirlwind (AUDIO)

INTERVIEWER: “It’s got that barn burner feel and I love the production on it, but where, where did that come from when you guys wrote that?” 

TURNER: “So for me, anytime I write a song, um, especially by myself, but even a lot of times when I’ve, when I’m co-writing with somebody, you know, it always comes from a title. The title always comes first with me, uh, predominantly anyway. Uh, and so Whirlwind was a title that I had written down and I knew kind of what I wanted to write, but then when I sat down with Mark, it’s so funny, you know, we were talking about the evolution of this record and how it starts out one way and ends up another. 

“I wrote this song, I don’t even know, it was like 2015, something like that. I mean it’s an older song and I had wanted to cut this, I don’t even know, like probably, you know, seven years ago, something like that, but it just never happened. But the first time that I had played it for Kenny, he had kind of come up with a different chord progression on one or two of the lines in the chorus, which kind of gave it a little bit of a lift. And at the end of every verse and chorus, I would always kind of go down, but he wanted me to go up. And so it was just kind of messing with my head and then it just kind of got swept under the rug for a lot of years as I was making a lot of passion projects and everything. And so this record comes along and I bring it back up and we really felt like it kind of had that potential of like, if you remember the fiddle intro on Kenny Chesney, ‘She Thinks My Tractor’s Sexy.” 

“We were trying to find like that signature musical lick that you know, that could really make this song kind of come to life. And so we had Stuart Duncan come in and just play around with it on the fiddle. And he, I think he did a great job, but as far as writing this song, Mark Normore and I have written more songs than I can count. And this was one of those songs that is classic Josh Turner and Mark Normore cleverness. There’s a lot of funny lines in this song. It even starts off with one where it says, “I was out standing in my field”. And then in the chorus, it’s like, I remember Kenny’s first reaction to it. He was like, oh my gosh, he’s like, this rhyme’s been here forever and you’re the first one to discover it. Where it’s like, you know, it’s like “I’m in a whirlwind, she’s a mighty strong girlfriend”. And so it just, it goes from there and it’s just, it uses all these metaphors of like, you know, a tornado just kind of ripping through a, a neighborhood or whatever and just leaving a path of destruction. But it just kind of talks about how strong this girl’s love is.” 

Interviewer: “Yeah, it’s a fun one. And you mentioned earlier, I mean, do you think part of the reason that it came back around right now is just because of the whirlwind that your life has been the last couple of years?”  

Turner: “Well, that and, you know, I’ve always believed in this song. You know, there’s a lot of songs that, you know, I’ve believed in over the years that didn’t make it on a record, but that doesn’t, you know, keep me from believing in those songs. There’s still probably a lot of songs that I’ve written in years past that will probably end up on a future record. I don’t know. Just kind of depends on what kind of vibe the record is, you know, becoming. And so, but yeah, I think it, you know, as far as my life and everything, it’s definitely been a whirlwind, but I’m still here to… It’s like George Jones, I live to tell it all.” 

Josh Turner – Pretty Please (AUDIO)

TURNER: “Yeah, so I was excited to get this song pitched to me because Wyatt’s actually opened for me on the road several times and he’s obviously pretty talented. And you know, Gordy and John, you know they’re seasoned writers. And so it was obviously a great song. It was a very interesting ballad. You don’t hear ballads like this very often. It’s just kind of, it’s got a really cool feel to it, kind of got that slow dancing kind of thing about it. And production wise, it turned out great. And my wife, Jennifer, actually sang one of the harmony vocals on this song, and so, you know, that makes it even more meaningful and personal to me. So yeah, I was excited about cutting this song. And this is one of those songs, it’s like, it’s more laid back and more of a ballad, but it was still fairly challenging to sing, because you have to be in that kind of sweet spot for this song.”  

INTERVIEWER: “Absolutely, for sure. Has she ever done that before? I mean, what was that conversation like asking her to jump in?”

TURNER: “Well, I actually wasn’t the one that asked her. Kenny was the one that wanted her on this song. But, and she’s been on my records before, but not in this capacity where it was just her doing a strict background vocal part. And so she was super excited about that. And I think she was more excited about the fact that it wasn’t me that asked her.”

Josh Turner – Unsung Hero (AUDIO)

TURNER: “So this song I had written years ago about my granddaddy and I had actually, I guess it was about a year or two ago, I had actually sung this song during three shows around July 4th weekend when I was out on the road. But the original way that I wrote it, it didn’t have any minor chords in it. It was pretty straight up kind of a marching military kind of feel. But Kenny and I started playing around with it. And we even brought in Brian Sutton at the tracking session to really try to figure out, you know, how this song was supposed to feel. And, you know, we were just, we literally had to, the three of us had to kind of gather up into a corner room and kind of map it out to where we knew that we were gonna be doing it right. And so we kind of turned it into this more mysterious kind of thing, because I was describing my granddaddy to Kenny one day. And he said that my description just wasn’t really fitting with the musical feel of the original way that I wrote it because he was saying, you know, this was a guy that was a man of few words. You didn’t really know a lot about him. He just, his actions spoke more than his words did. And he was kind of a badass and a hero and American hero and just…never really craved any adulation or praise. And so he said, you know, this song musically has to have some weight and some viability. And so we kind of did all of that. I love what Fred Elterham did on the drums, especially at the end when he brought out the mallets and it just kind of takes you to another place. And there’s only two songs in my career that I’ve ever shed a tear over in the studio. One was a song on my Haywire record called I’ll Be There. It’s about, you know, I didn’t write it, but it was singing it about my boys. And then this one, I literally went in, sang one pass of it, and everybody was in agreement. They were like, we got this track. So I went back into the control room while the guys were taking other passes and doing overdubs and stuff. And I… just sitting there listening to it. I’m looking out the window in the control room. I just, all I could think about was my granddaddy. It was like, man, like we just recorded this song about somebody who didn’t ask for attention, but he’s getting attention. And now, you know, hundreds, if not millions of people are gonna hear this and they’re gonna be able to relate to their granddaddy or grandmother, father or whoever it is, you know, that, uh, that served this country honorably and, um, and made sacrifices that they didn’t have to, but they did it, uh, because they love this country and they love their family and, and they love their freedom. So it’s, uh, it’s it’s something that I feel like a lot of people are going to be able to relate to and I hope they do.”  

INTERVIEWER: “Absolutely, man. Thank you for that. Yeah. It’s got some gravity for sure. And I guess in some ways it’s sort of also a good reminder that like that sacrifice is what allows people like you and me to get to do this thing, this country music thing, right?”  

TURNER: “Absolutely. And that’s once again, that’s something that I don’t take for granted. And you know, every chance that I get, I try to thank our men and women in uniform, you know, for doing that very thing, past and present. Because, you know, when people like you and I start taking for granted what we’re doing, and forgetting the sacrifice that people like that have made, we’ll be in a pretty bad place.”

Josh Turner – New Production Perspective (AUDIO) – “One of the most exciting things about the last several records that I’ve done is the new production perspective that we have. And we’re continuing to try to just take these songs to a new current place without sacrificing integrity. And Kenny(Greenberg), so far, has been a master at that. He comes up with things that I think are super cool, but they stay in the vein of what the song is about. And so, like I say, you know, there’s times where I’ll throw out an idea and he’s like, oh man, why didn’t I think of that? And then he’ll come back with something or play a solo. And I’m like, oh yeah, that’s it right there. You know, just keep doing that. And, and, and so it was just, you know, he and I have just worked really well together and, and, you know, we kind of come from different places, but at the same time, you know, we’re on the same page and we’re working together towards a common goal. So it, I think the production kind of makes some of these more traditional songs kind of sound, you know, more current and fresh and new and intriguing.”

“Hey, I’m Alan Jackson, wishing you a Happy Father’s Day.”

“Hey everybody! I’m Billy Currington, wishing you a very Happy Father’s Day!”

Hi! This is Brad Paisley, wishing all the dads out there a Happy Father’s Day.”

“Hey! This is TJ, and I’m John, and we are Brothers Osborne, wishing all you fathers out there a very Happy Father’s Day.”

“Hey everybody, this is Bryce Leatherwood. This is to all the Dads out there, I’m wishing you a Happy Father’s Day. Thank y’all for what y’all do, and God bless.”

“Hey, I’m Carrie Underwood, wishing you a very Happy Father’s Day.”

“Hey everybody! This is Catie Offerman. For all you fathers out there, Happy Father’s Day.”

“Hey y’all! This is Caylee Hammack. For all you Dads out there, Happy Father’s Day.”

“Hey, this is Chrissy Metz, wishing you a very Happy Father’s Day.”

“Hey y’all, this is Dalton Dover, wishing you a Happy Father’s Day.”

“Hey! What’s up? This is Darius Rucker wishing you a Happy Father’s Day.”

“Hey y’all, this is Dillon James. To all the Dads out there, Happy Father’s Day.”

“Hey! This is Eric Church, wishing you a Happy Father’s Day.”

“Hey y’all, this is Jon Langston, wishing you a very Happy Father’s Day.”

“Jon Pardi here. Happy Father’s Day to all you father’s out there.”

“Hey! It’s Jon Pardi, wishing all the fathers out there a very Happy Father’s Day. Here’s to you,  Senior.  Insert beer can opening sample (sound effect). (laughs)

“Hey! I’m Jordan Davis, wishing you all a Happy Father’s Day.”

“Hey y’all, this is Josh Ross. To all the dads out there, wishing you a Happy Father’s Day.”

“Hey y’all! This is Josh Turner, and I just want to wish all you father’s out there a Happy Father’s Day!”

“Hey! It’s Kacey Musgraves. Happy Father’s Day!”

“Hey everyone! It’s Keith Urban, wishing all you Dads out there a Happy Father’s Day.”

“Hey y’all, this is Kylie Morgan. Happy Father’s Day.”

“Hi! This is Little Big Town, wishing all you father’s a Happy Father’s Day.”

“Hey! This is Luke Bryan, wishing all the Fathers out there a very Happy Father’s Day. Here’s to you, Dad.”

“Hey everybody! I’m Maddie and I’m Tae, wishing all you fathers out there a Happy Father’s Day.”

“Hey everybody, this is Mickey Guyton, wishing you a very Happy Father’s Day.”

“Hey Everybody, I’m Parker McCollum, wishing you a very Happy Father’s Day.”

“Hey! It’s Priscilla Block. For all you fathers – Happy Father’s Day!”

“Hey! This is Sam Hunt. To all you fathers out there, Happy Father’s Day!”

“Hi! This is Shania Twain. Happy Father’s Day.”

“Hey everybody! We are The War And Treaty, and to all the fathers out there all around the world – Happy Father’s Day to you.”

“Hey y’all, it’s Timothy Wayne, wishing all the fathers out there a very Happy Father’s Day.”

“Hey y’all, it’s Travis Denning, wishing all you fathers out there a very Happy Father’s Day. Happy Father’s Day, Diamond Dave.”

“Hey everybody! It’s Vince, and I just wanted to wish you a Happy Father’s Day. Wish mine was still around.”

AJ (Valentine’s Day) OC: …continue to. :24

“We got a lot of history together now, and we’re happier than we’ve ever been. So, she’s still beautiful, and she’s always inspired songs. I mean, one of my early hits was a song called ‘I’d Love You All Over Again,’ I wrote for her for our 10^th anniversary. I mean, there’s been a zillion songs that have pieces of our good days and bad days inspired, and they continue to.”

Billy Currington (Valentine’s Day memory) OC: …took off running. :21
“Yeah, I remember my first girlfriend. I was in first or second grade, but anyway, I remember it was Valentine’s Day and your mom going, ‘You’ve got to give your girlfriend something, and you’ve got to go give it to her.’ I’ll never forget — we got her a box of chocolates or whatever it was. I remember going down to her classroom and knocking on the door, getting her to come to the door. I remember handing it to her, and then I took off running.”

Carrie Underwood (Valentine’s Day-chocolate) OC: …white chocolate. :14
“Chocolate’s every woman’s friend – in their time of need or in their time of happiness or in their time of sadness or madness, chocolate is my friend. Anything with caramel in it, ooooooooh. White chocolate’s good too. You can’t beat some good white chocolate.”

Dierks Bentley (Valentine’s Day) 1 OC: …want to. :19

“Well, before, as a single guy in the past, if you were dating someone, it’s that holiday that comes along where you have to really like stamp out on paper exactly where the relationship really stands. You don’t want to undershoot it ’cause then you’ll be in trouble, you know, if you don’t give the right present or don’t say the right things, you’re gonna be in the doghouse. But then if you overstate your hand, then you’re moving the relationship way faster than you actually want to.”

Dierks Bentley (Valentine’s Day-most interesting gift he’s given his wife) OC: …formulate yourself. 1:19
“When ‘What Was I Thinkin’’ was released in 2003, I didn’t know what my life would look like, and all of a sudden, I found myself out on the road full-time, just gone. So, the place where I was staying, I had some friends pack it up and move it into a storage facility…and in there I found some letters that she and I had written back and forth when we were dating. I was working at The Nashville Network and she was working out in San Francisco and found some letters I had written her and I’d gotten back and some stuff she’d sent me, including a CD of songs she’d been listening to, back when you made CD mixes and there’s like these three hearts on that CD. I just found that it was so meaningful for me those gifts you give each other before any money, before anything else was going on, just music, giving of mixtapes was so cool. She reminded me of a mixtape that I had sent her. I’d sent it to her via FedEx, because it was so important she get this as quickly as possible. This was sadly before, I guess we had internet back then, but you really couldn’t send songs over the internet. I think the most interesting thing I’ve given her and she’s given me was just mixtapes, because there’s nothing like music to put into words and the thoughts you have in your head that you can’t formulate yourself.”

Dierks Bentley (Valentine’s Day) 2 OC: …could before. :28

“You get married and that’s a long-term, bigger image of what love can be. Then you have a child, and your heart gets spread so thin and it’s so vulnerable, like it’s a really tough, tough feeling, and it can kill you. It can really be painful at times, and at the same time, it’s so great. But it definitely stretches your heart…and it doesn’t change anything, it just makes your heart, I think it just makes it bigger. I think you just find that you can love more than you ever thought you could before.”

Eric Church (Valentine’s) OC: …love song is. :19

“True love to me is when you love a person in spite of all their fallibilities, and for me, I have a lot of ‘em. I’m definitely at times hard to love, and that’s what’s great about Katherine and the way she loves me. She loves me in spite of those things and really for those things.”

George Strait (Love) OC: …go ‘round. :14
“If you don’t have love, I mean what do you have? You know, you have love for your wife or your husband or your children or your dogs or your horses or your golf clubs, you know? Love is what makes the world go ‘round.”

Jon Pardi (Valentine’s Day – Summer) OC: …for you. (laughs) :35
“One thing Summer has taught me is that gifts are cool, diamonds, blah, blah, blah, but to take your time and clear your mind and write something about what she means to you on a card is probably the most least expensive and the biggest price you can give her is just to write and tell her how much you love her on a little card. That’s what she taught me for Valentine’s Day, so I just do that. It’s way cheaper. (laughs) And of course, I always say to her, ‘Babe, every day is Valentine’s Day for you.’” (laughs)

Jordan Davis (meeting wife) OC: …here we are. :47
“My college roommate was getting married in New Orleans. My wife was in New Orleans for a totally separate wedding. Both wedding parties were staying at the same hotel, so we met, the first time, in the lobby of the hotel. I’m actually wearing a necklace that has the coordinates to that hotel. Then the next day, me and my brother walk into a bar in New Orleans, and her and her friends were sitting in the corner, and I was like, ‘Hey-that’s the girl from the lobby.’ She was actually dating somebody at the time. But we kind of exchanged numbers and stayed in contact, and about two months later, a month later, she came into town for CMA Music Fest and told me that she no longer had a boyfriend, and here we are.”

Jordan Davis (Valentine’s Day tradition) OC: …happy Valentine’s. (laughs)
“When it comes to Valentines, Kristen is way more romantic than I am. I’m not a very romantic guy. I have worked on it.  I’ve tried to get a little bit better over the years. Kristen loves chocolate so she’s good for a big chocolate box, but here’s our thing about Valentine’s Day, and this is the God’s honest truth. We’ve been going to Olive Garden on Valentine’s Day since we met. We’ve continued that tradition. I think it started with her and a friend, they used to always go to Olive Garden on Valentine’s Day before they started dating, or before they got in a relationship. So, we have carried that out, so this year will be our, I believe our eighth Valentines in a row where we go in for endless salad and bread sticks. So, if its Valentine’s Day, and you’re at an Olive Garden, we could be next to each other. So, yeah, hope to see somebody out there at the table next to us just hammering on some breadsticks. So, happy Valentine’s.” (laughs)

Jordan Davis (love song) OC: …well done! :25
“I guess Valentine’s Day gets you to thinking about love songs. You know, me and my wife’s first dance was ‘I’m Gonna Lose You’ [by] John Legend and Meghan Trainor. I think that’s just an amazing love song. I think also a love song that I heard the other day? ‘Strawberry Wine’ from Deana Carter? Great love song. I listened to that a lot. Ooooh Deana Carter. Well done.”

Josh Turner (Romantic) OC: …long time to come. :26
“If you ask my wife Jennifer if I was a romantic, she would definitely say, ‘Yes,’ but she knows that sometimes my hectic schedule and our busy lifestyles can kind of interfere with the romantic side of things. But we do try to make efforts towards being together and having adult conversations and taking time away from the children and doing things that husbands and wives do, so we’ll definitely try to continue that for a long time to come.”

Keith Urban (Nicole support) OC: …very important. :17
“I feel very blessed that I have the support of my family like I do. It’s a beautiful thing having two artists because we understand the passion and the responsibility of what we get to do. It’s very important.”

Kylie Morgan (Valentine’s Day) OC: …I’ve ever had. :33
“Man, I will say my husband Jay Allen, who is also a country music artist if you guys haven’t heard of him, he is the most romantic person I’ve ever met in my entire life, truly. For Valentine’s Day, gosh, two years ago, I came home to the entire house being lit with tiny candles, a whole dinner made with my favorite bottle of wine, and this was even before he proposed. So, a lot of people thought that he was gonna pop the question that night, but he saved that for a later time. But it was the most magical Valentine’s Day I’ve ever had.”

Little Big Town (Kimberly falling in love) OC: …healed me. 1:20
Kimberly: “Well, I wasn’t planning on falling in love, at all. I didn’t want to…I wasn’t sure that I ever would.  So, my husband now and I were just really good friends, and after my late husband died all my friends were calling me, all the time. Just checking up on me. He was just an old friends. We had known each other for about six years and he started calling me just like everybody else did.  But, he started calling me more than everybody else did [laughs]. We had both been through similar losses, he hadn’t lost a mate but he had lost a close friend, so we kind of bonded over that. I grieved, kind of, at him a lot. He took my grief, I had a lot of grief left, and he just took it and listened and accepted it and was so understanding and let me talk about my late husband all the time. We still talk about him a lot, and he’s totally fine with it. He says that, that made me who he fell in love with and he never minds if I bring anything from the past up which is just really sweet. I was shocked, I remember when I first realized that I was having feelings. I just thought, OK, this is so weird.  What is this?  I haven’t felt this in a long, long, time. This is weird. But, eventually I allowed myself and it’s been the most beautiful gift of my life. It pulled me out of the deepest hole that I’ve ever been in and healed me.”

Little Big Town (Jimi & Karen fell in love) OC: (Kimberly) …to be together. :48

JIMI: “We were in the band a long time before there was ever anything which is interesting. I think there was always something underlying there that we were kind of trying to ignore. And then when the opportunity came, when all of us, ended up single kind of at the same time, a very strange turn of events for the band in a lot of different ways. And those feelings, you were able to come out with them finally. It was like, we’re single. Let’s get together. And, you know, she has a beautiful heart and she’s absolutely gorgeous and I just love her dearly.”

PHILLIP: “Get a room!” [laughs]

KIMBERLY: “They’re a perfect match. They really are. They were meant to be together.”

Little Big Town (Phillip – reasons fell in love) OC: …real love. :17
“I think everything that I had gone through before had prepared me to be ready to see that there was genuine love there for me, and my Rebecca.  So, it was just a great time, I wouldn’t have been ready before I met her…Now it’s just been a really great journey to heal through the past and to know real love.”

Luke Bryan (married college sweetheart) OC: …married. :27
”I married my college sweetheart. We dated back in college and broke up for nearly six years, and while I was off doing my Nashville stuff and touring and writing songs, she was finishing getting her career kind of going. Man, we just kinda bumped into each other one night, and it was like bam, here we are married.”

Luke Bryan (love song with Caroline) OC: …That’s it! :11
“Caroline and I, we had a love song in college. It was Lenny Kravitz’ [starts singing] ‘I just can’t get you off of my mind.’ That’s it!”

Maddie & Tae (Tae talking about husband Josh) OC: …that way, you know? :45
“From the moment I met Josh, he never shied away from sharing what’s on his heart. For me, sharing what’s on my heart is sometimes hard, but he always created the environment and dynamic of it’s totally normal to open up and let people to see that side of you. And so, the more we spent time together, the more I kind of adopted that mindset of like, ‘Okay, I can be vulnerable. I can take risks. I can put myself out there and maybe get rejected, but maybe it could be awesome.’ Our relationship is that to a T. I was skeptical at first and I was scared, and he was scared. And we both just, we went all in, and I felt so safe to go there with him and he’s always made me feel that way, you know?”

Travis Denning (writing 2 songs for Madison) OC: …that way. :40
“I had the title ‘Second Best Thing’ I think right when me and Madison started dating and really started getting serious. It’s funny to look back that I wrote a song about getting married that early in our relationship, but for as creepy as that might sound (laughs), I mean, it’s just the truth. I knew really fast that we were going to spend the rest of our life together, and then I later wrote ‘New Year’s Kiss’ just recalling that kind of initial moment that I knew we’d probably end up being more than just friends. I recorded them a while ago and have just been holding on for the right moment to put them out, and I wanted this to kind of feel like a gift to her, and I hope it comes off that way.”